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  • £25.00

    Eire Time - Andrea Price

    Brass Band Solo Series - Grade 3 (Soloist 5) A virtuosic euphonium solo with a celtic flavour by Andrea Price. Composed in 2014 for Black Dyke principle euphonium Gary Curtin, Eire Time weaves together three traditional Irish folk tunes in a lively and virtuosic celebration of all things Irish. The piece opens with Star of Munster, a playful but tricky reel with a real foot-tapping lilt to the accompanying parts. The middle movement, The Leaving of Liverpool, is a lyrical slow melody that tells of travel and homesickness and here the band sensitively supports the soloists soaring countermelody. A percussion interlude leads us into the finale, a fast romp through the fiendishly difficult Drowsy Maggie, a real classic of the genre. Duration: 00:05:00

    Estimated delivery 5-7 days
  • £25.00

    Out of Shadows - Andrea Price

    Brass Band Solo Series - Grade 3 (Soloist 3.5) A fun and melodic euphonium solo with brass band by Andrea Price. Commissioned by the Blackley Brass Band for use at the French Open Championships, Out of Shadows is an approachable yet interesting euphonium solo with a contrast of fast, technical playing and slow, lyrical melodies. The piece does not tell a story as such, but the title is derived from the two moods apparent in the piece. The solo starts in a dark and mysterious way in a minor key, with driving rhythms in the band parts and detached, rhythmic playing from the soloist. The second part of the piece is more flowing and in a lighter, major key. Duration: 00:04:00

    Estimated delivery 5-7 days
  • £34.95

    Funk Engine - Score & Parts - Ryan Howells

    ‘Funk Engine’ was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:“When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In ‘Funk Engine’ I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I’ve tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.’Funk Engine’ runs continuously, but is divided into three broad sections – fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale – bringing us into the central movement – which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section.”The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!”

    Estimated delivery 12-14 days
  • £14.95

    Funk Engine - Score Only - Ryan Howells

    ‘Funk Engine’ was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:“When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In ‘Funk Engine’ I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I’ve tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.’Funk Engine’ runs continuously, but is divided into three broad sections – fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale – bringing us into the central movement – which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section.”The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!”

    Estimated delivery 12-14 days
  • £90.00

    Har du fyr? - Ola Bremnes - Oyvind Strand

    This arrangement was made for The Suoni Wind Orchestra of Skien, Norway, and performed for the first time at their Promenade Concert "At Sea" at the Ibsen Culture Center, March 8th 2014, being the final number of the concert. Participating this concert was also the Choir Canto Libre and the two vocal soloists were Eli Kristin Hansveen and Andreas Hoff. Since that time this arrangement has been used also at other concerts involving choir and soloists.It is important that tempo is not too slow and one has to be thorough with details in the percussion parts. I have tried to paint a musical picture of the sea, as an eternal power, shifting from the quiet and lazy to the powerful and majestic with crushing waves and stormy winds, as Ola Bremnes describes it in his fantastic lyrics.- Oyvind Strand -Solo Options: Vocal ??" Soprano Sax ??" Alto Sax ??" Tenor Sax ??" Trumpet ??" Flugelhorn ??" Euphonium (TC/BC)

    Estimated delivery 12-14 days
  • £29.95

    With His First Breath - Paul Lovatt-Cooper

    "With His First Breath" is the lovely slow melody taken from the middle movement of my larger work Breath of Souls. It has been composed for performance by any B-flat soloist within the ensemble - Cornet, Euphonium, Baritone, Flugel or Trombone.

    Estimated delivery 3-5 days
  • £64.95

    Brass Triumphant - Gareth Wood

    Brass Triumphant is a four-movement work and was composed for the Cory Band during their 125th anniversary year of 2009.The first movement is a celebratory fanfare featuring a strong melody as the thread which runs throughout the whole work. The second movement is powerful in nature and reflects struggle and endeavour. The third movement is a beautiful slow melodic poem subtitled Mist of the Forest. A melody carried by the euphonium honours the great Welsh folk melodies we all know and love. The lollipop finale is a rollercoaster ride, taking us to the very edge of band technique. The hymn tune O Iesu Mawr appears though heavily disguised and is a reminder of the composer's Welsh Heritage.The Cory Band under Dr. Robert Childs gave the World premiere of this work during the World Music Contest Gala Concert in Kerkrade, Netherlands July 2009. It later received its British premiere during September of the same year in Birmingham's Symphony Hall, again performed by the Cory Band under the direction of Robert Childs.

    Estimated delivery 5-7 days
  • £34.95

    Pyrotechnic Variations on 1812 - Christian Overhead

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.‘Pyrotechnic Variations’ is a modern day twist on Tchaikovsky’s famous ‘1812’ Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central ‘slow’ section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the ‘canon’ finale – ending in a glorious celebratory style!

    Estimated delivery 5-7 days
  • £62.80

    Czardas - Vittorio Monti - Jerker Johansson

    There are composers that have gone done in history by just a single composition. One of those is the Italian violinist and composer Vittorio Monti (1868-1922). Around 1904 he wrote "Czardas", which soon became a favourite among violinists in restaurant and gipsy orchestras. Monti was also conductor of the Lamoureux Orchestra in Paris and wrote music for ballets and operettas. Csardas is originally a Hungarian folk dance with a slow part (lassu) and a fast part (friska). The virtuoso solo in this arrangement for brass band is written for euphonium and marimba.

    Estimated delivery 10-14 days
  • £35.00

    PATH TO PEACE (Brass Band) - Harper, Philip

    Slow melancholic film-style music with soaring euphonium line. It is mainly in a minor key, but finished in the major. Standard: 4th section. Duration: 3:30

    Estimated delivery 12-14 days

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