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  • £70.00

    General Series Band Journal August 2016 Numbers 2158 - 2161

    No. 2158 Prelude - My God and King! (Paul Sharman)Based on the hymn tune 'Luckington', this music is a paean of praise to the Lord of all creation.No. 2159 A Christmas overture (Kevin Larsson)An exciting collection of well-known Christmas carols, originally written as a concert opener.No. 2160 March - A voice from above (Eiliv Herikstad)This march refers to a number of Christmas carols. It starts with four bars of 'Hark! the herald angels sing' followed by fragments of 'Joy to the world!' before James R. Murray's 'Den himmelske lovsang' is presented in full. 'Come children, come quickly' requires legato playing from the lower band.No. 2161 In God we trust (Ralph Pearce)Although the title derives from the United States of America's much-neglected motto, the music is a journey through to total trust in God and our Lord Jesus Christ. The tunes featured are 'In thee, O Lord, do I put my trust' leading to 'Trust in God'. Increasingly calm music leads to the more recent song 'In Christ alone, I placed my trust'. The music ends with a brief reference to 'In Thee, O Lord, do I put my trust' now in a mood of calm assurance.

    Estimated dispatch 7-14 working days
  • £59.50

    El Camino Real (A Latin Fantasy)

    El Camino Real (literally "The Royal Road" or "The King's Highway") was commissioned by, and is dedicated to, the 581st Air Force Band (AFRES) and its Commander, Lt. Col. Ray E. Toler. Composed during the latter half of 1984 and completed in early '85, it bears the subtitle: "A Latin Fantasy."The music is based on a series of chord progressions common to countless generations of Spanish flamenco (and other) guitarists, whose fiery style and brilliant playing have captivated millions of music lovers throughout the world. These progressions and the resulting key relationships have become practically synonymous with what we feel to be the true Spanish idiom. Together with the folk melodies they have underscored, in part derived by a procedure known to musicians as the "melodizing of harmony," they have created a vast body of what most people would consider authentic Spanish music.The first section of the music is based upon the dance form known as the Jota, while the second, contrasting section is derived from the Fandango, but here altered considerably in both time and tempo from its usual form. Overall, the music follows a traditional three-part pattern: fast-slow-fast.The first public performance of El Camino Real took place on April 15th, 1985 in Sarasota, Florida, with the 581st Air Force Band under the direction of Lt. Col. Ray E. Toler.This arrangement for brass band has been made by Frode Rydland.

    Estimated dispatch 7-14 working days
  • £19.50

    El Camino Real (Score Only)

    El Camino Real (literally "The Royal Road" or "The King's Highway") was commissioned by, and is dedicated to, the 581st Air Force Band (AFRES) and its Commander, Lt. Col. Ray E. Toler. Composed during the latter half of 1984 and completed in early '85, it bears the subtitle: "A Latin Fantasy."The music is based on a series of chord progressions common to countless generations of Spanish flamenco (and other) guitarists, whose fiery style and brilliant playing have captivated millions of music lovers throughout the world. These progressions and the resulting key relationships have become practically synonymous with what we feel to be the true Spanish idiom. Together with the folk melodies they have underscored, in part derived by a procedure known to musicians as the "melodizing of harmony," they have created a vast body of what most people would consider authentic Spanish music.The first section of the music is based upon the dance form known as the Jota, while the second, contrasting section is derived from the Fandango, but here altered considerably in both time and tempo from its usual form. Overall, the music follows a traditional three-part pattern: fast-slow-fast.The first public performance of El Camino Real took place on April 15th, 1985 in Sarasota, Florida, with the 581st Air Force Band under the direction of Lt. Col. Ray E. Toler.This arrangement for brass band has been made by Frode Rydland.

    Estimated dispatch 7-14 working days
  • £76.99

    Durkle Bandrydge Suite - Bruce Fraser

    Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its ownpeculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss, who is a giant trollguarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall, mysterious, and somehow sophisticated character,who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card,buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het 'happy go lucky' approach to life. Marsyn Edginton is the Lord of the manor, the richest man in town, the'big cheese', the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them, what is a wonderful sight. If you listen carefully, you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!

