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  • £35.63

    Sunset (Cornet Solo with Brass Band) David Robb

    Sunset was written in June 2023 as a graduation present for the composer's son Callum and is dedicated to him. It portrays an older father (the composer) reminiscing about the love, respect and pride he has for his grown-up son and all that he has achieved and worked for. Sunset is lyrical and song-like in style. A soaring solo line is accompanied by a mainly homophonic background which should support, but never overpower the soloist. The tutti sections feature the melody accompanied by flowing scalic figures which portray the passing of time. The piece ends with an ad lib cadenza section where the soloist can really put their own mark on the music. To view a video of Dominic Longhurst and Victoria Brass performing the solo please visit www.youtube.com/watch?v=nzYwOvlqaYU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Tutti Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel

    In stock: Estimated dispatch 1-3 days
  • £71.27

    Pyrenean Carol Suite (Brass Band) David Taylor

    This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In stock: Estimated dispatch 1-3 days
  • £34.00

    Deus in Adjutorium

    DescriptionMonteverdi's Vespro della Beata Vergine (Vespers for the Blessed Virgin) is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope, style and scoring, and has a duration of around 90 minutes. Published in Venice with a dedication to Pope Paul V dated 1 September 1610 as Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae, cum nonnullis sacris concentibus, ad Sacella sive Principum Cubicula accommodata ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is mercifully regularly shortened to Monteverdi's Vespers of 1610.Monteverdi was born and spent the first part of his working life in Cremona before moving to Mantua (where he composed the Vespers) and finally attaining one of the top jobs in Italian renaissance music as Maestro di Capella at the Basilica di San Marco in Venice. He is most famous for his vocal music, notably his madrigals and the earliest surviving opera, Orfeo.Performance notes:The opening "versicle" on euphonium should be declamatory, in a recitative style - i.e. in free tempo and not conducted. Ideally the player should stand for this.Where practical, the soprano and 1st & 2nd solo cornets should stand to the left of the band, and the repiano and 3rd & 4th solo cornets to the right. If three percussionists are available, the third player should double the Percussion 2 part, and in that event it is often effcetive to have the 2nd and 3rd percussion players stand to the left and right of the band with the cornets.Watch a preview video of the score below:

    Estimated dispatch 7-14 working days
  • £12.00

    Kopanitsa

    DescriptionKopanitsa was commissioned by Gavin Pritchard, who is also the work's dedicatee and gave the first performance with the Tongwynlais Temperance Band conducted by Gareth Pritchard at the Butlins Mineworkers Championship on 20 January 2008, winning the prize for best soloist as a result. He has recorded it on the CD "Enter the Galaxies" accompanied by the Cory Band conducted by Robert Childs.Gavin had requested a virtuoso showpiece featuring as many instruments as possible. The solo part is therefore written for vibraphone (bowed and struck), 10 x tuned tom toms, 5 x suspended cymbals plus hi-hat and a xylophone. The soloist's 'choreography' therefore forms an integral part of the performance. This can be seen to great effect in Gavin's performance of the work at the 2013 Brass in Concert Championship with Tredegar Band, available on the DVD of the event from World of Brass. A 'kopanitsa' is a Bulgarian folk dance that traditionally features two slow beats and two quick beats, reflected in the central 10/8 section. The music is deliberately Balkan in character, using the characteristic modes of Greek and Bulgarian folk music, and accelerates regularly to finish at breakneck speed. The tom-tom section marked 'ad lib.' after [D] can be improvised if the soloist wishes.You can view a sample PDF file of the score here and the solo percussion part here.PercussionThe band percussion parts are written for timpani, snare drum, suspended cymbal, tambourine on a stand and bass drum. It is possible to combine these with the soloist part to make the work a feature for percussion trio and parts for this can be made available on request.MutesSoprano cornet, solo and 1st horn, 1st and 2nd baritone and euphoniums will require straight mutes (metal ideally). Soprano cornet, principal cornet, repiano and 1 x 2nd cornet, plus all trombones, will require cup mutes. Repiano, 2nd and 3rd cornet require harmon mutes with the tubes removed (indicated by 'TR').

    Estimated dispatch 7-14 working days

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  • £60.00

    Blackbird Special - Davis, Lewis, Towns, Harris, Marshall, Joseph, Johnson & Jones - Reid Gilje

    "Blackbird Special" is a song by American band Dirty Dozen Brass Band.The song is an entertainment piece, a good concert opener or encore.When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance.Percussion section may play their parts ad lib. The most important is the groove of the piece.Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short.It's important to hold the note values, especially in bars 49, 51, 53 and 55.From 57 and throughout the piece, the percussion may invite the audience to join for handclaps.As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63.

    Estimated dispatch 12-14 working days
  • £36.00

    Kort samba og kort mambo - Svein Fjermestad

    This is two short pieces at grade level 1,5 written in samba- and mambo style as the titles indicates.The percussion parts are ad lib and are intended to be customized to the number of players and instruments available.

    Estimated dispatch 12-14 working days
  • £72.00

    Bring Him Home (From "Les Miserables") - Boublil-Kretzmer-Schoenberg - Bjorn Morten Kjaernes

    The novel by Victor Hugo which the story of this musical is based on, received only limited success in France when it was published. After translating the entire piece into English and adding a a great deal of new material it was still very poorly recieved in London ad well. But satisfied audiences spread the word and soon the ticket sales went through the roof. The show is now in it's 25th year in London!

    Estimated dispatch 12-14 working days
  • £102.60

    Diplodocus - Ingebjørg Vilhelmsen

    Diplodocus is said to be one of the largest dinosaus to ever have lived. This plant munching beast weighted approximately 20 tons, and could measure up to 30 metres from head to tail. The dinosaur lived in North America during the Jurassic period.This piece describes the carefree nature of a Diplodocus.A life with no natural enemies, and with an exceptionally small brain.To the conductor:The drum set part (Perc. 1) can be played as written, or ad lib. There is also a simplified drum set part that can replace Perc 1. if needed.Perc 2. is optional, and can be omitted.

    Estimated dispatch 5-14 working days

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