Results
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£18.75Pomp and Circumstance No. 1 (Land of Hope and Glory) - Elgar
Performance Notes by Andrew Duncan:This fine march theme is arranged in two distinct parts.From the beginning up to two bars before letter C the melody is played quietly with the Horns carrying the tune - the Horns have to play up to a high F in this section. If this is not something that your band can manage then you have two options of where you can start playing the arrangement from.If your band can manage the chromatic notes, then begin playing from two bars before letter C. Alternatively, simply start playing directly from letter C .The musical concepts of Rallentando and A tempo are encountered in this arrangement. These can be difficult concepts for inexperienced players to grasp, so playing this arrangement should help to establish this technique.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.
In Stock: Estimated dispatch 3-5 working days
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A Holly Jolly Christmas - Johnny Marks - Len Jenkins
"A Holly Jolly Christmas" is a Christmas song written in 1962 by Johnny Marks. He was also responsible for Rudolph, the Red-Nosed Reindeer and Rocking Around the Christmas Tree amongst his other compositions. The most well-known vocal editions are those by Burl Ives who recorded it in 1964 for a Christmas special, and then re-recorded in 1965 for his holiday album, Have a Holly Jolly Christmas. This latter version of the song has a somewhat slower arrangement than the previous version and featured an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. More recently, it has been recorded by Michael Buble.
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£15.00Harrison's Dream (Brass Band - Study Score)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£45.00Two Herefordshire Carols (Brass Band - Score and Parts)
The two traditional tunes that comprise this straightforward setting were sung to Ralph Vaughan Williams (1872-1958) by Mrs. Esther Smith of Dilwyn, near Hereford, during one of the great composer's folk song collecting tours of England in the early years of the twentieth century. They were included in Twelve Traditional Carols from Herefordshire, edited by E.M. Leather and Vaughan Williams. The words to which Mrs. Smith sung the first tune were probably drawn from eighteenth century evangelical sources. The editors replaced these with six of the 16 verses of a traditional seventeenth century carol text, Joseph and Mary.The second melody, which appears as the centre piece of this arrangement, was sung to a carol that tells of a farmer who ploughed on Christmas Day. It is in fact a translation of a German traditional carol Gelobet seist du Jesu Christ that was published in Goodly Psalmes and Spiritualle Songes (1546) translated by Miles Coverdale. Vaughan Williams used the title Coverdale's Carol.The brass band settings follow the settings made by Vaughan Williams in 1920 for the Oxford Book of Carols. Since his simple harmonic approach is similar in both settings, three verses of his haunting version of Coverdale's Carol have been folded inside four verses of the slightly more animated treatment of Joseph and Mary. The harmonisations of Vaughan Williams have been given some brass band colour, with some verses taken by soloists from the ensemble. The accompaniment figuration that embellishes the second verse of Joseph and Mary has been used to open and close this arrangement and to bind the verses together.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
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£12.00120 Hymns - A4 Parts
INDEX OF HYMNS :AberystwythAbridgeAngelusAureliaAustrian HymnBelmontBlaenwernCarlisleChrist the KingComeCorJesuCorpus ChristiCrimondCross of JesusDarwalls 148thDay of RestDennisDiademDiademataDivine MysteriesDixDominus Regit MeDresden (Wir pflugen)Duke StreetDundee (French)Easter HymnEm' Feste BurgEllacombeEllersEventideFranconiaFrench (Dundee)GeibelGerontiusGopsalHanoverHollingsideHorsleyHursleyHyfrydolInnocentsKocherLaudate DominumLaudes DominiLloydLobe den HerrenLove DivineLux BenignaMaidstoneMannheimMartyrdomMarytonMelcombeMelitaMiles LaneMisericordiaMissionaryMonldandMonks GateMorning HymnMorning LightMoscowMozart (Nottingham)National AnthemNearer, My God, To TheeNicaNottingham (Mozart)Nun DanketOld HundredthPassion ChoralePenlanPentecostPilgrimsPraise, my SoulRedheadRegent SquareRichmondRimmingtonRockinghamSt. AgnesSt. AlbinusSt. AnnSt. BeesSt. CeciliaSt. ClementSt. ColumbaSt. CuthbertSt. DenioSt. EtheiwaldSt. FrancisSt. George,St. GertrudeSt. MagnusSt. MichaelSt. OswaldSt. PeterSt. TheodulphSt. TheresaSamuelSandonSawstonSine NomineStellaStracathroStuttgartTallis' CanonTurns DavidicaVictoryVox DilectiWarehamWarringtonWestminsterWhen He ComethWhitburnWiltshireWir pflugen (Dresden)INDEX OF CAROLS :Angels from the Realms of GloryAs with GladnessAway in a MangerChristians AwakeCoventry Carol, TheDing Dong Merrily on HighDeck the HallsGod Rest ye Merry GentlemenGood King WenceslasGood Christian Men RejoiceHark! The Herald Angels SingHolly and The Ivy, TheI Saw Three ShipsIt Came upon the Midnight ClearJingle BellsNowellO Come All Ye FaithfulO Little Town of BethlehemOnce in Royal David's CityRocking Carol, TheSee Amid the Winter SnowSilent NightUnto us a Child is BornWassailWe Three KingsWe Wish you a Merry ChristmasWhile Shepherds Watched
