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£59.70Gospels Go Rock (Brass Band - Score and Parts) - Woodfield, Ray
Slightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)Medley including:Joshua Fought the Battle of JerichoSinner, You KnowNobody Knows, the Trouble I've SeenSwing Low, Sweet ChariotCotton Need a-Pickin'Kumbayah
Estimated dispatch 7-14 working days
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£15.00HYMN TO BAROSSA (Brass Band Parts) - Scott, Andy
Brass Band parts only. Scored for brass band (without percussion), 'Hymn to Barossa' is a re-scoring by the composer of the hymn section from 'Battle of Barossa'. This new arrangement is a melancholy and melodic hymn that mid-piece features a poignant cornet solo. 'Hymn to Barossa' gradually builds, but deliberately only so far, and is a statement of controlled emotions. Dur: 2:30
Estimated dispatch 7-14 working days
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£10.00
HYMN TO BAROSSA (Brass Band Score) - Scott, Andy
Brass Band score only. Scored for brass band (without percussion), 'Hymn to Barossa' is a re-scoring by the composer of the hymn section from 'Battle of Barossa'. This new arrangement is a melancholy and melodic hymn that mid-piece features a poignant cornet solo. 'Hymn to Barossa' gradually builds, but deliberately only so far, and is a statement of controlled emotions. Dur: 2:30
Estimated dispatch 7-14 working days
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£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
In Stock: Estimated dispatch 3-5 working days
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£29.99A Shropshire Lad George Butterworth arr. Joseph Knight
The tragedy of war is personified in the premature death of one of Britain's most promising composers of his age. George Butterworth was shot in the head at the battle of Somme by a German Sniper and there ended his sparkling contribution to music. Goeorge Butterworth set eleven of A. E. Housman's A Shropshire Lad poems in two cycles from 1909-1911. He composed his orchestral rhapsody in 1911, first calling it "The Land of Lost Content", and then calling it "The Cherry Tree" before deciding on the title "A Shropshire Lad". He wished it to be an epilogue to his song cycle and he wished it "to express the homethoughts of the exiled Lad". This arrangement for brass band was arranged in 2016 to commemorate the centenary of the composers death. This is offered as a full set with parts.
Estimated dispatch 5-9 working days
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£36.83World War III (Brass Band) Joe Galuszka
This descriptive work for brass band by Joe Galuszka depicts the horrors of war. War is all around us. Every day, another life is lost. Myanmar, Sudan, Ethiopia, Ukraine, Colombia, Afghanistan, Somalia, Syria and Yemen. As time goes on, more and more countries are brought to the end of what is a diplomatic struggle - in where war seems to be the only option. 'War! Terror! Panic! captures the tumultuous and relentless nature of war. With driving rhythms, aggressive brass fanfares, and thundering percussion, the listener is immersed in the chaos of battle. Dissonance and clashing harmonies depict the discord that pervades war and takes us on a journey through the terror and panic that comes with the brutality of conflict. Remembrance (For Those That We Have Lost) provides a poignant and reflective interlude, allowing the audience to contemplate the human cost of war. Mournful melodies and expressive solos for trombone, euphonium and glockenspiel, convey the depth of sorrow and loss, serving as a powerful reminder of the toll war takes on individuals and communities. The final movement, Hymn for Peace and Hope is a testament to the enduring human spirit and the yearning for harmony - dissonance and conflict gradually give way to consonance and resolution. We celebrate the human capacity for unity and the triumph of peace over strife, as we imagine a world at piece. To listen to an audio demo of the work please visit https://on.soundcloud.com/Udt1AWRThgwuWnQv5 Duration: Approx. 5.00 mins Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£33.14Disinformation! (Brass Band) Joe Galuszka
This atmospheric work by English composer Joe Galuszka is set in three movements: I. Fear II. Hope III. Solidarity (March for Truth) The composer writes: 'All around us is mistrust in the information we receive. Chinese misinformation. Russian disinformation. 'Fake News' in the United States. At every turn we doubt what we hear, what we see. Disinformation was composed in response to the ever-growing and all powerful misinformation campaigns worldwide that reached dizzying levels of influence, coming from some of the most eminent heads of states, during the turn of the 21st century. With division and disillusionment now rife and engrained in Western democracies, the unravelling of the social order is reflected in this short work for brass band. Opening with Fear, Disinformation starts with vast amounts of noise taking over the establishment and paints a world with people coming to terms with the cacophony of sound that is 'false information'. With a retreat to a brief moment of solace, Hope conjures up a calm escapism where on the outside, the brave and the wise look on to what is becoming of our new world. Maybe there is chance to pull together? Ending with a frenzied, brazen climax, the piece concludes with Solidarity - where people and the politicians come to loggerheads in a battle - where those who seek division are called out and the lies are laid bare for all to see, as we enter, once more, the unknown.' To listen to a recording of Solna Brassperforming the work please visit https://open.spotify.com/track/2gvPdCsvmykdWpm2yjz3Uk?si=68cc33805d16449c To view a rolling score video of this work please visit www.youtube.com/watch?v=z-0I47yfvM0 PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 1st Section + Length: 4.35 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4 (Part 2 optional)
In Stock: Estimated dispatch 1-3 working days
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£88.40Euphonium Concerto with Brass Band (Karl Whelan)
VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£7.36
Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy
*Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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