Results
-
£25.00
CAROL OF THE KINGDOM trad. - arr L.Baker
Estimated dispatch 3-5 days
-
£124.10The Kingdom Of Magic - Bertrand Moren
Estimated dispatch 5-14 working days
-
£24.95Carol of the Kingdom
Estimated dispatch 7-14 working days
-
£35.00Money, Money (Makes The World Go Round)
This fun and quirky arrangement was premiered at the 2011 West Lothian Challenge by Kingdom Brass and helped to lead them to victory in the first round! A great show-piece for the band which lends itself to creativity on the drama and choreography front if desired.A definite highlight for a concert programme with opportunities to mix great music with pure entertainment.
Estimated dispatch 7-14 working days
-
£44.95Judd: Boundless Kingdom
March 2017 ReleaseBoundless Kingdom (Steven Ponsford)Originally written for the Melbourne Staff Band 125th Anniversary features the tune 'His Kingdom' as the central theme. This is developed and is joined with 'O Boundless Salvation' and 'The wonders of his grace' in this exciting concert item.
Estimated dispatch 7-14 working days
-
£44.95
Boundless Kingdom (Brass Band - Score and Parts) - Ponsford, Steven
Originally written for the Melbourne Staff Band 125th Anniversary features the tune 'His Kingdom' as the central theme. This is developed and is joined with 'O Boundless Salvation' and 'The wonders of his grace' in this exciting concert item.
Estimated dispatch 7-14 working days
-
£22.50
Boundless Kingdom (Brass Band - Score only) - Ponsford, Steven
Originally written for the Melbourne Staff Band 125th Anniversary features the tune 'His Kingdom' as the central theme. This is developed and is joined with 'O Boundless Salvation' and 'The wonders of his grace' in this exciting concert item.
Estimated dispatch 7-14 working days
-
£42.95The Platinum Jubilee March - Chris G. Shelton
The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations. The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.
Estimated dispatch 5-14 working days
-
£42.95The Platinum Jubilee March (Brass Band - Score and Parts) - Shelton, Chris G.
The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.
Estimated dispatch 7-14 working days
-
£39.95The Divine Right (Brass Band - Score only) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
View Music