Results
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£89.95The Trumpets of the Angels (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels was commissioned by the Fodens (Courtois) Band for their centenary concert at The Bridgewater Hall in 2000. It is based on a work written for the BBC Philharmonic and Huddersfield Choral Society in 1998, the starting point of which was a quotation from the Book of Revelation:and I saw the seven angels which stood before God; and to them were given seven trumpetsThus the idea behind the work is dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band, four on-stage, the others off-stage. Six of the solo trumpets eventually join the band, but Trumpet 7 remains off-stage and, indeed, has the most dramatic and extended cadenza representing the words of the seventh angel ...and time shall be no more.The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets, brass band, organ and percussion (deploying 'dark' instruments such as tam-tams, bass drum and two sets of timpani). The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on solo trumpets. In turn, each of the first four solo trumpets play cadenzas and then all four join together, independently playing their own music. The organ enters dramatically with its own cadenza, leading to the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament for humanity, slow music which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At the climax, Trumpet 7 enters playing the opening four-note motif, dramatically extended to almost three octaves. This cadenza (to the partial accompaniment of tam-tams) introduces new material and foreshadows the ensuing scherzo which is fast and aggressive. Despite the somewhat desolate mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.- Edward Gregson
Estimated dispatch 7-14 working days
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£44.95The Trumpets of the Angels (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels was commissioned by the Fodens (Courtois) Band for their centenary concert at The Bridgewater Hall in 2000. It is based on a work written for the BBC Philharmonic and Huddersfield Choral Society in 1998, the starting point of which was a quotation from the Book of Revelation:and I saw the seven angels which stood before God; and to them were given seven trumpetsThus the idea behind the work is dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band, four on-stage, the others off-stage. Six of the solo trumpets eventually join the band, but Trumpet 7 remains off-stage and, indeed, has the most dramatic and extended cadenza representing the words of the seventh angel ...and time shall be no more.The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets, brass band, organ and percussion (deploying 'dark' instruments such as tam-tams, bass drum and two sets of timpani). The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on solo trumpets. In turn, each of the first four solo trumpets play cadenzas and then all four join together, independently playing their own music. The organ enters dramatically with its own cadenza, leading to the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament for humanity, slow music which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At the climax, Trumpet 7 enters playing the opening four-note motif, dramatically extended to almost three octaves. This cadenza (to the partial accompaniment of tam-tams) introduces new material and foreshadows the ensuing scherzo which is fast and aggressive. Despite the somewhat desolate mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.- Edward Gregson
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Score Only)
The highlight of Cory's centenary celebrations throughout 1984 was a concert held in St. David's Hall, Cardiff, in March. The band, with the aid of funds provided by the Welsh Arts Council, commissioned Philip Sparke to write a work for first performance at this concert. The result was "The Year of the Dragon" of which the composer writes:"At the time I wrote The Year of the Dragon, Cory had won two successive National Finals and I set out to write a virtuoso piece to display the talents of this remarkable band to the full."The work is in three movements:TOCCATA opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.INTERLUDE takes the form of a sad and languid solo for trombone. A chorale for the whole band introduces a brief spell of optimism but the trombone solo returns to close the movement quietly.FINALE is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£34.95I Wish I Knew How It Would Feel To Be Free - Jonathan Bates
DIFFICULTY: 1st+. DURATION: 3 minutes. This spiritual is one of the most popular anthems to come out of the civil rights movement in the US, and became an almost unofficial anthem for the movement when Nina Simone took on the song in the 1960's. This arrangement plays on the more positive and hopeful nature of achieving true freedom and peace. This piece was composed for Jaren Hornmusikkforening as part of their programme for the 2018 SIDDIS Championships held in Stavanger, Norway. .
In Stock: Estimated dispatch 1-3 working days
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£83.00
The Devil in I (Bra) - Corey Taylor & James Root - Paul Saggers
Slipknot is an American heavy metal band formed in Des Moines, Iowa, in 1995 by percussionist Shawn Crahan, drummer Joey Jordison and bassist Paul Gray. Slipknot is well known for its attention-grabbing image, aggressive style of music, and energetic and chaotic live shows. The band rapidly rose to fame following the release of their eponymous debut album in 1999. "The Devil in I" is from their fifth album, The Gray Chapter. It is the second single for the album and the first to be released to radio and music channels, with the previous single "The Negative One" being a digital only single.
Estimated dispatch 7-14 working days
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£30.00Beneath The River Severn (Chris Cobon) - Brass Band Sheet Music Full Score and Parts - LM283
COMPOSER: Chris CobonBeneath The River SevernProgramme NotesBeneath The River Severn follows on, chronologically,from three pieces about steam engines;LMR600 Gordon, Tornado (LNER Peppercorn Class A160163),The Lady Armaghdale and also 'Moments in Brass' Sets 1+2Living 3 miles from the River Severn, the longest river in Great Britain,I regularly cross it on the way to conduct Highley Colliery Brass Band.Beneath The River Severn aims to capture not only the beauty of the river but also the dangerous undercurrents that lie under the calm surface.The length of the complete piece is 4 minutes 11 secondsMusical Traits:Attempting to avoid stereotype water music,I started with sketches based on quartal harmony but inverted (so 5ths)For example, the first run onEuphonium starts on concert pitch G, Hrns = D, Bari=A, 1st Hrn=E etc."A" represents the undercurrent,which has claimed many lives over the years.An 11-note salute to the greatest river piece,Smetana's Vltava, is worked into this sectionSuitable Section 4 Upwards
In Stock: Estimated dispatch 3-5 working days
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£59.95
ELLACOMBE CHRONICLES, The (Brass Band Set) - James Curnow
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£35.00
Land of the Living Skies - Peter Meechan
From the composer:aCommissioned by tuba virtuoso Patrick Sheridan, Land of the Living Skies is inspired by the love of photography shared by both Patrick and I.After moving from the UK to Saskatchewan, Canada, there were many changes, but perhaps the most striking of all were the skyscapes that my new home produced; stunning sunsets, incredible views of the Milky Way, amazing moonlit landscapes, and - of course - the Northern Lights.This piece was the last I wrote before moving away from Saskatchewan and. given that the Province calls itself the aLand of the Living Skiesa, it seemed only fitting to name the work after its amazing skies that had provided a lifetimeas worth of inspiration.The piece is dedicated to Patrick Sheridan, an amazing tubist, musician, educator and friend.aPete Meechan, January 2018
Estimated dispatch 12-14 working days
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£118.99I Shall Love But Thee (Vocal Solo (Soprano) with Brass Band - Score and Parts) - Van der Roost, Jan
I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer's youngest son's wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)--although no literal quotations have been used. The rather rare combination of soprano and brass band makes this piece a unique addition to the repertoire!Duration: 10.30
Estimated dispatch 7-14 working days
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£59.95The Ellacombe Chronicles (Brass Band - Score and Parts) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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