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£30.00Repton (Sir Hubert Parry arr. by David Grace) - Brass Band Sheet Music Full Score & Parts - LM557
COMPOSER: Sir Hubert ParryARRANGER: David Grace"Dear Lord and Father of Mankind" is ahymnwith words taken from a longer poem, "The Brewing of Soma" by AmericanQuakerpoetJohn Greenleaf Whittier. The adaptation was made byGarrett Horderin his 1884Congregational Hymns.In many countries the hymn is most usually sung to thetune"Repton" byHubert Parry; however, in the United States, the prevalent tune is "Rest" byFrederick Charles Maker.The text set appears below. Some hymnal editors omit the fourth stanza or resequence the stanza so that the fifth stanza as printed here comes last.If sung to Parry's tune, "Repton", the last line of each stanza is repeated.It is often customary, when singing the final stanza as printed here, to gradually sing louder from "Let sense be dumb...", reaching a crescendo on "...the earthquake, wind and fire", before then singing the last line "O still, small voice of calm" much more softly.Dear Lord and Father of mankind,Forgive our foolish ways!Reclothe us in our rightful mind,In purer lives Thy service find,In deeper reverence, praise.In simple trust like theirs who heardBeside the Syrian seaThe gracious calling of the Lord,Let us, like them, without a wordRise up and follow Thee.O Sabbath rest by Galilee!O calm of hills above,Where Jesus knelt to share with TheeThe silence of eternityInterpreted by love!With that deep hush subduing allOur words and works that drownThe tender whisper of Thy call,As noiseless let Thy blessing fallAs fell Thy manna down.Drop Thy still dews of quietness,Till all our strivings cease;Take from our souls the strain and stress,And let our ordered lives confessThe beauty of Thy peace.Breathe through the heats of our desireThy coolness and Thy balm;Let sense be dumb, let flesh retire;Speak through the earthquake, wind, and fire,O still, small voice of calm.
In Stock: Estimated dispatch 3-5 working days
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Eye Level - Jack Trombey - Len Jenkins
Eye Level was originally produced for the De Wolfe Music Library and selected by Thames Television for the theme tune to their Netherlands based detective series Van der Valk. Based on a German/Dutch nursery rhyme, which in turn takes its melody line from Mozart's Nozze di Figaro, Dutch composer Jan Stoeckart adapted it under the name Jack Trombey, and Simon Park arranged it for his own orchestra. In 1973 his single was top of the UK charts for 4 weeks and in the top 40 for 22 weeks. It gained the award of a platinum disc. Fully entitled 'Eye Level (Theme from the TV series Van der Valk)', the tune has also been used in various TV adverts for clients such as KLM Royal Dutch Airlines in the 70's and Oranjeboom lager in the 1980's. This new arrangement is straightforward and within the capabilities of most 4th section and village brass bands. The tune is instantly recognisable and ideally suited to fetes, concerts and programmes of light entertainment.
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Postman Pat - Bryan Daly - Len Jenkins
The original music for the phenomenally successful Postman Pat series was composed by Bryan Daly (who sadly died in January 2012) and included not only the well-known theme tune "Postman Pat & His Black and White Cat", but also the tuba solo "Walking in Greendale", both of which are now available, arranged for brass, from Wobbleco Music. The theme tune was originally sung by Ken Barrie and was released as a single in the UK where it reached number 44 in the charts in July 1982. The Postman Pat TV series and the later Postman Pat SDS TV series continue to delight and entertain children not least because of the instantly recognizable theme tune. What is less well known is that Bryan was also one of the most sought-after session-musician guitar players of the 1960's and 1970's, a first-call studio musician for the likes of Burt Bacharach, and his performances grace numerous classic hit recordings that have remained radio staples to this day. This "twin-pack" contains 2 arrangements: one of which follows faithfully the original theme and is generally A4 in size, and another which is a march/fete edition and is slightly easier to play. They are printed back-to-back and by folding the parts in half, the march/fete edition becomes lyre-ready.