Estimated dispatch 7-14 working days
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£10.00
120 Hymns - A5 Parts
INDEX OF HYMNS :AberystwythAbridgeAngelusAureliaAustrian HymnBelmontBlaenwernCarlisleChrist the KingComeCorJesuCorpus ChristiCrimondCross of JesusDarwalls 148thDay of RestDennisDiademDiademataDivine MysteriesDixDominus Regit MeDresden (Wir pflugen)Duke StreetDundee (French)Easter HymnEm' Feste BurgEllacombeEllersEventideFranconiaFrench (Dundee)GeibelGerontiusGopsalHanoverHollingsideHorsleyHursleyHyfrydolInnocentsKocherLaudate DominumLaudes DominiLloydLobe den HerrenLove DivineLux BenignaMaidstoneMannheimMartyrdomMarytonMelcombeMelitaMiles LaneMisericordiaMissionaryMonldandMonks GateMorning HymnMorning LightMoscowMozart (Nottingham)National AnthemNearer, My God, To TheeNicaNottingham (Mozart)Nun DanketOld HundredthPassion ChoralePenlanPentecostPilgrimsPraise, my SoulRedheadRegent SquareRichmondRimmingtonRockinghamSt. AgnesSt. AlbinusSt. AnnSt. BeesSt. CeciliaSt. ClementSt. ColumbaSt. CuthbertSt. DenioSt. EtheiwaldSt. FrancisSt. George,St. GertrudeSt. MagnusSt. MichaelSt. OswaldSt. PeterSt. TheodulphSt. TheresaSamuelSandonSawstonSine NomineStellaStracathroStuttgartTallis' CanonTurns DavidicaVictoryVox DilectiWarehamWarringtonWestminsterWhen He ComethWhitburnWiltshireWir pflugen (Dresden)INDEX OF CAROLS :Angels from the Realms of GloryAs with GladnessAway in a MangerChristians AwakeCoventry Carol, TheDing Dong Merrily on HighDeck the HallsGod Rest ye Merry GentlemenGood King WenceslasGood Christian Men RejoiceHark! The Herald Angels SingHolly and The Ivy, TheI Saw Three ShipsIt Came upon the Midnight ClearJingle BellsNowellO Come All Ye FaithfulO Little Town of BethlehemOnce in Royal David's CityRocking Carol, TheSee Amid the Winter SnowSilent NightUnto us a Child is BornWassailWe Three KingsWe Wish you a Merry ChristmasWhile Shepherds Watched
Estimated dispatch 7-14 working days
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£34.95Judd: My Hope - Roger Trigg
'My Hope' was written for, and premiered by Enfield Citadel Band (Bandmaster Jonathan Corry) on 11th October, 2013. The work formed part of the band's annual pre-contest festival on the eve of the National Brass Band Championships which are held in the august surroundings of the Royal Albert Hall, London each year. The words 'my hope' appear in both hymns that are referenced in the music. The notes 'E', 'C', 'B' also feature throughout the work as homage to Enfield Citadel Band. The verse of 'My hope is built on nothing less' (S.A.S.B. 662), to the tune 'Solid Rock' (T.B. 446), is then introduced and forms the basis of the end of the first section - set in the minor, unlike the usual setting of the melody. The more sedate middle section that follows features an original theme, again using the notes 'E', 'C', 'B' as a melodic stimulus.The tune 'Michael' (Herbert Howells), to which the text 'All my hope on God is founded' (S.A.S.B. 530) is sung, provided the original impetus for this work. The song features as a new addition to The Salvation Army's 2015 iteration of its song book. It is a noble tune and there are big majestic, organ-like sounds utilised in its final treatment which brings the work to a climactic end.
Estimated dispatch 7-14 working days
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£24.95Coming Home (Brass Band - Score and Parts)
The arranger has described Coming Home! as music of reconciliation. In a world of conflict, at both national and personal level, it would be good to think that this music could bring a message of hope and resolution of problems for people who are hurting. It is a setting of Will Lamartine Thompson's melody to his own words beginning 'Softly and tenderly Jesus is calling'. The chorus starts 'Come home, come home! Ye who are weary,come home!'. The rising interval of a fifth is always associated with the words 'Come home'. It is the arrangers hope that the gentle and moving nature of this music will create for all listeners, whether or not they possess religious faith, a spirit of harmony and reconciliation.
Estimated dispatch 7-14 working days
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£94.95Waiting for a Pain Hit!??!!? (Brass Band - Score and Parts)
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations to the tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??! I DON'T KNOW!!! I just like the rhythms, the pulse and the imagery. Hopefully, all of this can help to create a picture. But let it be your picture...- Paul McGhee, June 2010
Estimated dispatch 7-14 working days
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£152.99Hymn of the Highlands, Suite from (Brass Band - Score and Parts)
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days