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  • £142.99

    Music of the Spheres (Brass Band - Score and Parts) - Sparke, Philip

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.Duration: 18:00

    Estimated delivery 12-14 days

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  • £125.00

    Music of the Spheres - Philip Sparke

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 12-14 days
  • £142.99

    Music of the Spheres - Philip Sparke

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of theuniverse and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek,which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined toweave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a namegiven by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows calledThe Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe.Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continuallyexpanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 10-14 days

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  • £64.50
  • £65.00

    Beyond the Universe - DerongA(c) Roger

    Estimated delivery 12-14 days
  • £76.00

    Masters Of The Universe - Bill Conti

    Estimated delivery 10-14 days

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  • £64.95

    A Tear in the Fabric of Time - Gareth Wood

    A Tear in the Fabric of Time is essentially a symphony for brass band and was inspired by the book The Elegant Universe by Brian Greene, which attempts to simplify complex ideas in modern physics for the layperson. This piece was dedicated to and written for the Buy As You View Band but was first performed by the National Youth Brass Band of Great Britain, conducted by Robert Childs in Summer 2006. The work is featured by the Cory Band on their recording The Promised Land (DOYCD218).A brassy, fanfare like introduction provides much of the material for the rest of the work.This leads into a dramatic 'Allegro' driving forward with brittle motives and stabbing chords. A euphonium melody accompanied by divided basses attempts to mellow the mood, but is unsuccessful as the music drives ruthlessly on! The centre of the work is a choral like Adagio; maybe the blackness of space or the darkness of human nature. A short episode leads into a 'Presto' which is a reworking of the first 'Allegro' relentlessly careering to a violent end![Gareth Wood, 2006]

    Estimated delivery 3-5 days
  • £75.00

    As Above, So Below - Jay Capperauld

    An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation’s Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don’t hesitate considering The Wallace Collection to provide the brass quintet elements – if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the ‘SOLVE’ (Latin for 'Separate' which correlates to the Above) and ‘COAGLUA’ (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase ‘As Above, So Below’.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.

    In stock: Estimated delivery 1-2 days
  • £25.00

    As Above, So Below ??" Score Only - Jay Capperauld

    (This listing is for the purchase of a Score ONLY. To order a complete set of score and parts please click here.)An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation’s Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don’t hesitate considering The Wallace Collection to provide the brass quintet elements – if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the ‘SOLVE’ (Latin for 'Separate' which correlates to the Above) and ‘COAGLUA’ (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase ‘As Above, So Below’.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.

    In stock: Estimated delivery 1-2 days
  • £65.00

    13.7 Billion Years Earlier - James McFadyen

    Brass band sheet music by James McFadyen. Listen to the glorious sound of the Central Ohio Brass Band perform this grand and magical fanfare. Described as a fanfare tone poem, 13.7 Billion Years Earlier tells the story of the beginning of our universe, the big bang. Based around the note of concert Db, this is poetic brass band music with flowing melodic lines and deep evocative harmonies, gradually building to glorious and magical ending. Since the conception of this music, the most recent accurate measurement of the universe is now 13.8 billion years old.What is the Big Bang?The Big Bang is the leading theory of how our universe came to be. All of space, time and matter in our universe was created at that moment. Everything you see around you comes from that moment 13.8 billion years ago. The term "big bang" was coined by Fred Hoyle (1915-2001), a British astronomer who supported the opposing theory of the time - Steady State Theory.At the heart of the Big Bang theory is Inflation, as developed by Alun Guth (b.1947).Over the years, the evidence to support the Big Bang theory mounted up, and has been so consistent with the model that to argue against the big bang would require a substantial amount of opposing evidence not yet observed.Evidence to support the Big Bang theory includes (amongst others) pigeon droppings at the big ear telescope in Ohio (USA), WMAP image of the universe and the discovery of redshift demonstrating the expanding universe.More Space Brass Band Sheet Music2019 marks 50 years of the first moon landing. If you're looking for original music for brass band with a space theme, you're at the right place. If you like 13.7 Billion Years Earlier and looking for something along the same lines, The Pale Blue Dot by the same composer is the perfect choice. With it's 5/4 time signature and lyrical melody over a pulsing ostinato building to a heart-pumping ending, it's the perfect set of tones for your concert.For those after a more energetic piece, Magnus Hylander's Sunrise is sure to fit the bill. The calm and peaceful start is not unlike something from that of Philip Sparke, and when the piece gets going, it's a great concert piece that moves along at a fair pace.The "Wow!" Signal by James McFadyen is a 3-part concert work based on the 1977 signal found in the constellation of Sagittarius. In fast-slow-fast form, this original extended work is a great way to showcase your bands musical prowess whilst giving the audience a new sonic experience.

    Estimated delivery 5-7 days