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  • £189.95

    'The New Christmas Collection' - Full Set March Card Size

    The new Christmas Collection carol books contain all the traditional Christmas Carols, with some new 'pop' music arrangements included to add more variety to your carolling this year.

     

    * Note, these are not compatible with the New Christmas Praise books.

    Full list of works in The Christmas Collection:-

    • A child this day is born
    • A Christmas lullaby
    • A great and mighty wonder
    • All I want for Christmas is you
    • All my heart this night rejoices
    • Angels, from the realms of Glory (Come and worship)
    • Angels, from the realms of Glory (Iris)
    • Angels we have heard on high
    • A starry night
    • As with gladness men of old
    • Auld lang syne
    • A virgin most pure
    • Away in a manger (The manger scene)
    • Away in a manger (Traditional)
    • A winter’s tale
    • Bethlehem
    • Brightest and best (Spean)
    • Brightest and best (Traditional)
    • Calypso Carol
    • Carol for the Nativity
    • Carol of the bells
    • Carol of the drum
    • Child of Mary
    • Christians Awake!
    • Christ is born (Il est né)
    • Christ was born on Christmas Day
    • Come and join the celebration
    • Come, children, come quickly
    • Coventry Carol
    • Deck the hall
    • Ding dong! merrily on high
    • Do you hear what I hear?
    • Frosty the snowman
    • Gabriel’s Message
    • Gaudete
    • Glory in the highest
    • Glory in the highest Heaven
    • God of God, the uncreated
    • God rest you merry, gentlemen
    • Good Christian men, rejoice
    • Good King Wenceslas
    • Go, tell it on the mountain!
    • Happy Christmas (War is over)
    • Hark the glad sound!
    • Hark! the herald angels sing
    • Have yourself a merry little Christmas
    • Here we come a-wassailing
    • How far is it to Bethlehem?
    • Huron Carol
    • Infant Holy
    • In the bleak midwinter (Cranham)
    • In the bleak midwinter (Darke)
    • I saw mommy kissing Santa Claus
    • I saw three ships come sailing in
    • It came upon a midnight clear (Traditional)
    • It came upon a midnight clear (Willis)
    • It’s beginning to look a lot like Christmas
    • It’s the most wonderful time of the year
    • I wish it could be Christmas everyday
    • I wonder as I wander
    • Jesus, good above all other
    • Jingle Bells
    • Jingle bell rock
    • Joy to the world!
    • Last Christmas
    • Let it snow!
    • Little baby Jesus
    • Little children, wake and listen
    • Little Donkey
    • Little Jesus, sweetly sleep
    • Lo! he comes with clouds descending
    • Long, long ago
    • Love came down at Christmas
    • Mary’s boy child
    • Mary’s Child
    • Masters in this hall
    • Merry Christmas everyone
    • Mistletoe and wine
    • Noel
    • O Christmas tree
    • O come, all ye faithful
    • O come, Immanuel
    • O Heaven-sent King
    • O holy night!
    • O little town of Bethlehem (Christmas Carol)
    • O little town of Bethlehem (Forest Green)
    • O little town of Bethlehem (St Louis)
    • Once in royal David’s city
    • Past three o’clock
    • Patapan
    • Personent Hodie
    • Praise ye the Lord
    • Ring the bells
    • Rise up, shepherd!
    • Rockin’ around the Christmas tree
    • Rudolph, the red-nosed reindeer
    • Sans day carol
    • Santa Claus is comin’ to town
    • Saviour’s Day
    • See, amid the winter’s snow
    • Silent Night!
    • Sleigh Ride
    • Softly the night is sleeping
    • So here it is, merry Christmas
    • Stars are shining
    • Still, still, still
    • Stop the cavalry
    • Sussex Carol
    • Sweet chiming bells
    • Sweet chiming Christmas bells
    • The candle song
    • The cherry tree carol
    • The Christmas song
    • The first Nowell
    • The holly and the ivy
    • The infant King
    • The light has come
    • The shepherds’ farewell
    • The stable door
    • The star in the east
    • The twelve days of Christmas
    • The virgin Mary had a baby boy
    • They all were looking for a king
    • Thou didst leave thy throne
    • Three kings’ march
    • Unto us a boy is born
    • Walking in the air
    • We gather round the manger-bed
    • We three kings of Orient are
    • We wish you a merry Christmas
    • What child is this?
    • When a child is born
    • When Santa got stuck up the chimney
    • Whence is that goodly fragrance flowing?
    • When wise men came seeking
    • While shepherds watched (Cranbrook)
    • While shepherds watched (Handel)
    • While shepherds watched (Winchester Old)
    • White Christmas
    • Who is he?
    • Winter Wonderland
    • Worldwide Christmas message
    • Zither Carol
    • A starry night
    • Christmas Joy
    • Christmas Praise
    • Coventry Carol
    • Infant Holy
    • Mid-winter
    • Rudolph, the red-nosed reindeer
    • The everlasting light
    • To celebrate his birth
    • Yuletide Rag