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£55.00Triumph Series Brass Band Journal, Numbers 1379 - 1382, November 2025
1379: March - True to the colours (Noel Jones)This march is a reminder of the symbolism of The Salvation Army flag - blue representing God's purity, red for the blood of Christ and yellow for the fire of the Holy Spirit. I love the dear old Army flag, I'll be true and Yellow star and red and blue are three songs featured where writers have been equally inspired and have made declaration of their allegiance to God by service in The Salvation Army.1380: In all its fullness (Alan Williams)This music was written for the East of England Youth Summer School in 2024, where the delegates explored the theme 'Living life in full colour with Jesus' and as such this work is a joyous and fun-filled celebration of all the good things God has provided.1381: Eternal Spring (Nick Simmons-Smith) This simple hymn tune arrangement is based on the tune Martyrdom which is associated with the words 'As pants the heart for cooling streams'. It is a Scottish tune written around 1800 by Hugh Wilson.1382: March Medley - Emblems of service (Stephen Bulla)This march celebrates the occasion of the Coorparoo Corps' reunion (now Carindale Corps, Australia) in 2022. The music itself features a spirited medley: Joy! joy! joy! there is joy in The Salvation Army, What a friend we have in Jesus and Steadily forward march!
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal July 2013 Numbers 1239 - 1242
No. 1239 March - Moving Onward (Nicholas Samuel)This march, written by Lieutenant Nicholas Samuel includes the melody from the song The Challenge of the Future written for the 125th Corps Anniversary at Upper Norwood. Other songs included are There's power in the blood of the Lamb , Here is the place and Wonder-working power.No. 1240 Selerction - O for a heart whiter than snow (Noel Jones)Eliza Edmunds Hewitt's song 'O for a heart that is whiter than snow', forms the basis for this selection written by retired Bandmaster Noel Jones. Brief references are also made to the choruses 'Grace ther is my every debt to pay' and 'Take up thy cross and follow me.No. 1241(1) Cornet Solo - In the bleak mid-winter (Trevor Worthington)A setting for cornet and band of the tune 'Cranham', written by Gustav Holst, with which we associate the words of the well-loved popular Christmas Carol.No. 1241(2) Invocation for thanksgiving (David Rowsell)Invocation, by definition, means ' a call to worship'. This music will serve this purpose for any Harvest or Thanksgiving service, using the tune, 'Come, ye thankful people, come'.No. 1242 High and lifted up (Steven Ponsford)This is music of an exciting yet relaxed nature, and it is intended that this piece be used to inspire and to 'lift up' listeners and players alike. Based on Michael W Smith's contemporary worship song, 'Open the eyes of my heart', this also contains the song 'Holy, holy, holy', to the tune of Nicea.
Estimated dispatch 7-14 working days
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£59.95
ELLACOMBE CHRONICLES, The (Brass Band Set) - James Curnow
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£59.95
VARIATIONS ON 'MACCABEUS' (Brass Band Set) - Kevin Norbury
This set of variations was composed for the ISB's tour of Australia, New Zealand and Japan in 1995. Handel's majestic tune is associated with the great resurrection hymn 'Thine is the glory, risen, conquering Son' and melodic fragments of the tune form the basis of the four variations. The tune is heard in its entirety at the beginning and near the end and the piece finishes with a vigorous coda.
Estimated dispatch 7-14 working days
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£69.99The Green Hills of Tyrol - Philip Sparke
The Green Hills of Tyrol was commissioned by Jrena and Beat Knusel for their son, Swiss euphonium player Joel Knusel, to celebrate his 20th birthday in 2019. The request was for a piece suitable for use in a solo competition, possibly using a Scottish or Irish melody, and composer Philip Sparke suggested an 'old-fashioned' air varie might be a suitable idea. The piece follows the well-established formula of a theme followed by four variations. The history of the original melody is fascinating and, although it is now well-known as a bagpipe tune, its background is Austrian or Italian, rather than Scottish. The tune appears as a chorus of Swiss soldiers in Rossini's 1829 opera William Tell but was possibly an existing Tyrolean folk tune. In 1854, during the Crimean War, Pipe Major John MacLeod of the 93rd Highlanders heard a band of the Sardinian contingent playing selections from the opera in camp before the Siege of Sebastopol. He was struck by the melody and arranged it for his pipers, calling it The Green Hills of Tyrol, referring to Tell's visit to that corner of Austria in the opera. It has since become universally popular among pipe bands who usually refer to it as A Scottish Soldier, following the addition of new lyrics in a 1961 hit by Andy Stewart.
Estimated dispatch 5-14 working days
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£118.99The Graces of Love - Oliver Waespi
The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance.It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end.The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spacedmelodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto.
Estimated dispatch 5-14 working days
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