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  • £69.95

    Judd: Dance Music

    The music takes the form of a suite in four movements. The ever-changing spirit of the dance is reflected in the contrasting styles of each movement, ranging from the gentle lullaby to more boisterous and lively moods. Careful listeners will be able to identify references to dance-associated tunes in each movement, concluding with the much-loved Christmas carol, Tomorrow shall be my dancing day. The music is planned to be versatile, and any one movement could be performed as a stand-alone item if required.

    Estimated dispatch 7-14 working days
  • £70.00

    General Series August 2019 Numbers 2194 - 2197

    2194 In the bleak midwinter Andrew Maycock2195 Festival March Spirit of the East Dudley Bright2196 Prelude on Old Hundredth Paul Drury2197 Meditation Still Andrew Blyth

    Estimated dispatch 7-14 working days
  • £24.50

    Manchester - Richard Wainwright - Andi Cook

    Following the terrible events that took place in the Manchester Arena on 22nd of May 2017, this specially arranged and dedicated setting of the hymn tune, 'Manchester' has been put together as a tribute to all those caught up in the attacks, and as a salute to the people of Manchester for their spirit and courage in the aftermath. �10.00 from every purchase is being donated to the Manchester Evening News fundraising page, to help them achieve their target of �2,000,000. This can be found at https://www.justgiving.com/crowdfunding/westandtogethermanchester.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Manchester (Wind Band) - Richard Wainwright - Cook/Clarke

    Following the terrible events that took place in the Manchester Arena on 22nd of May 2017, this specially arranged and dedicated setting of the hymn tune, 'Manchester' has been put together as a tribute to all those caught up in the attacks, and as a salute to the people of Manchester for their spirit and courage in the aftermath. �10.00 from every purchase is being donated to the Manchester Evening News fundraising page, to help them achieve their target of �2,000,000. This can be found at https://www.justgiving.com/crowdfunding/westandtogethermanchester.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Rondo - Allegretto (from Clarinet Concerto) - Von Weber - Andi Cook

    Born in Oldenburg, Germany, Weber composed his first two operas aged just 16. Being one of the finest pianists around, his music is filled with vigour and spirit. Weber wrote three concertos for clarinet in 1811 at the age of 25, for the Munich clarinettist, Heinrich Barmann. The most famous movement from the first concerto has been skilfully arranged for solo cornet and brass band. A perfect showcase of a piece.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Sussex Carol - Trad - Stephen Tighe

    A stunning arrangement of this well loved carol, with countermelodies and duplet bell calls, this will have your audiences smiling and swaying. The melody is spread throughout the band, with trios for the trombones, and a glockenspiel part that the percussionists will ravish (although not essential), this really does have all the spirit of Christmas.

    In stock: Estimated dispatch 1-3 days
  • £64.99

    Olympus - Philip Harper

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)

    Estimated dispatch 5-14 working days
  • £29.99

    Olympus (Brass Band - Score only) - Harper, Philip

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop with thundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffered defeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win - drawing parallels with some of the issues still facing modern-day athletics.A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. The music depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone.The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The music bursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster).The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends as it began - with a blaze of colour and a real sense of optimism and global celebration.Citius, Altius, Fortius (Faster, Higher, Stonger)Duration: 11:30

    Estimated dispatch 7-14 working days
  • £64.99

    Olympus (Brass Band - Score and Parts) - Harper, Philip

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop with thundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffered defeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win - drawing parallels with some of the issues still facing modern-day athletics.A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. The music depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone.The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The music bursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster).The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends as it began - with a blaze of colour and a real sense of optimism and global celebration.Citius, Altius, Fortius (Faster, Higher, Stonger)Duration: 11:30

    Estimated dispatch 7-14 working days
  • £104.99

    Scottish Dances - Peter Martin

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated dispatch 5-14 working days

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