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£30.00Edward Gregson: Music of the Angels, for Symphonic Brass and Percussion
DescriptionProgramme NoteMusic of the Angels is a dramatic work of some 16 minute's duration, scored for a large symphonic brass ensemble, including seven trumpets, and percussion. The percussion section deploys 'dark' instruments such as three tam-tams, a bass drum and two sets of timpani.The title of the work is based on a quotation from the Book of Revelations:And I saw the seven angels which stood before God; and to them were given seven trumpetsThus, the idea behind the work is a dramatic one and the composer has emphasised this by the partial spatial arrangement of the ensemble, with six solo trumpets standing centre stage, but behind the main ensemble, and the seventh trumpet off-stage throughout.The work opens with a four-note motif, dominant throughout the work, announced initially by four off-stage horns and answered by fanfare figures on four solo trumpets. Then in turn each of the first four solo trumpets announce their own cadenzas before joining together, independently playing their own music. This reaches an intense climax before subsiding into slow music which might be described as a Kyrie eleison - a lament for humanity - a cantilena for flugel horn and euphonium, accompanied by trombones. The drama soon returns with the entry of trumpets 5 and 6, playing music that is fast, more urgent and foreboding, and describing in musical terms the horsemen of the Apocalypse.At the climax of this section trumpet 7 enters dramatically, representing the words of the seventh angel ... and time shall be no more. The opening four-note motif is here transformed into a cadenza of epic proportions, to the partial accompaniment of three tam-tams (representing the Holy Trinity). The ensuing scherzo, scored for the ensemble, is fast and furious, but despite the somewhat desolate mood of this music (briefly interrupted by the re-appearance of trumpet 7), it slowly moves towards a more optimistic conclusion, transforming the 'lament for humanity' music into an affirmative and triumphant climax.This work has been commercially recorded on a critically acclaimed CD from London Brass on the Chandos label, available HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£100.00
Manchester Concertino - Peter Meechan
Manchester Concertino is a concertino in three movements for trumpet or cornet. It was written in late summer/early autumn in, as the title suggests, Manchester, UK.The first movement, Fanfare, was written for Belgian cornetist Harmen Vanhoorne, and explores the main musical idea behind the piece, a minor third. The loud fanfare gives way to a cadenza over a timpani roll, before a reprise of the opening fanfare.The second movement, Dream, was commissioned by Keith Johnson and is dedicated to Jess Tredrea. It is a slow, lilting, movement - almost as if the listener was hearing the piece through a summer haze.The final movement is simply titled Finale and is dedicated to Roger Webster. New material is fused with the fanfare from the opening movement leading to a climatic finish to the work.
Estimated dispatch 12-14 working days
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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£69.95
STARMAKER (Brass Band Set) - Ray Steadman-Allen
Described by the composer as one of his more ambitious works for brass band, this work is in three movements. Although each movement is capable of standing alone, the composer's own concept is totality with the three movements forming a composite whole. Starmaker presents in music the concept of God's creation of the universe. The frantic and sometimes harsh music of the first movement portrays the chaos from which the immortal and invisible wisdom of God created the order and structure of the heavens, with the stars and planets in their ordered places. An exquisite second movement, based on the benediction 'Now the day is over', brings a calm and ordered peace to the universe, also reminding listeners of the night sky, when God's amazing work is best viewed in all its awesome wonder. The final movement is celebratory in nature, with fragments of melodies like 'Praise to the Lord, the Almighty, the King of creation' appearing in various guises.
Estimated dispatch 7-14 working days
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£59.95
BEULAH LAND (Brass Band Set) - Wilfred Heaton - Paul Hindmarsh
Wilfred Heaton began to assemble material for 'Beulah Land' in the early 1990s following a request from the Amsterdam Staff Band for a new work. Despite reminding himself on the manuscript that he should either complete or destroy the work before his death, ultimately he did not manage either. This edition was subsequently realised in 2003 for the tour of the USA Western States by the Amsterdam Staff Band.'Beulah Land' is Heaton's vision of the joy that awaits the Christian in Heaven and, according to his family, is reminiscent of the kind of music he often improvised at the piano. The three movements are as follows;1. Better World; a waltz sequence on the tune 'Zealley' to which the words 'There is a better world, they say' are sung.2. Heavenly Home; an elegiac cortege using the tunes 'My home is in Heaven', 'I have a home that is fairer than day' and 'The home over there'.3. Happy Land; Beginning in waltz rhythm this soon gives way to a sequence of free variations on the song 'There is a happy land, Far, far away'.
Estimated dispatch 7-14 working days
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£57.50Salsa Brava - Etienne Crausaz
The Salsa Brava is a typical Spanish hot sauce that goes wonderfully well with barbecue or tapas. The Salsa is also a style of music that originated in the Caribbean, combining Cuban, Puerto Rican, and American influences.This composition is completely in keeping with this aesthetic, offering catchy melodies supported by a characteristic rhythmic patterns and highly intricate harmonies. A middle section provides space for soloists (cornet and trombone) to express themselves. The result is music which is festive, lively, and full of energy. A sure bet to charm your audience.This music is part of the musical tale La Malediction d'Aragne, written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) to mark its 100th anniversary.
Estimated dispatch 5-14 working days
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£49.00Salentin - Gauthier Dupertuis
Salentin is Gauthier Dupertuis' tribute to the Valais, the Swiss Canton where he was born. Salentin is a mountain from which there is a spectacular view of Vernayaz, the composer's village of origin.This piece is structured in such a way that all registers of the band are highlighted. It is suitable for performance in parade, but also as a concert march.Salentin is dedicated to the Concert Band of Martigny (Valais/Switzerland) and its conductor, Dany Rossier, who premiered Salentin during a concert on 3rd December, 2023.
Estimated dispatch 5-14 working days
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£154.60Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed both in concerts and in competitions and includes solo passages for most instrument groups. Duration 7,5 minutes. Form: Fast slow fast. The piece is built on two themes: Theme 1 (Allegro con spirito) is first presented as a cornet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but is presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from the opening bars. Parts thatare marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 5-14 working days
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£104.99Variations on a Chord - Jan de Haan
Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and isfollowed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.
Estimated dispatch 5-14 working days
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£54.99Away in a Manger - Andrew R. Mackereth
In English-speaking countries 'Away in a Manger' is one of the first Christmas songs to be taught to little children. It is a moving song with simple words, which makes it easy to understand. The song is also known as 'Luther's Cradle Hymn'. This suggests that Martin Luther was the author of the lyrics. According to researchers, however, this is a misconception the author is unknown. In England 'Away in a Manger' is sung to a different melody than in the USA, for example. The 'English' melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the 'English' melody, which suits the tender lyrics perfectly.
Estimated dispatch 5-14 working days
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