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£164.99Diamond Concerto - Philip Sparke
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMorschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and concert band (AMP 354-010).
Estimated dispatch 5-14 working days
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£54.95
Northern Landscapes - Peter Graham
The four movements of Northern Landscapes provide musical mood pictures of various aspects of Northern working life. 1) Industry opens the suite with the bustle of factory machinery, followed attacca by 2) Seascapes which evokes the calmness of local waters during a fishing expedition. 3) Earth Dance references the mining industry where the blackness of the environment is mirrored by the darkness of the music while 4) Flight evokes the path of an aircraft on its maiden journey in this tribute to the aircraft industry. Northern Landscapes has its origins in music written for the Ulster Orchestra Brass Quintet. This revised and updated version for brass band was commissioned by the Boarshurst (Greenfield) Silver Band, with National Lottery funds, supported by the Arts Council of England. It was set as the 2003 National Brass Band Championships Area Third Section Test-Piece.
Estimated dispatch 5-14 working days
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£64.40The Master Plan! - Dean Jones
We all have a purpose...whether those are found in daily routines or much larger parts of our lives. Having a plan or a goal is a great way we can measure our success. Here's a small piece of music that explores 3 such elements:Covert Mission - a militaristic theme where the music conveys action and drama.Finding Someone - at some point, we share our lives with people who are special to us. The music has a more lyrical feel to help illustrate affection.Life Goals! - the strong rhythmic pattern to this section is the undertone for portraying a a sense of focus. We need to match desire with action when attempting something new - the sense of excitement and hope will need to be drawn from the music to convey this message.The music tells a compelling story of purpose, hope and passion....in the words of Col. Hannibal Smith from the A-Team, "I love it when a plan comes together!"
Estimated dispatch 5-14 working days
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£86.30In Other Words (Brass Band - Score and Parts) - Wiltgen, Roland
Metamorphoses for Brass BandSuitable for 1st Section Bands and above
Estimated dispatch 7-14 working days
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£74.99Cornet Concerto No.1 - Jonathan Bates
My 'Cornet Concerto No.1' was composed for Lode Violet and Brass Band Willebroek in 2018 and features 2 movements, entitled 'Dystopia' and 'Utopia'. . The nature of the music in the opening section, 'Dystopia', is very jagged, disjointed and unsettling, as the soloist almost battles against the constant churning of the mechanical accompaniment, trying to persevere with it's own ideas and styles without being dragged into conforming to it's surroundings. The movement is based largely on the 3 note interval heard right at the outset of the piece (C, D & G#, a series of notes that lends itself so well to different modes, scales, harmonies and intervals) and this forms much of the rhythmic and harmonic structure of the opening section.Whilst this movement acts as a virtuoso feature to demonstrate the extended capabilities of both the soloist and instrument, I feel the accompanying ensemble plays an equal role in the narrative of 'dystopia', and features a number of demanding and prominent episodes for soloists within the accompanying band. A short and heavy coda concludes the movement, with a sense of real pain and sorrowfulness as the music fades away into darkness. . 'Utopia' opens in an instantly more hopeful nature, with the soloist introducing the first real 'theme' of the movement, taken up shortly by the accompaniment. Throughout this movement, there are a number of timbral and melodic references back to the darkness of 'dystopia', but transformed into a much more positive outlook and soundworld. There is a moment of quiet reflect (using the initial 3 note cell as a basis) before flying head first into a frenzied wild 'tarantella' like section, full of joy and energy which tests the dexterity and light-natured approach to virtuosity (much unlike the heavier material in the 1st movement) of the soloist. Primarily, the concept of this finale is fun - joy, happiness, and freedom from restraint, so the addition of a quirky 'tongue-in-cheek' habanera section offers a brief moment of respite from the craziness of the tarantella. To conclude the work, there is an extended cadenza for the soloist which is built on several motifs heard throughout the concerto, which leads the band into a dramatic and energetic final few bars.. Jonathan Bates. (2018). .
In Stock: Estimated dispatch 1-3 working days
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£70.00
Shine - Peter Meechan
Shine is my second large scale work for solo tuba, following on from my concerto Episodes and Echoes. Like the concerto, Shine was commissioned and premiered (with the Grimethorpe Brass Band, conducted by Howard Evans) by Les Neish - the title being an anagram of the soloist surname.Although in one movement, Shine has 3 broad sections, each requiring virtuosic skill and dexterity from the soloist. The opening section features lots of bright, metallic sounds - especially in the percussion section - providing the accompaniment to soloist as they demonstrate the range and flexibility of the tuba.The second section gives the soloist the opportunity to demonstrate the considerable lyricism that the tuba is capable of. The solo line weaves in and out of textures in the accompaniment, exchanging snippets of melody with other players in the ensemble.After a short unaccompanied passage, the final section emerges juxtaposing new solo lines and material from the opening section. This builds in momentum - and difficulty for the soloist - as the piece reaches its climatic ending.Shine is dedicated to my good friend, fellow Liverpool supporter, and amazing musician, Les Neish.Peter Meechan, 2011
Estimated dispatch 12-14 working days
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£45.00
James Bond-007 (Score & Parts) - Monty Norman
Steve Sykes' arrangement brings together the two classic tracks from the earliest of the Bond films, the James Bond Theme itself and 007. Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd Section. Duration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£65.00
A Phantom Menace Suite - John Williams
Andrew Duncan has brought together three key themes from the first two Star Wars prequels, Star Wars: The Phantom Menace and Star Wars: Attack of the Clones, in A Phanto, providing an exciting addition to any concert.Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd SectionDuration: 6 minutes
In Stock: Estimated dispatch 1-3 working days
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£34.95Pall Mall - Jonathan Bates
DURATION: 3'00". DIFFICULTY: Champ. 'Pall Mall' was composed for the Flowers Band's Monopoly themed set at the 2021 Brass in Concert Championships held at The Sage, Gateshead. This short showpiece is composed in a similar vein to a work of similar influence - 'Pel Mel' by W. Hogarth Lear - in which each section of the band is allowed to show off their technical prowess in a whistlestop tour of the brass band. 'Pall Mall' takes a similar form, with each section of the band taking it in turn to show off their skills with a flourish!.
In Stock: Estimated dispatch 1-3 working days
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£48.00
April in Paris - E. Y. Harburg
April In Paris, music by E. Y. (Yip) Harburg with words by Vernon Duke. This is a classic song given excellent treatment by Mark Freeh as a Flugel Horn solo with brass band accompaniment.Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd SectionDuration: 4 minutesScore & parts
In Stock: Estimated dispatch 1-3 working days
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