Results
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£34.95Life in the Sun (Brass Band - Score and Parts) - Wiffin, Rob
This bright and attractive concert overture was written while the comp0ser was living in Spain and enjoying life in the sun - a rare experience for an Englishman! It is intended to be an effervescent and cheerful piece, enjoyable both to play and to listen to. There are no great technical challenges in the music but it is essential that the performers play with a firm grasp of the rhythmic nature of the piece.It opens with a bold fanfare, giving the first statement of a theme that is to be used throughout. Once the broad opening is over the music has a feeling of energy and joy that drives all the way through the piece. The style is light and jazz-inflected and owes much to the compositional idiom of Goff Richards, the guru of entertaining band music.Duration: 5.00
Estimated dispatch 7-14 working days
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£44.95Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£87.95
Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£38.00Leviathan (Brass Band - Score and Parts) - Denegri, Paul - Barton, Tom
"Leviathan" began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; "Whale Nation". At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25 minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase, and the ultimate demise of earth's largest mammal. Originally commissioned by Superbrass for brass ensemble, this arrangement is by Tom Barton. Duration: 6.30. Suitable for 1st Section Bands and above.
Estimated dispatch 7-14 working days
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£39.99Evolution (Five States of Change) (Brass Band - Score only) - Sparke, Philip
Evolution was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing brass band repertoire.The composer writes:The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine and astrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life. An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues. I was particularly interested in the cycle of emotions: Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Evolution has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle.- Philip SparkeDuration: 11:15
Estimated dispatch 7-14 working days
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£106.99
Evolution (Five States of Change) (Brass Band - Score and Parts) - Sparke, Philip
Evolution was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing brass band repertoire.The composer writes:The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine and astrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life. An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues. I was particularly interested in the cycle of emotions: Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Evolution has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle.- Philip SparkeDuration: 11:15
Estimated dispatch 7-14 working days
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£76.99The Universal Band Collection (Brass Band - Score and Parts) - De Haan, Jacob
A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl: A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad: A ballad in pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game: An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego: A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance: Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.Duration: 10:30
Estimated dispatch 7-14 working days
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£60.99Centennial Prelude (Brass Band - Score and Parts) - Van der Roost, Jan
This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed! It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introduction reoccurs. Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.Duration: 3:30
Estimated dispatch 7-14 working days
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£139.99Missa Brevis Brass Band (Score & Parts)
Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration of choir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is also possible to perform the work with brass band and organ. A truly flexible religious masterpiece. 20:00
Estimated dispatch 7-14 working days
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£40.00Symphonic Dance No.3 (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Completed in 1940, the set of?Symphonic Dances?was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colours throughout.?Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941. This arrangement is of the last dance and is a kind of struggle between the?Dies Iraetheme, representing Death, and a quotation from Rachmaninov's own?Vespers?(also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement).?Duration: 3:45
Estimated dispatch 7-14 working days
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