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  • £44.95

    Lord Of The Sea (Brass Band - Score and Parts) - Steadman-Allen, Ray

    Each movement of this suite is linked with a quotation from the Bible; 1. Water's edge ('And Jesus went forth...by the sea-side...' Mark 2 v.13). 2. Seascapes ('His dominion shall be from sea to sea' Zechariah 9 v.10). 3. Seafarer's song ('Sing unto the Lord...ye that go down to the sea' Isaiah 42 v.10). The first two movements are based on the composer's own settings of poems by Miriam Richards. The third movement (generally lively in characater) introduces a broad hymn-like melody not associated with any words in particular but nevertheless evoking a spirit of exaltation and praise.

    Estimated delivery 12-14 days
  • £22.50

    Lord Of The Sea (Brass Band - Score only) - Steadman-Allen, Ray

    Each movement of this suite is linked with a quotation from the Bible; 1. Water's edge ('And Jesus went forth...by the sea-side...' Mark 2 v.13). 2. Seascapes ('His dominion shall be from sea to sea' Zechariah 9 v.10). 3. Seafarer's song ('Sing unto the Lord...ye that go down to the sea' Isaiah 42 v.10). The first two movements are based on the composer's own settings of poems by Miriam Richards. The third movement (generally lively in characater) introduces a broad hymn-like melody not associated with any words in particular but nevertheless evoking a spirit of exaltation and praise.

    Estimated delivery 12-14 days
  • £63.00

    Strathcarron (from Hymn of the Highlands) (Brass Band - Score and Parts) - Sparke, Philip

    Strathcarron is a movement from Philip Sparke's Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi.Duration: 5:40

    Estimated delivery 12-14 days

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  • £48.00

    The Craftsmen - Christian Bouthier

    The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits the horseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.

    Estimated delivery 10-14 days

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  • £94.00

    The Power of the Megatsunami - Carl Wittrock

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.

    Estimated delivery 10-14 days

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  • £12.00

    Edward Gregson: The World Rejoicing

    Description**NOTE: PUBLICATION DATES – Band parts (and therefore also “full sets” for The World Rejoicing will now be published following the Spring Festival qualifying contest for the 2021 British Open Brass Band Championship, currently planned to take place in early May 2021. Exact publication date will be given nearer the time, once the Covid-19 situation is seen to have stabilised.Composer’s NoteIn searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well-known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows: Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work is also partly autobiographical – in the manner say of Strauss's Ein Heldenleben – in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.The World Rejoicing is dedicated 'in loving memory of my brother', Bramwell Logan Gregson, who sadly passed away in the Autumn of 2018.Edward Gregson

    Estimated delivery 3-5 days
  • £49.95

    A Day in the Life of a Knight - Phil Lawrence

    Here we have a most descriptive piece of writing - a story through music, by one of the brass band movement's exciting new voices. A fantastic 1st section testpiece and championship concert work:The opening scene would depict standing on the battlements of a castle hearing the thundering hoofs of our brave Knight's horse miles in the distance. His arrival is expected, and his reputation is known across many lands. Today, he is to joust amongst mere mortal knights and compete for the hand of the fair (and local) Princess.He vanquishes all competitors and wins the day. The scene moves to evening & court where reception and dance is to be held for our winning knight. Both Knight & Princess become centre of attention during the dance. Their eyes only for each other.At last, the Knight has a chance to be a lone with his Princess as they steal away from the celebrations to a star lit rampart above the castle gardens, where the Knight declares his ever-lasting love and pledges his life and of honour to her. He asks her hand, meanwhile monks pray in the below chapel hoping for union. She say's yes. It is announced in court, then blown from the battlements.Day breaks; he is brought word of evil doings back in his own land. He leaves word to the Princess that he will be back soon to take her hand. The trouble back home was a rouse to get him away from the Princes so one of the vanquished, a dark knight in yesterdays joust, has summoned a dragon to kidnap the princess for his own.As the truth of the deception reaches our Knight he quickly returns to face the varlet that has taken his Lady. This time tis no joust, but a fight to the death with the dark knight & dragon. Our champion proves his best once again and wins the day and the hand of his Princess forever!Phil Lawrence

    Estimated delivery 3-5 days
  • £24.95

    Mist of the Forest - Gareth Wood

    The inspiration for this work is a part of South Wales where the composer spent his childhood. The Afan Forest Park is an old mining area that has been extensively reclaimed and transformed through one of the earliest reclamation schemes in Wales.The forest is picturesque all year round, but is particularly beautiful at dawn in the summer when the moisture of the sea in Swansea Bay and the heat from the golden sun combines to create a unique mist.The music seeks to capture the undulating effects of the changing density of the mist as the sun gradually burns away the moisture.Mist of the Forest also forms the penultimate movement of the composer's extended work for brass band, Brass Triumphant - a work composed for the Cory Band during their 125th anniversary year of 2009.

    Estimated delivery 3-5 days
  • £34.95

    The Juggler from Euphonium Concerto - Karl Jenkins

    The Juggler is taken from Karl Jenkins' Euphonium Concerto, an extended work given its world premiere by euphonium soloist David Childs and the BBC Concert Orchestra conducted by Owain Arwel Hughes in St. David's Hall, Cardiff during the last night of the 2009 Welsh Proms.The Juggler, would normally form the first movement of the concerto, but it stands alone very well as an individual work for euphonium and band. The music is episodic beginning with with a minimalist texture over which the euphonium "tweets" three short calls before riffing around. It is broken up by a 'circus waltz' exploiting the agility and vituosity of the euphonium in a fun context.On his eagerness to compose the work for David, Karl Jenkins stated, "It's been a privilege to write for such a virtuoso performer. We had been talking about it for some time and happily it all came together in 2009. David is a wonderful musician of the highest quality and it was a joy and, indeed, a challenge, to write a work for both him and an instrument of such beauty and agility."The Juggler for euphonium and brass band recieved its premiere on November 29th 2009 in Swansea's Brangwyn Hall performed by David Childs and the Cory Band conducted by Dr. Robert Childs, and can be heard on Doyen CD262 Moto Perpetuo.Other individual movements and the complete Concerto for Euphonium with brass band accompniament are available from Prima Vista Musikk. Orchestral and wind band versions are available from Boosey and Hawkes.

    Estimated delivery 3-5 days
  • £59.95

    PLANTAGENETS, The (Brass Band Set) - Edward Gregson

    The Plantagenets was composed for the Championship Section of the Regional contests of the National Brass Band Championships of Great Britain 1973. The work is not intended to be programme music but rather it tries to portray the mood and feelings of an age, that of the House of Plantagenet, which lasted from the middle of the 12th century to the end of the 14th century. To many, it conjures up an Age of Chivalry and this is represented by fanfare motifs which occur throughout the work in varied form. The opening thematic figure, rising through the band in thirds and followed by the fanfares, is important as nearly all the subsequent material is based upon it. There follows two themes, the second of which is lyrical and introduced by horns. In the long, slow middle section, a new theme is introduced by a solo horn (recurring on cornet and euphonium in canon) and is developed at some length. A lively fugato scherzino, however, leads to a recapitulation of the opening section music and the work ends with a maestoso statement of the slow movement theme. A final reference to the fanfares ends the work.

    Estimated delivery 12-14 days