    Estimated dispatch 7-14 working days
  • £29.95

    Dream Sequence - Jonathan Bates

    DURATION: 3'00". DIFFICULTY: 3rd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'Dream Sequence' is an ethereal texture-driven work relying heavily on the use of tuned percussion to create a dreamy layer of sound within which the band intersperse. In the context of the story, this work is used to set the scene of Scrooge drifting to sleep, contemplating his ways before the visit of the 3 ghosts later that evening. The 2 Christmas carols utilised in this work are 'O Come Emmanuel' and 'Carol of the Bells'. .

    In Stock: Estimated dispatch 1-3 working days
  • £44.95

    Panic on Pudding Lane - Jonathan Bates

    DURATION: 5 minutes. DIFFICULTY: Championship. Panic on Pudding Lane was composed for the 2016 RNCM Festival of Brass, for the Black Dyke Band and Prof. Nicholas Childs. The work was composed to mark the 350th anniversary of the Great Fire of London in 1666. Following the frantic panicking, and hustle and bustle of the emergency service vehicles, a moment of reflection and tranquility is found in the core of the work, with a feature for Soprano Cornet and Flugelhorn in a section that almost pleads and mourns over the damage and devastation which surrounds them, as they stand amongst the burning rubble and debris (enhanced by a CD sound effect backing track). Whilst this section proves to be the calming point of the piece, the chaos and destruction is still never far from the ear, with distant echoes of sirens in the background towards the section's close. . Panic once again returns as the piece builds to a chaotic and driving close, with a huge sweeping recapitulation of the 'London's Burning' motif taking the lead before a wild,dischordant and frenzied finale brings the work to it's end. .

    In Stock: Estimated dispatch 1-3 working days
  • £40.00

    Little Christmas - Elaine Agnew

    An atmospheric, contemporary piece for brass band by prolific composer Elaine Agnew. The work was originally commissioned by the North of Ireland Bands' Association as the 'B Section' test piece for the 2006 European Brass Band Championships, with funds from the Arts Council of Northern Ireland Lottery Unit and Belfast City Council.Programme notes:The night of Sunday the sixth of January 1839 was a night of madness. On this night, Ireland was hit by a devastating storm. Little Christmas focuses on the events of that day, leading to the arrival of the storm itself.The piece opens with a blast, which is quickly hushed by a motionless phrase whose silence suggests something not quite right. A solo euphonium mimics the local seer who prophesizes the coming of the storm but who is ignored by the locals, who are well used to his rantings and ravings.A brief percussion improvisation hints at an uncertainty in the air but this is quickly ignored by the following fast section with the bustle and excitement of the day's preparations.Quiet solo chromatic lines swoosh over harmonic pillars of sound before the final "dizzy" section where the band lets rip at the arrival of the storm!

    In Stock: Estimated dispatch 3-5 working days
  • £59.95

    Festival Suite (Brass Band - Score and Parts)

    This three movement suite for brass band was commissioned by the Solothurnischer Blasmusikverband (SOBV) in Switzerland for their 2009 Festival. The first movement, Energy, is appropriately lively in character. It is dominated by an agitated theme on trombones and cornets, driven by a percussion accompaniment, and complemented by pulsating counterpoint from the rest of the band. The second movement is called Repose and its opening melodious theme on cornets provides a welcome respite from the restlessness and verve of the opening movement. The lyrical nature of the music is sustained throughout. The finale, Suspense, opens with a theme containing more than a hint of foreboding which recurs several times. There are numerous abrupt changes of dynamics, and also a brightening of mood, before everything finishes in a blaze of sound.