    Estimated dispatch 5-14 working days

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  • £29.99

    Titan's Progress (score only) - Hermann Pallhuber

    Commissioned by Austria's leading brass band, Brass Band Oberoesterreich, Titan's Progress is a series of descriptive, virtuoso episodes based on the principal character of the novel by Jean Paul. This was also the original subject of Mahler's Symphony No.1, from which Hermann Pallhuber derives much of his material. The work has proved an exceptionally popular test piece all over the world.Titan's Progress was the selected test piece for the British Open Brass Band Championship, held at Symphony Hall, Birmingham on Saturday 12th September 2009.Suitable for Championship BandsDuration: 17 minutes

    Estimated dispatch 7-14 working days
  • £45.00

    Dreamtime

    Commissioned by Philip Harper for the Cory Bands 2013 tour to Australia, Dreamtime draws inspiration from Australian Aboriginal mythology. The Dreamtime is a sacred era in which the Aborigines believe ancestral totemic (symbolic) spirits created the world. The work is heavily percussive, including narration and a pseudo-didgeridoo, created with multi-phonics in euphoniums and tubas. The work can still be performed without multi-phonics, narration and reduced percussion. Duration: 00:07:30 (with narration) Grade: 5 Listen:

    Estimated dispatch 5-7 working days

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  • £35.00

    Flanders Fields

    Commissioned in 2014 by the 2nd Rossendale Scout Band, Flanders Fields was composed to commemorate the 100th anniversary of World War I, also known as the Great War. It is a reflective work which uses a hymn as its basis, infusing the sound of bugle calls and marching drums to convey the impression of a conflict rather than depicting a specific battle. Narration and wordless choir can be included as part of performance. Listen: Duration: 00:07:30 Grade: 3

    Estimated dispatch 5-7 working days
  • £59.99

    Bofors To The Fore Joseph Knight

    This piece was a commission to commemorate the memory of Gunner A. E. Collins who during the second world war was engaged in an action where during an advance through Belgium heavy resistance was met and he and an officer had to cover a retreat using Bofors guns. In the final report the title of this piece was actually used by the commanding officer.The piece its self is in three movements and follows the flow of the battle. The first movement called "Advance" is cautious and has the hint of battle. It starts quietly and then builds up slowly and finishes unresolved. Movement two "Engagement" starts suddenly in 7/8 and uses cyclical rhythms and clustered chords to show the horror and chaos of battle and also the firing the Bofors guns. The third movement "Safe Return" brings all of the themes from the first two movements and finishes with "The End Of The Day". The commission stated that bugle calls and "The End Of The Day" should be included.The piece is suitable for a concert work or indeed the contest stage.J Knight 2022.

    Estimated dispatch 5-9 working days
  • £32.99

    Rhapsody For Bb Baritone, Joseph Knight

    This piece for solo baritone and brass band and lasts for just over six minutes. It is in four different sections with themes returning throughout. The four sections represent the four seasons of the marsh. The inspiration came from frequent walks over these now world famous marshes (recently the quickest ever traverse of a coocoo from Africa to Europe was recorded by a bird from Carlton). It starts with spring and then moves to, an at first, angry summer, then we have the gentleness of autumn which moves into the crispness of winter. The soloist would need to be of at least grade 7 standard and it requires, however briefly, for the soloist to attain a top D.

    Estimated dispatch 5-9 working days
  • £29.99

    Die Fledermaus Overture Johann Strauss II arr. Joseph Knight

    The Strauss family were known as the "Waltz Kings" and they had a tremendous success during the latter half of the nineteenth centaury. Johann Strauss II composed this full opera in 1874, the translation of the title literally means "The Bat". This overture has become a firm favourite with audiences world wide and has been particularly at the famous Vienna New Years Day concert. This is offered as a full score and parts.

    Estimated dispatch 5-9 working days