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  • £50.00

    Vectis Isle - Broadbent, D

    VECTIS ISLE is the Roman name for the Isle of WrightSTATELY OSBORNEOsborne House was the summer residence of Queen Victoria. Music of fanfares and pageantry in 3/4 time, with a central delicate minuet section, before returning to the original fanfares and stately themes.PICTURESQUE CALBOURNECalbourne is a pretty, tiny country village with its feature of an old water mill. The music is pastorale in style. 6/8 rhythms with a free and easy waltz section.THE OLD CHURCH AT GODSHILLThis movement links directly from the second, but may be played on its own if desired. Godshill is a quaint but beautiful village of thatched cottages by an old church.SANDOWN HOLIDAYSThis final movement is intended to portray the happy atmosphere of this pleasant seaside resort, with just a moment or two to laze on the fine beaches under an afternoon sun before the final allegro concludes this suite.Duration 14 and a half mins

    In Stock: Estimated dispatch 1-3 working days

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  • £65.00

    AN ELGAR PORTRAIT - D.Price

    This work was composed in commemoration of the 150th Anniversary of the birth English Composer Sir Edward Elgar. The suite is in three movements: 'Introduction', 'Elegy' and 'March', each of which have been inspired by three of Elgar's most celebrated works; Chanson de Matin, Nimrod ('Variation IX' from the Enigma Variations) and Pomp and Circumstance No.1.'Introduction' - Hollybush HillHollybush Hill is the name of one of the peaks of the Malvern Hills in Worcestershire. The Malverns were a favourite walking area for Elgar and his wife, and their panoramic views inspired much of Elgar's music.'Elegy' - BroadheathBroadheath is the small village at the foot of the Malvern Hills where Elgar was born (and lived at various times throughout his life). Elgar is buried not far from Broadheath at St Wulstan's in Little Malvern. 'March' - Worcester CathedralMany of the Worcestershire ensembles and music festivals played an important role in Elgar's early musical education. He was heavily involved in The Three Choirs Festival and either conducted or played in many of the light orchestras and vocal groups that performed at venues across Worcester. A statue of Elgar overlooks the Cathedral at the end of Worcester High Street.An Elgar Portrait has been used regularly as an own-choice test-piece for Section 4 bands, and was also selected as the set work for the Swiss National Championships in 2007 as well as the Pontins Championships in 2008. The composer has slightly reworked this piece for the Section 4 Final of the National Brass Band Championships of Great Britain 2020 and it's this version that should be performed at the contest. If bands currently have an older version in their libraries, please contact us directly for more information.

    Estimated dispatch 7-14 working days
  • £59.99

    Bofors To The Fore Joseph Knight

    This piece was a commission to commemorate the memory of Gunner A. E. Collins who during the second world war was engaged in an action where during an advance through Belgium heavy resistance was met and he and an officer had to cover a retreat using Bofors guns. In the final report the title of this piece was actually used by the commanding officer.The piece its self is in three movements and follows the flow of the battle. The first movement called "Advance" is cautious and has the hint of battle. It starts quietly and then builds up slowly and finishes unresolved. Movement two "Engagement" starts suddenly in 7/8 and uses cyclical rhythms and clustered chords to show the horror and chaos of battle and also the firing the Bofors guns. The third movement "Safe Return" brings all of the themes from the first two movements and finishes with "The End Of The Day". The commission stated that bugle calls and "The End Of The Day" should be included.The piece is suitable for a concert work or indeed the contest stage.J Knight 2022.

    Estimated dispatch 5-9 working days
  • £22.99

    Who Is He In Yonder Stall - Bb Cornet Solo

    This is an fabulous little Christmas cornet solo, that will mad an excellent addition to any programme. It starts very simply with the soloist and a quartet of horns, baritone and euphonium. It then builds for a fast verse and then modulates into the minor, with the horns taking the "Who is He" melody and the cornet moving to a minor version of "Silent Night". The piece then shifts back to the tonic key with the cornet finishing the final verse while the whole band then slowly re-enters.

    Estimated dispatch 5-9 working days
  • £33.50

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £33.50

    Metamorphosis on 'Finlandia' (Brass Band - Full Score Print) Andrew Wainwright

    This major work was commissioned by Five Lakes Silver Band and its Musical Director Christopher Ward in February 2024, and is featured on the band's CD Resurget Cineribus. The music is based on the hymn tune by Katharina von Schlegel, Be Still, My Soul, found in Sibelius' famous tone poem Finlandia (Op. 26). While the only source material used in Metamorphosis on 'Finlandia' is the hymn itself as opposed to any of the developmental music found in the tone poem, it does also seek to depict the strife of the Finnish people against the censorship of the Russian Empire. It is therefore both rousing and turbulent at various times. Metamorphosis on 'Finlandia' commences with a quartet playing a full statement of the hymn in its simplest form, featuring a solo flugel. This leads into a sprightly 6/8 section where a fanfare-like figure proclaims the theme. The music in this section is at times unstable and off-kilter as references to the hymn come and go, often in a very chromatic or dissonant form - a reflection of the struggles that the Finnish people went through. Despite this, there is still a sense of optimism. A somewhat reflective slower section follows, featuring another full rendition of the hymn, with a number of solo voices taking up the tune. This is followed by several cadenzas - for cornet, trombone, Eb bass, and Bb bass, which represent different voices speaking out against the oppression of the Finnish people. This leads into an energetic final movement before a resounding proclamation of the hymn in its full glory. A return to the fanfare heard earlier in the work brings the piece to a glorious conclusion. To listen to a recording of Five Lakes Silver Band performing the work please visit www.youtube.com/watch?v=GeJJF6asD2k Duration: Approx. 13.15 minutes Difficulty Level: 1st Section + This product includes a print copy of the full score. PDF parts and score available here. Sheet music available here (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £33.50

