Results
-
£24.50Forever Yours - Darrol Barry
From the pen of Darrol Barry comes a new Flugel Horn solo that allows the soloists the chance to show off the instruments beautiful sound. The simplistic melody in the solo line and the shifting harmonies from the band create a beautiful effect that will draw the listener in throughout the piece until the gently final moments of tranquillity. A great addition to a soloists repertoire. Download the solo part free at: http://penninemusic.com/ForeverYours.pdf
In Stock: Estimated dispatch 1-3 working days
-
£29.50Sibelius Fantasy - Gavin Somerset
Composed in 2003 for a composition competition, this work uses elements of three major work by the Finnish composer Jean Sibelius (1865-1957). The three being... Symphony No.5, Finlandia, Karelia Suite (March) The piece starts with an atmospheric opening before setting of in bar 10 with a tempo that will remain for most of the piece. The main original theme is brought in at A before the famous sequence from Sibelius' Symphony No.5 enters at B and then very distinctly at C. The music then rollercoasts through keeping all sections of the band busy, until we reach J when the solo Euphonium can shine, helped along by Flugel and Repiano. The Molto Vivo before K sets off with dazzling trills from the cornet section, and bringing with it the theme from Finlandia in bar 165, followed shortly by the March from the Karelia Suite. From N to the end, all three pieces are brought to a final climax together. A rousing piece and makes an interesting change to a direct transcription.
In Stock: Estimated dispatch 1-3 working days
-
£24.50Seren Fach - Nigel Lawless
Meaning Little Star, this work is so beautiful and simplistic that is raises smiles from all who hear it. Whilst playing with James Shepherd Versatile Brass, Euphonium & trombone player, Nigel Lawless penned this new work as a gift to Rob & Claire Westacott on the birth of their daughter, Jessica. Now cleverly scored for full band, the work combines the two famous melodies of Twinkle, Twinkle Little Star and Brahms lullaby. Playable by most standards of bands, this slow melodic piece fits easily into any concert programme and provides a chance to showcase lyrical soloistic playing and delicate accompanying skills. The work was recorded on the JSVB final CD release, Legacy.
In Stock: Estimated dispatch 1-3 working days
-
£35.00Ascension - Lucy Pankhurst
A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.
In Stock: Estimated dispatch 3-5 working days
-
£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
In Stock: Estimated dispatch 3-5 working days
-
£25.00Cowboy Carol - Cecil Broadhurst
This well known carol has been flexibly arranged by Tim Paton to offer a variety of combinations in its performance - a full band piece; a band piece with vocal soloist or choir; or even a means to utilise the vocal talents of the band members themselves, to create an in-house musical combo!Every band part has a songsheet included and between 10-14 of the players are directed to sing before the full band joins in with a final verse and chorus of this fabulous Cecil Broadhurst song to make for a big ending to any festive concert.The options are numerous and the stunning music and scoring makes for just as much a successful outcome whether voices are included or not - the choice is yours!
In Stock: Estimated dispatch 3-5 working days
-
£35.00Divertimento (previously Spring's Awakening) - Andrew Duncan
This original solo for Eb Tenor Horn and brass band, composed by Andrew Duncan, has proved to be a welcome addition the solo repertoire.Written to demonstrate both the technical and lyrical sides of the Horn, the piece begins with a fast, bright (slightly Latin) section. This gives way to an expressive legato tune which, first played by the Soloist, is then taken up by the whole band. The central section, Andante, allows the soloist to really sing out and, following a short cadenza, the opening material returns to lead into an exciting Coda section.Also available for Eb Tenor Horn with piano accompaniment and F Horn with piano accompaniment.Difficulty Guide:Suitable for intermediate to advanced Tenor Horn players. Range: Low F# to high Db. (optional Bb).NB: The previous working title of Spring's Awakening has now been re-edited into this final title of Divertimento.
In Stock: Estimated dispatch 3-5 working days
-
£30.00Exegesis - Tim Paton
An exciting, original composition for brass band by Tim Paton. A complex work which entwines melodic lyricism amidst contemporary harmonies and scoring. A tour de force of Tim's creativity and a rewarding challenge for the performers and audience.Tim comments: The term exegesis is applied to a study which works out the meaning of something, an interpretation of a series of events, a comparison of ideas within a given medium, for example, "Biblical exegesis". This brass band piece is a musical exegesis.Section one is made up of three main themes, and although these themes are tonal within themselves, there is a sense that they are trying to understand one another. From the very beginning of this section, there is an element of bi-tonality and dissonance.The middle section is ponderous, where we hear elements of these three themes. It could be called the 'thinking section'.Section three almost interrupts this middle section, with fanfares displaying a realisation, still containing bi-tonality, but in harmony! We are soon led in to a hymn like celebration, followed by a determined, militaristic section for the percussion. Finally, the fanfares which opened this third section, reappear, taking us to a final conclusion.
In Stock: Estimated dispatch 3-5 working days
-
£109.99Modern Times - Etienne Crausaz
Modern Times is a concert suite from the musical and theatrical show Le Temps de Lyre, written and directed by Nicolas Bussard. The work was commissioned for the 100th anniversary of the Lyre de La Roche, directed by Marc-Olivier Broillet, with the premiere taking place in July 2024 in front of an audience of over 2,000.This suite highlights three of the dozen tableaux in the show. After an introduction evoking a sort of journey back in time, the first tableau (bar 20) illustrates various disasters that have occurred in the village over the years. The sky darkens, the thunder rumbles, the rain lashes down, and violent gusts of wind are unleashed on this corner of the country. The storm finally calms down, giving way to great desolation.The second tableau (bar 117) describes the resilience of the villagers, who summon up all their courage to repair the damage. The music is soft, calm, and hopeful.On the strength of this new beginning, the village can embrace modernity: motor vehicles replace horses, a dam is built, and tourism develops, encouraging a society open to other cultures. The third tableau in this suite illustrates all these advances (bar 177). Musically, this final section pays tribute to George Gershwin and Leonard Bernstein, two of the 20th century's great musicians and composers, who worked during the fascinating period of modern times and well beyond.
Estimated dispatch 5-14 working days
-
£183.20Folklore - Kjetil Djønne
"Folklore" is a work for brass band and percussion loosely based on the story of the Norwegian woman accused of witchcraft, Anne Pedersdotter. She was sentenced to be burned at the stake in Bergen in the spring of 1590 and has since been frequently highlighted as Norway's most famous and talked-about witch.The work begins with the movement "Lyderhorn," depicting the mountain outside Bergen where witches gathered to plan magical actions against the city. Here, we hear the quietness of nature and the wind blowing through the trees before a new theme appears, which will come to life in the next movement. In the distance, the witches have started their ceremony.In the next movement, "Walpurgis Night," the witches perform their rituals to afflict the city with fire, disease, and natural disasters. The ceremony becomes more and more chaotic, violent, and compelling until the darkness of the night envelops us, concluding the section.The third movement describes the women's inner struggle against the harassment they faced when the people of Bergen suspected them of being witches. Rumors often turned into formal accusations from the legal system, and many were sentenced to death after undergoing trial. "From life to death through the fire."The fourth and final movement, "The Pyre," depicts the actual death sentence. You can hear the pyre being ignited and the flames growing and intensifying. It all culminates in a chorale as a memorial to the lives that were taken.
Estimated dispatch 5-14 working days
View Music