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  • £134.99

    Dances and Alleluias - Philip Sparke

    Dances and Alleluias was commissioned by the British Federation of Brass Bands for the inaugural English National Brass Band Championships, held in the Lyric Theatre at The Lowry, Salford Quays, on July 1st 2006. In this fantastic work the composer mixes wonderful slow music, vocal in nature and ecstatic in mood, along with faster dances to create a challenging piece, which will bring out the best in any band.

    Estimated dispatch 5-14 working days

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  • £94.95

    Dances and Arias (Brass Band - Score and Parts)

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.

    Estimated dispatch 7-14 working days
  • £134.99

    Dances and Alleluias (Brass Band - Score and Parts) - Sparke, Philip

    Dances and Alleluias was commissioned by the British Federation of Brass Bands for the inaugural English National Brass Band Championships, held in the Lyric Theatre at The Lowry, Salford Quays, on July 1st 2006. In this fantastic work the composer mixes wonderful slow music, vocal in nature and ecstatic in mood, along with faster dances to create a challenging piece, which will bring out the best in any band.Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £13.99

    Dances and Alleluias (Brass Band - Study Score) - Sparke, Philip

    Dances and Alleluias was commissioned by the British Federation of Brass Bands for the inaugural English National Brass Band Championships, held in the Lyric Theatre at The Lowry, Salford Quays, on July 1st 2006. In this fantastic work the composer mixes wonderful slow music, vocal in nature and ecstatic in mood, along with faster dances to create a challenging piece, which will bring out the best in any band.Duration: 14:30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £94.95

    Dances and Arias (Brass Band - Score and Parts) - Gregson, Edward

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.The work is dedicated to my brother and sister.- Edward GregsonDuration: 14.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Dances and Arias (Brass Band - Score only) - Gregson, Edward

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.The work is dedicated to my brother and sister.- Edward GregsonDuration: 14.00

    Estimated dispatch 7-14 working days

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  • £72.99

    English Dances, Set 1, Op. 27: No. 1 - Sir Malcolm Arnold - Ray Farr

    English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ak's Slavonic Dances and Bartok's Romanian Folk Dances. The premiere took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

    Estimated dispatch 5-14 working days

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  • £94.95

    Dances and Arias - Edward Gregson

    Estimated dispatch 5-14 working days
  • £40.00

    Dreams and Dances (Flugel solo) - Harper, P

    Dreams and Dances was composed for Black Dyke flugel star Zoe Hancock in 2012. This is a substantial seven minute solo for one of the most characteristic of the brass band's instruments.It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should be manageable by all.

    In Stock: Estimated dispatch 1-3 working days

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  • £60.99

    Four Easy Dances - Peter Martin

    'Four Easy Dances' is a four-part suite from Gobelin's 'Flexy Band Collection'. This series is meant for starter ensembles, i.e. youth orchestras which may not have the full range of instruments available yet. Therefore, it is possible to combine various instruments. 'Four Easy Dances' comes from the 'Flexy 3 Series' and can in principle be played by only three instruments, completed with three percussion instruments. 'Four Easy Dances' consists of: 1. Hop, Skip and Jump, 2. Little Polka, 3. Spanish Dance (castanets are obligatory) and finally 4. Tango.

    Estimated dispatch 5-14 working days

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