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£58.00
Bjorns Marsj - Oystein Sjovaag Heimdal
This march is well suited for small and larger marching bands. You may perform it both on stage and on parade.The march is a honour to all parents of the Norwegian school bands and especially dedicated to Bjorn Aarvold and the other passionate parents of Tjome skolemusikk.Level of difficulty is 2.
Estimated dispatch 7-14 working days
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£44.00
Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes
"Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!
Estimated dispatch 7-14 working days
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£29.95Song for the Skies - Paul Lovatt-Cooper
Commissioned by tuba virtuoso Les Neish this piece is a simple yet beautiful solo for the E flat Tuba. It is a slow melody with a nice Celtic feel to it and is suitable for all tuba players who enjoy playing slow melodies. Circa 3'20". Soloist: Grade 4 ABRSM
Estimated dispatch 5-7 working days
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£70.00
Episodes and Echoes - Peter Meechan
Episodes and Echoes is a concerto in three movements for tuba. The title of the work relates directly to the way the composer approached writing the piece.aAlthough the work is scored with piano and wind band accompaniments, Episodes and Echoes was originally written for tuba and brass band. I had several problems to overcome - the brass band contains 4 tubas, and 2 euphoniums, all of which could obscure the solo line, so I decided to write for the soloist in a manner that meant they were either playing alone, in episodes, or repeating/echoing phrases.aIn addition to this, the composer combined the characteristics of the tuba with other instruments: in the second movement the tuba is similar to a singer performing an aria and a recitative, and third movement a bass guitar.Episodes and Echoes was commissioned by, and dedicated to, Les Neish who premiered the work in 2005, accompanied by the Beaumaris Brass Band, conducted by Gwyn Evans.
Estimated dispatch 12-14 working days
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£29.95Keep in Step! (Brass Band - Score and Parts) - Ponsford, Steven
The Salvation Army song Keep in step is given a tongue-in-cheek treatment, with the irony of a song that speaks of keeping in step at all times being used in a time signature that would be impossible to march to! This does make the music technically challenging and therefore careful preparation is needed to ensure everything remains within the correct bear, and that the rhythms sound convincing to the listener. There is also a touch of Broadway thrown in, with a recurring motif reminiscent of Gershwin's appropriately named Fascinating Rhythm.
Estimated dispatch 7-14 working days
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£79.95The Lost Village of Imber (Brass Band - Score and Parts) - Bond, Christopher
The Lost Village of Imber was commissioned by Bratton Silver Band in 2019 in celebration of 160 years of the band; 1859-2019. Structured in three movements, the complete work was premiered by Cory Band at Wiltshire Music Centre in February 2020.The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains.Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order.The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness, a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects, the anvil of the blacksmith; the cowbell of the cattle and the bells of the church.The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life.In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks, sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community, both the centrepiece and pinnacle of a very real story.Duration: 13.30
Estimated dispatch 7-14 working days
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£35.00I Saw Three Ships (Brass Band - Score and Parts) - McKenzie, Jock
This is a traditional English carol rumoured to have originated in Derbyshire. The earliest printed version is from the 17th century and the familiar version was later published in William Sandys' collection of 'Christmas Carols Ancient and Modern' in 1833. There are numerous theories as to the meaning of the carol's words; after all, Bethlehem, the place of Jesus' birth is not a coastal location. It has been suggested that the ships are actually camels (ships of the desert) used by the Magi for their visit to the baby Jesus. My arrangement takes advantage of the traditional 'jig' style of this carol to add a little 'Celtic' flavour. Duration: 3.00
Estimated dispatch 7-14 working days
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£174.99The Turing Test (Brass Band - Score and Parts) - Dobson, Simon
Alan Turing is considered the father of modern computational science and much, if not all, of our modern computer technology and the connectivity that we now take for granted is born of the work of this one great, but troubled man. His famous test was designed to prove whether artificial intelligence (AI) could successfully imitate human thought. The single movement of The Turing Test is essentially non-programmatic, but it does seek to show something of the emotion and colour of Turing's life in its different sections. The composer employs bi-tonality and complex rhythms to show opposing worlds colliding. At the end of each test, we must decide: has true AI been born? Duration: 19.45
Estimated dispatch 7-14 working days
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£104.99Viking Age (Brass Band - Score and Parts) - Deleruyelle, Thierry
The Viking age lasted from the late eighth, to the middle of the eleventh century. During this period, Scandinavian warriors and merchants explored, plundered and left their mark on numerous territories. This work is based on a series of four notes that appear in different forms, consisting of 4 movements: Northern Men, Explorer, Raids and Heritage. It is an impressive and spectacular piece, with lots of interesting and playful parts for all sections. This is a perfect contest piece or an outstanding work for thematic concerts.Duration: 10.40
Estimated dispatch 7-14 working days
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£22.99
Viking Age (Brass Band - Score only) - Deleruyelle, Thierry
The Viking age lasted from the late eighth, to the middle of the eleventh century. During this period, Scandinavian warriors and merchants explored, plundered and left their mark on numerous territories. This work is based on a series of four notes that appear in different forms, consisting of 4 movements: Northern Men, Explorer, Raids and Heritage. It is an impressive and spectacular piece, with lots of interesting and playful parts for all sections. This is a perfect contest piece or an outstanding work for thematic concerts.Duration: 10.40
Estimated dispatch 7-14 working days
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