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  • £29.95

    Scherzo No. 1 - Jonathan Bates

    DURATION: 2'30". DIFFICULTY: 1st+. 'Scherzo No.1 (Sanguine)' was composed for the Reg Vardy Band's 2019 Brass in Concert Championships programme, which revolved around the 4 temperaments of Human Nature - a theory by the Greek philsopher Galen from 450 BC. Sanguine individuals are defined as being optimistic or positive, especially in an apparently bad or difficult situation. An extrovert, and someone that looks for the good in situations. They bring energy into a room and brighten people's life with their humour and cheerful nature. It is upon this definition which Scherzo No.1 is composed, with an optimistic and cheery feel to the music, with small interjections of anger and sadness soon giving way to the more upbeat music surrounding it. .

    In Stock: Estimated dispatch 1-3 working days
  • £99.00

    The Flying L-1 (Bra) - Lode Violet

    'The Flying L-1' is dedicated to Leen Vandenhende, former solo baritone of Brassband Willebroek. The title was inspired on her name's Dutch abbreviation L1. The 'Flying' refers to the virtuoso 2nd movement, which explores the full range of the instrument, and is based on a motif of the lyrical 1st movement.

    Estimated dispatch 7-14 working days

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  • £25.00

    Don't Leave Me This Way - Brass Band Sheet Music Full Score & Parts - LM941

    WORDS & MUSIC : Kenneth Gamble, Leon Huff and Cary GilbertARRANGER: David Beal"Don't Leave Me This Way" is a song written byKenneth Gamble,Leon Huff, andCary Gilbert. It was originally released in 1975 byHarold Melvin & the Blue NotesfeaturingTeddy Pendergrass, an act signed to Gamble & Huff'sPhiladelphia Internationallabel. "Don't Leave Me This Way" was subsequently covered by American singerThelma Houstonin 1976 and British duothe Communardsin 1986, with both versions achieving commercial success.But now available, as recorded by the Communards, for brass band ready for your next concert.A definite crowd pleaser and foot-tapper.Sorry UK sales onlyLM941 - ISMN : 9790570009411

    In Stock: Estimated dispatch 3-5 working days
  • £72.99

    English Dances, Set 1, Op.27: No.1, Andantino (Brass Band - Score and Parts) - Arnold, Malcolm - Farr, Ray

    English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvovk's Slavonic Dances and Bartk's Romanian Folk Dances. The premire took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £40.00

    Pomp and Circumstance March No.1 (Brass Band - Score and Parts) - Elgar, Edward - Littlemore, Phillip

    Elgar's Pomp & Circumstance March No. 1?was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October. It was repeated in London a few days later by Henry Wood at the Promenade concerts and the result was sensational, the audience roared its applause, and refused to allow the concert to continue. In order to restore order, Wood conducted the march three times - the only time in the history of the Promenade concerts that an orchestral item was accorded a double encore in Wood's lifetime. Duration: 6:40

    Estimated dispatch 7-14 working days

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  • £30.00

    1941 March - John Williams

    From the film '1941'. Being true to the original, Alan Morrison's arrangement of this march for brass band ensures the effects and atmosphere of the original title track from the film 1941 are maintained to their full potential.It's a challenging march, but the rewards are great and it makes for an enthralling concert opener.

    In Stock: Estimated dispatch 3-5 working days
  • £37.69

    Horn Concerto No.1 1st Movement (Tenor Horn Solo with Band) Haydn arr. Wilson

    Franz Joseph Haydn's Horn Concerto No.1 in D major was composed in 1762, when he was new to the Esterhazy court. It is a virtuosic concerto that showcases the beauty and range of the horn. The concerto was originally scored for solo horn and orchestra, and is one of Haydn's most popular works. Here it has been arranged by Duncan Wilson for tenor horn with brass band. His arrangement of the concerto is a faithful and effective adaptation of the original work. The movement opens with a lively tutti introduction, followed by the entrance of the solo horn. The horn plays a series of melodies and passages that are both lyrical and virtuosic. The band provides accompaniment and contrast, and the two interact in a lively dialogue. The movement builds to a climax and then concludes with a triumphant coda. To view a follow-the-score video please visit https://www.youtube.com/watch?v=Uo2K5tge6Fs PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Tenor Horn Soloist Eb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani

    In Stock: Estimated dispatch 1-3 working days
  • £74.99

    Cornet Concerto No.1 - Jonathan Bates

    My 'Cornet Concerto No.1' was composed for Lode Violet and Brass Band Willebroek in 2018 and features 2 movements, entitled 'Dystopia' and 'Utopia'. . The nature of the music in the opening section, 'Dystopia', is very jagged, disjointed and unsettling, as the soloist almost battles against the constant churning of the mechanical accompaniment, trying to persevere with it's own ideas and styles without being dragged into conforming to it's surroundings. The movement is based largely on the 3 note interval heard right at the outset of the piece (C, D & G#, a series of notes that lends itself so well to different modes, scales, harmonies and intervals) and this forms much of the rhythmic and harmonic structure of the opening section.Whilst this movement acts as a virtuoso feature to demonstrate the extended capabilities of both the soloist and instrument, I feel the accompanying ensemble plays an equal role in the narrative of 'dystopia', and features a number of demanding and prominent episodes for soloists within the accompanying band. A short and heavy coda concludes the movement, with a sense of real pain and sorrowfulness as the music fades away into darkness. . 'Utopia' opens in an instantly more hopeful nature, with the soloist introducing the first real 'theme' of the movement, taken up shortly by the accompaniment. Throughout this movement, there are a number of timbral and melodic references back to the darkness of 'dystopia', but transformed into a much more positive outlook and soundworld. There is a moment of quiet reflect (using the initial 3 note cell as a basis) before flying head first into a frenzied wild 'tarantella' like section, full of joy and energy which tests the dexterity and light-natured approach to virtuosity (much unlike the heavier material in the 1st movement) of the soloist. Primarily, the concept of this finale is fun - joy, happiness, and freedom from restraint, so the addition of a quirky 'tongue-in-cheek' habanera section offers a brief moment of respite from the craziness of the tarantella. To conclude the work, there is an extended cadenza for the soloist which is built on several motifs heard throughout the concerto, which leads the band into a dramatic and energetic final few bars.. Jonathan Bates. (2018). .

    In Stock: Estimated dispatch 1-3 working days
  • £58.00

    Stargate SG-1 (Bra) - David Arnold - Mike Kilmartin

    Main theme of Stargate SG-1. Perfect opener for your concert!

    Estimated dispatch 7-14 working days

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  • £30.00

    Adagio For Baritone - Bb Baritone & Brass Band Sheet Music Full Score & Parts - LM771

    COMPOSER: Lee RogersA wonderful melancholy solo for baritone with a delicate brass band accompanimentLM771 - ISMN : 9790570007714

    In Stock: Estimated dispatch 3-5 working days