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  • £25.00

    Folk Dance and Carol (brass band) - Tim Paton

    A festive, musical cocktail by Tim Paton for brass band, bringing together a folk-feel dance motif and a familiar carol, to create the atmosphere of a village celebration.Opening with a lively Jig, where the music joyfully dances around the band, the piece then settles to offer the tranquility of Gustav Holst’s beautiful melody In the Bleak Mid-Winter.This peacefulness is soon overtaken by the reintroduction of the dance motif, finishing off the musical celebration with the dance and the carol mingling together.A very nice addition to Christmas repertoire, presenting a little bit of tradition amidst some lovely, imaginative scoring.Also available for concert band.

    In stock: Estimated delivery 1-2 days
  • £64.95

    Occasion (Brass Band - Score and Parts) - Gregson, Edward

    Occasion was published especially for the National Youth Brass Band Championship of Great Britain, held at the Royal Albert Hall, London, on 4th October, 1986.Occasion for Brass Band is in four movements: Fanfare, Festivities, Elegy and Dance. The opening Fanfare was originally written as a Wedding Fanfare for Paul and Hazel Patterson in 1981, while the Elegy and Dance were commissioned as a test-piece for the first Westsound/Ayrshire Invitation Contest in 1982 for the leading bands in Scotland. Festivities was therefore written last, to complete the work and give it its essentially 'festive' character. Except for the Elegy, which is contemplative, the music throughout is extrovert and joyful. The opeing Fanfare may be performed separately - of the Fanfare may be ledt out entirely, making the work a three movement Suite.Duration: 11 minutes

    Estimated delivery 12-14 days

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  • £29.95

    Occasion (Brass Band - Score only) - Gregson, Edward

    Occasion was published especially for the National Youth Brass Band Championship of Great Britain, held at the Royal Albert Hall, London, on 4th October, 1986.Occasion for Brass Band is in four movements: Fanfare, Festivities, Elegy and Dance. The opening Fanfare was originally written as a Wedding Fanfare for Paul and Hazel Patterson in 1981, while the Elegy and Dance were commissioned as a test-piece for the first Westsound/Ayrshire Invitation Contest in 1982 for the leading bands in Scotland. Festivities was therefore written last, to complete the work and give it its essentially 'festive' character. Except for the Elegy, which is contemplative, the music throughout is extrovert and joyful. The opeing Fanfare may be performed separately - of the Fanfare may be ledt out entirely, making the work a three movement Suite.Duration: 11 minutes

    Estimated delivery 12-14 days

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  • £64.95

    Occasion (Brass Band - Score and Parts) - Edward Gregson

    Occasion was published especially for the National Youth Brass Band Championship of Great Britain, held at the Royal Albert Hall, London, on 4th October, 1986.Occasion for Brass Band is in four movements: Fanfare, Festivities, Elegy and Dance. The opening Fanfare was originally written as a Wedding Fanfare for Paul and Hazel Patterson in 1981, while the Elegy and Dance were commissioned as a test-piece for the first Westsound/Ayrshire Invitation Contest in 1982 for the leading bands in Scotland. Festivities was therefore written last, to complete the work and give it its essentially 'festive' character. Except for the Elegy, which is contemplative, the music throughout is extrovert and joyful. The opeing Fanfare may be performed separately - of the Fanfare may be ledt out entirely, making the work a three movement Suite.Duration: 11 minutes

    Estimated delivery 12-14 days
  • £29.95

    Occasion (Brass Band - Score only) - Edward Gregson

    Occasion was published especially for the National Youth Brass Band Championship of Great Britain, held at the Royal Albert Hall, London, on 4th October, 1986.Occasion for Brass Band is in four movements: Fanfare, Festivities, Elegy and Dance. The opening Fanfare was originally written as a Wedding Fanfare for Paul and Hazel Patterson in 1981, while the Elegy and Dance were commissioned as a test-piece for the first Westsound/Ayrshire Invitation Contest in 1982 for the leading bands in Scotland. Festivities was therefore written last, to complete the work and give it its essentially 'festive' character. Except for the Elegy, which is contemplative, the music throughout is extrovert and joyful. The opeing Fanfare may be performed separately - of the Fanfare may be ledt out entirely, making the work a three movement Suite.Duration: 11 minutes

    Estimated delivery 12-14 days
  • £34.99

    UNSQUARE DANCE (Brass Band - Score and Parts) - Brubeck, Dave - Freeh, Mark

    Dave Brubeck, the American jazz pianist, has contributed a huge amount of material to the genre, responsible for many titles now so often referred to as 'jazz standards'. Brubeck has experimented with irregular time signatures throughout his musical career including 'Pick Up Sticks' (which is in 6/4 time), Blue Rondo a la Turk (in 9/8 but over four beats as 2.2.2.3) and of course his most famous work, 'Take Five' (in 5/4!). His 'Unsquare Dance' (in 7/4 time) has been expertly arranged for brass band by Mark Freeh.Duration: 4.00

    Estimated delivery 12-14 days
  • £25.00

    SYMPHONIC DANCE No.3 (Brass Band) - Rachmaninoff, Sergei - Littlemore, Phillip

    Completed in 1940, the set ofSymphonic Danceswas Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colours throughout.Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941. This arrangement is of the last dance and is a kind of struggle between theDies Iraetheme, representing Death, and a quotation from Rachmaninov's ownVespers(also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement).Duration: 3:45

    Estimated delivery 12-14 days

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  • £100.00

    King Arthur (Scenes from a Radio Drama) (Brass Band - Score and Parts) - Britten, Benjamin - Hindmarsh, Paul

    King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913–1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur’s life and times – part pageant, part play, part cantata – written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00

    Estimated delivery 12-14 days

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  • £19.99

    King Arthur (Scenes from a Radio Drama) (Brass Band - Score only) - Britten, Benjamin - Hindmarsh, Paul

    King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913–1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur’s life and times – part pageant, part play, part cantata – written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00

    Estimated delivery 12-14 days

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  • £27.50

    ESPANA CANI (Brass Band) - Marquina, Pascual - Thomas, Gareth

    Pascual Marquina (1873??"1948) was a Spanish bandleader who wrote music for his band to play at bullfights in Madrid. Espana Cani means Spanish Gypsy Dance. The music is popular amongst ballroom dancers as a Paso Doble. The Paso Doble is traditionally used as introduction music for a bull fight and is the music used to usher in the matadors, picadors, horses and bandilleros. Espana Cani was written in 1925 and is suitable for all grades of band.

    Estimated delivery 12-14 days