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£199.95Tunes and Toasts for all Times (Brass Band Value Set) - Barsotti, Roger
Brass Band set includes:Eb Soprano Cornet x1Solo Bb Cornet x4Repiano Bb Cornet x12nd Bb Cornet x23rd Bb cornet x2Bb Flugel Horn x1Solo Eb Horn x11st Eb Horn x12nd Eb Horn x11st Bb Baritone x12nd Bb Baritone x11st Bb Trombone (TC) x12nd Bb Trombone (TC) x1Bass Trombone x1Bb Euphonium (TC) x2Eb Bass x2Bb Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)
Estimated dispatch 7-14 working days
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£24.95
Of Whom I Sing Jeg Elsker Dig (Brass Band - Score and Parts) - Grieg, Edvard - Ballantine, Leonard
The original, Jeg elsker Dig, is a plaintive love song for voice and piano with words by Hans Christian Anderson; 'You have become thought of my thought, you are my heart's first love. I love you, as no one here on earth, I shall love you through time and eternity!'
Estimated dispatch 7-14 working days
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£12.50
Of Whom I Sing Jeg Elsker Dig (Brass Band - Score only) - Grieg, Edvard - Ballantine, Leonard
The original, Jeg elsker Dig, is a plaintive love song for voice and piano with words by Hans Christian Anderson; 'You have become thought of my thought, you are my heart's first love. I love you, as no one here on earth, I shall love you through time and eternity!'
Estimated dispatch 7-14 working days
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£137.95CABARET CONCERTO (Piano Solo with Brass Band - Score and Parts) - Ellerby, Martin
Includes: Harmony in Green and Rose; Variations in Pink and Grey; Nocturne in Blue and Silver; An Orange Note; Arrangement in White and Black (Cornet Solo); Caprice in Purple and Gold; symphony in White; Harmony in Blue. Duration: 20:00. Recorded on Polyphonic QPRL231D TERRA AUSTRALIS
Estimated dispatch 7-14 working days
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£24.95
OF WHOM I SING Jeg elsker Dig (Brass Band Set) - Edvard Grieg - Leonard Ballantine
The original, Jeg elsker Dig, is a plaintive love song for voice and piano with words by Hans Christian Anderson; 'You have become thought of my thought, you are my heart's first love. I love you, as no one here on earth, I shall love you through time and eternity!'
Estimated dispatch 7-14 working days
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£5.00O Mio Babbino Caro (Trombone or Horn Solo and Piano Accompaniment)
This famous aria is from the opera Gianni Schicchi. Lauretta, daughter of Gianni Schicchi, has fallen in love with Rinuccio but there are huge tensions between their two families which threaten to keep the young couple apart. The rather discordant music which opens portrays these tensions before giving way to Lauretta's tender appeal to her father to allow her to marry the man she loves. A brass band arrangement of this aria was prepared at the request of Brett Baker to be performed with Brass Band Of The Western Reserve, musical director Dr Keith M Wilkinson, during his visit in May, 2011. This piano accompaniment version will make this beautiful music accessible to more soloists.Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment
Estimated dispatch 7-14 working days
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£90.00Vienna Nights (Brass Band - Score and Parts)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£12.00
Vienna Nights (Brass Band - Study Score)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£14.95My Love is Like a Red, Red Rose (Euphonium and Piano)
An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.
Estimated dispatch 7-14 working days
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£89.95Four Etudes (Brass Band - Score and Parts) - Gregson, Edward
This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00
Estimated dispatch 7-14 working days
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