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£54.99X-mas for Three - David Well
David Well composed 'X-mas for Three' for three young pupils of his, who wished to give a Christmas concert. He arranged six well-known Christmas songs for them, and their first performance was a great success. This was reason for the composer to adapt the piece for 'orchestra' by adding percussion. The title has stayed the same, and the work can still be played by as few as three musicians, but as the saying goes: "The more, the merrier"! 'X-mas for Three' consists of the following parts : 1. Oh du frohliche 2. Kling, Glockchen, kling 3. Gloria in excelsis deo 4. Joy to the world! 5. The first Noel 6. We wish you a MerryChristmas
Estimated dispatch 5-14 working days
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£45.00Two Herefordshire Carols (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Hindmarsh, Paul
The two traditional tunes that comprise this straightforward setting were sung to Ralph Vaughan Williams (1872-1958) by Mrs. Esther Smith of Dilwyn, near Hereford, during one of the great composer's folk song collecting tours of England in the early years of the twentieth century. They were included in Twelve Traditional Carols from Herefordshire, edited by E.M. Leather and Vaughan Williams. The words to which Mrs. Smith sung the first tune were probably drawn from eighteenth century evangelical sources. The editors replaced these with six of the 16 verses of a traditional seventeenth century carol text, Joseph and Mary.The second melody, which appears as the centre piece of this arrangement, was sung to a carol that tells of a farmer who ploughed on Christmas Day. It is in fact a translation of a German traditional carol Gelobet seist du Jesu Christ that was published in Goodly Psalmes and Spiritualle Songes (1546) translated by Miles Coverdale. Vaughan Williams used the title Coverdale's Carol.The brass band settings follow the settings made by Vaughan Williams in 1920 for the Oxford Book of Carols. Since his simple harmonic approach is similar in both settings, three verses of his haunting version of Coverdale's Carol have been folded inside four verses of the slightly more animated treatment of Joseph and Mary. The harmonisations of Vaughan Williams have been given some brass band colour, with some verses taken by soloists from the ensemble. The accompaniment figuration that embellishes the second verse of Joseph and Mary has been used to open and close this arrangement and to bind the verses together.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
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£119.95Genesis (Sinfonia quasi una Fantasia) (Brass Band - Score and Parts) - Ellerby, Martin
One of the composer's most personal works, Genesis is cast in three independent movements but played in close (attacca) proximity to each other. Part One: Out of Darkness... quotes the German chorale Nun Danket (Now thank we all our God) text by Martin Rinkart (1586-1649) and the music by Johann Cruger (1598-1662) in a symbolic, somewhat cynical, style. Part Two: Les Chansons du Monde... (the songs of the earth or earth-songs) is composed with full attention to solo, duo and other combinations of instruments consistently in a cantabile style. Part Three: Into Light... concentrates on rhythmic agility and dance like qualities in a most exuberant fashion, bringing the work to a very positive conclusion. Duration: 14.45
Estimated dispatch 7-14 working days
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£49.95
Genesis (Sinfonia quasi una Fantasia) (Brass Band - Score only) - Ellerby, Martin
One of the composer's most personal works, Genesis is cast in three independent movements but played in close (attacca) proximity to each other. Part One: Out of Darkness... quotes the German chorale Nun Danket (Now thank we all our God) text by Martin Rinkart (1586-1649) and the music by Johann Cruger (1598-1662) in a symbolic, somewhat cynical, style. Part Two: Les Chansons du Monde... (the songs of the earth or earth-songs) is composed with full attention to solo, duo and other combinations of instruments consistently in a cantabile style. Part Three: Into Light... concentrates on rhythmic agility and dance like qualities in a most exuberant fashion, bringing the work to a very positive conclusion. Duration: 14.45
Estimated dispatch 7-14 working days
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£54.99Alegria (Brass Band - Score and Parts) - Bernaerts, Frank
As performed by Cirque du Soleil. Duration: 4.45
Estimated dispatch 7-14 working days
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£58.60CHRISTMAS SOUNDS (Brass Band) - Newsome, Roy
Includes: O Du Frohliche; Leise Rieselt der Schnee; Alle Jahre Wieder; Susser die Glocken nie Kingen; Tochter Zion; Stille Nacht. Grade: Easy/Medium.
Estimated dispatch 7-14 working days
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£56.00Love Duet (Cornet and Euphonium Duet with Brass Band - Score and Parts) - Richards, Goff - Woodfield, Ray
Wenn Du Mich Liebst from the musical Jukebox
Estimated dispatch 7-14 working days
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£56.00Passacaglia (Brass Band - Score and Parts) - Widorski, Kurt Georg
So gehst Du nun, mein Jesu, hinSlightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)
Estimated dispatch 7-14 working days
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£60.99Versailles (Brass Band - Score and Parts)
Versailles, composed by Christian Bouthier, reflects a number of impressions of the royal castle in Versailles, near Paris. There are four movements consisting of Le Chateau, Le grand Trianon, L'Appartement du Roi and Les Grandes Eaux each of which depicts a different aspect of Versailles both inside and outside. Bring a touch of regalness to any concert band programme. 06:00
Estimated dispatch 7-14 working days
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£30.00Django - Jock McKenzie
Django is inspired by the sounds of 'Hot Club Jazz'. The origins of this style also known as Gypsy Swing or Jazz Manouche were to be found in France in the 1930s. Indeed, the most famous group, based in Paris was the "Quintette du Hot Club de France" and featured in its ranks the legendary guitarist Django Reinhardt and violinist Stephane Grappelli. My composition Django seeks to provide a 'beginners guide' to some of the typical elements of this musical style: After a 'faux improvised' opening flourish, the main theme is in the characteristic minor key, including use of arpeggio figures to point the direction of the melodic line. The melodies throughout the piece are presented in a duet-like manner, spaced in intervals of 3rds and 6ths. The accompaniment based strongly around the minor 6th chords is designed to imitate the role of the rhythm section in a typical gypsy swing band.
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