    Metamorphosis on 'Finlandia' (Brass Band - Full Score PDF) Andrew Wainwright

    This major work was commissioned by Five Lakes Silver Band and its Musical Director Christopher Ward in February 2024, and is featured on the band's CD Resurget Cineribus. The music is based on the hymn tune by Katharina von Schlegel, Be Still, My Soul, found in Sibelius' famous tone poem Finlandia (Op. 26). While the only source material used in Metamorphosis on 'Finlandia' is the hymn itself as opposed to any of the developmental music found in the tone poem, it does also seek to depict the strife of the Finnish people against the censorship of the Russian Empire. It is therefore both rousing and turbulent at various times. Metamorphosis on 'Finlandia' commences with a quartet playing a full statement of the hymn in its simplest form, featuring a solo flugel. This leads into a sprightly 6/8 section where a fanfare-like figure proclaims the theme. The music in this section is at times unstable and off-kilter as references to the hymn come and go, often in a very chromatic or dissonant form - a reflection of the struggles that the Finnish people went through. Despite this, there is still a sense of optimism. A somewhat reflective slower section follows, featuring another full rendition of the hymn, with a number of solo voices taking up the tune. This is followed by several cadenzas - for cornet, trombone, Eb bass, and Bb bass, which represent different voices speaking out against the oppression of the Finnish people. This leads into an energetic final movement before a resounding proclamation of the hymn in its full glory. A return to the fanfare heard earlier in the work brings the piece to a glorious conclusion. To listen to a recording of Five Lakes Silver Band performing the work please visit www.youtube.com/watch?v=GeJJF6asD2k Duration: Approx. 13.15 minutes Difficulty Level: 1st Section + This PDF download includes the full score. Parts and score available here. Sheet music available here (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £33.50

    Veni, Sancte Spiritus (Brass Band) Vaughan Williams arr. Geoffrey Nobes

    Originally conceived as a ceremonial work for the Band of the Royal Air Force Regiment, Veni, Sancte Spiritus was written for a Thanksgiving Service at St Clement Danes Church - the Central Church of the RAF in London. This evocative piece was inspired by the church's thousand-year-old architecture and resonant acoustic, creating a soundscape that is both reverent and atmospheric. In adapting the work for brass band, the composer introduces Vaughan Williams's hymn tune Down Ampney, seamlessly woven into the final sections of the piece. This lyrical addition enhances the spiritual tone of the music, aligning perfectly with the hymn text 'Come Down, O Love Divine', and lending the work its new title and emotional depth. Perfect for concert, ceremonial, or liturgical use, Veni, Sancte Spiritus offers a profound and reflective experience for performers and audiences alike. Duration: approx. 4.00 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani

    In Stock: Estimated dispatch 1-3 working days

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  • £37.22

    Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell

    Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894. The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting. This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPg Duration: approx. 5.20 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Percussion 2 - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £67.00

    Metamorphosis on 'Finlandia' (Brass Band) Andrew Wainwright

    This major work was commissioned by Five Lakes Silver Band and its Musical Director Christopher Ward in February 2024, and is featured on the band's CD Resurget Cineribus. The music is based on the hymn tune by Katharina von Schlegel, Be Still, My Soul, found in Sibelius' famous tone poem Finlandia (Op. 26). While the only source material used in Metamorphosis on 'Finlandia' is the hymn itself as opposed to any of the developmental music found in the tone poem, it does also seek to depict the strife of the Finnish people against the censorship of the Russian Empire. It is therefore both rousing and turbulent at various times. Metamorphosis on 'Finlandia' commences with a quartet playing a full statement of the hymn in its simplest form, featuring a solo flugel. This leads into a sprightly 6/8 section where a fanfare-like figure proclaims the theme. The music in this section is at times unstable and off-kilter as references to the hymn come and go, often in a very chromatic or dissonant form - a reflection of the struggles that the Finnish people went through. Despite this, there is still a sense of optimism. A somewhat reflective slower section follows, featuring another full rendition of the hymn, with a number of solo voices taking up the tune. This is followed by several cadenzas - for cornet, trombone, Eb bass, and Bb bass, which represent different voices speaking out against the oppression of the Finnish people. This leads into an energetic final movement before a resounding proclamation of the hymn in its full glory. A return to the fanfare heard earlier in the work brings the piece to a glorious conclusion. To listen to a recording of Five Lakes Silver Band performing the work please visit www.youtube.com/watch?v=GeJJF6asD2k Duration: Approx. 13.15 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available here (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days