Results
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£54.99Reach Out / I'll Be There (Brass Band - Score and Parts)
Love, happiness and romance play the leading role in the song lyrics of The Four Tops. This popular quartet was founded in 1953 and produces songs with both gospel and R & B elements such as Reach Out (I'll Be There). 03:45
Estimated dispatch 7-14 working days
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£40.00Take Five (Brass Band - Score and Parts) - Desmond, Paul - Sykes, Steve
The classic jazz number 'Take Five' was first recorded by the Dave Brubeck Quartet and released on its 1959 album Time Out. Composed by Paul Desmond, the group's saxophonist, it became famous for its distinctive, catchy melody and use of quintuple time, from which the piece got its name. This brass band arrangement, by Steve Sykes, captures the jaunty slant of the original.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
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£30.00On Ilkley Moor Pastiche
I was commissioned to write a piece for the RNCM Trombone Quartet by the bass trombonist Trevor Slade, a true Yorkshireman. I have created a full brass band version. There is an element of comedy, (though not irreverent). The introduction is a direct reference to a well known film theme about bouncing bombs! We then hear the famous Yorkshire melody with overtones of the old BBC Grandstand theme, (for those old enough to remember). A 'patriotic' section is a mixture of "Ilkley Moor", and those bouncing bombs again! We are then taken to a 'Dixieland' treatment, with 'overtones' of a 'Hootenannyish' piece, which every bandsman/woman is familiar with! What follows is a rather pretty 'Edmundo Ross(ish)' beguine. After a brief Beethovian bit, we are taken back once again to the original pastiche, with a BIG ending. A good piece for the lighter element of the concert programme.
In Stock: Estimated dispatch 3-5 working days
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Off Duty - John Dankworth - Len Jenkins
The late John Dankworth (1927-2010) made a string of recordings in the 1960s that have since come to be regarded as some of the finest British jazz of their time. Amongst these is his composition 'Off Duty' which was recorded in the 1960s when the influence of pop and rock on jazz was at its height and instruments such as the bass guitar were beginning to be incorporated into jazz's vocabulary. At this time and almost subconsciously, a Dankworth 'pop' style also evolved. This was a balanced marriage between jazz and pop which is here demonstrated in 'Off Duty' thanks to the ingenious and original orchestration by John Dankworth, and the faithful arrangement for Brass Band by one of his fans, Len Jenkins. The title is interesting as John loved to play with words. 'Off Duty' could mean relaxing away from work, but could also carry the implication of something not attracting taxation.... a sort of 'duty-free'. About the same time, the Dave Brubeck Quartet produced the seminal 'Take Five'... so could this be John's take on that title, suggesting a short break? Which meaning fits best for you? The piece would best suit the capabilities of a brass band playing at the standard of Third Section or above.
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£49.95Concert Gallop
Here is a charming, easy-going solo for all B-flat or E-flat brass instruments from the prolific Philip Wilby. This brass band version also comes with alternative solo parts for euphonium duet or trio and euphonium quartet (two baritones and two euphoniums).
Estimated dispatch 7-9 working days
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£54.99Soweto Swing - Peter Martin
The sparkling music from Soweto (South Africa) has a long history. The rhythmic dances of Kwela, the 'syncopated guitars' of Mbaqanga, the saxophones and trumpets with their supple African jazz sounds as well as the infectious and sometimes gripping choir singing. All these elements can be recognized when listening to the 'Soweto String Quartet', which in its turn inspired Peter Martin to write 'Soweto Swing'.
Estimated dispatch 5-14 working days
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£69.99That's the Way I Like 'Em - Peter Kleine Schaars
For many years Peter Kleine Schaars' jazz quartet provided sparkle and energy for various festivities and other occasions. If required the ensemble could alternate jazz repertoire with pop and latin music too. Their wide experience taught the musicians that an hour of unbeatable repertoire is the perfect end to every swinging party. Based on this practical knowledge Kleine Schaars has chosen his favourite pop pieces and arranged them in this animated medley entitled That's the Way (I like Them).
Estimated dispatch 5-14 working days
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£60.99Fantasia Di Pasqua - Michael Bilkes
Fantasia di Pasqua is a fantasy in which traditional Easter melodies have been used. The work is written for brass band with a separate brass quartet which, since this music is often performed in churches, the composer suggests should be positioned on a gallery. This creates a double choir effect and perfectly fits the Renaissance-like style. Each of the melodies is played in various dance-like cadences that, partly because of the double choir effect, will result in a very lively and original performance.
Estimated dispatch 5-14 working days
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£69.99
That's the Way I Like 'Em (Brass Band - Score and Parts)
For many years Peter Kleine Schaars' jazz quartet provided sparkle and energy for various festivities and other occasions. If required the ensemble could alternate jazz repertoire with pop and latin music too. Their wide experience taught the musicians that an hour of unbeatable repertoire is the perfect end to every swinging party. Based on this practical knowledge Kleine Schaars has chosen his favourite pop pieces and arranged them in this animated medley entitled That's the Way (I like Them). 08:45
Estimated dispatch 7-14 working days
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Bernie's Song - Miller/Leiber/Stoller ver.Mulligan, arr.John Dankworth - Len Jenkins
Bernie's Tune is a 1953 jazz standard with music written by Bernie Miller and lyrics by Jerry Leiber and Mike Stoller. It was popularised through a recording by the quartet of the American saxophonist and composer Gerry Mulligan, and the tune was a popular choice for musicians jamming at the time. Information about the composer is scarce. All that people really know of him is that he was a piano player from Washington DC. Gerry Mulligan's version was subsequently arranged by the late, legendary John Dankworth and this arrangement for brass band has been faithfully based on it to evoke the atmosphere of that golden era.
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