    Estimated dispatch 7-14 working days
  • £33.20

    Disinformation! (Brass Band) Joe Galuszka

    This atmospheric work by English composer Joe Galuszka is set in three movements: I. Fear II. Hope III. Solidarity (March for Truth) The composer writes: 'All around us is mistrust in the information we receive. Chinese misinformation. Russian disinformation. 'Fake News' in the United States. At every turn we doubt what we hear, what we see. Disinformation was composed in response to the ever-growing and all powerful misinformation campaigns worldwide that reached dizzying levels of influence, coming from some of the most eminent heads of states, during the turn of the 21st century. With division and disillusionment now rife and engrained in Western democracies, the unravelling of the social order is reflected in this short work for brass band. Opening with Fear, Disinformation starts with vast amounts of noise taking over the establishment and paints a world with people coming to terms with the cacophony of sound that is 'false information'. With a retreat to a brief moment of solace, Hope conjures up a calm escapism where on the outside, the brave and the wise look on to what is becoming of our new world. Maybe there is chance to pull together? Ending with a frenzied, brazen climax, the piece concludes with Solidarity - where people and the politicians come to loggerheads in a battle - where those who seek division are called out and the lies are laid bare for all to see, as we enter, once more, the unknown.' To listen to a recording of Solna Brassperforming the work please visit https://open.spotify.com/track/2gvPdCsvmykdWpm2yjz3Uk?si=68cc33805d16449c To view a rolling score video of this work please visit www.youtube.com/watch?v=z-0I47yfvM0 PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 1st Section + Length: 4.35 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4 (Part 2 optional)

    In Stock: Estimated dispatch 1-3 working days
  • £125.00

    Dark Arteries Suite - Gavin Higgins

    Dark Arteries was commissioned by Rambert Dance Company and first performed in May 2015 with the Tredegar Town Band sharing the stage with Rambert dancers. Dark Arteries is a personal and at times highly wrought response to the Miners Strike and its aftermath. It is in three movements, the first and last are expansive, with widely contrasting sound worlds, from dark, brooding melodies and the haunting sounds of solo flugel horn to wild syncopations on cornets, suggestive of an imposing, but often bleak mining landscape.In 2016 Higgins re-worked Dark Arteries into a virtuoso concert suite, which captures the essence of the work in three connected movements.Dark Arteries Suite was premiered by the National Youth Brass Band of Great Britain, conducted by Bramwell Tovey at the Barbican Centre, London, 22 April 2017.

    In Stock: Estimated dispatch 1-3 working days
  • £30.00

    Frost - Lucy Pankhurst

    A spotlight composition from Lucy Pankhurst for baritone soloist with brass accompaniment.Opening with a rich combination of melody and harmony, the resulting sound draws in the audience with its beauty. The sounds grow and the accompaniment starts to introduce moments of extra rhythmic interest. This then progresses into a more playful section where the melody line is developed further. Eventually the solo returns to a more reflective section and once again the further development of the rich warm harmonies.This is a lovely addition to the baritone repertoire and brings with it a new level of appreciation for the instrument.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Wicked - Lucy Pankhurst

    A fascinating and upbeat composition from Lucy Pankhurst, offering great creativity with sound combinations and some funky rhythms!Originally written for and dedicated to The Wingates Band, the opening of this wild piece features the euphonium with some challenging playing effects - all the better for grabbing the attention of the audience. It's not long before the strong rhythms get those toes tapping, and other players join in with their own 'wicked' contributions.It's fast-paced, incredibly rhythmic and demands the listeners' attention right from the outset. Take a look at the performance below to fully appreciate the captivating nature of the piece.Look and Listen (courtesy of Ensemble de Cuivres Valaisan):

    In Stock: Estimated dispatch 3-5 working days
  • £25.00 £25.00
    Buy from Wobbleco Music

    Duet For Two Cats - G. Rossini - Len Jenkins

    "Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.