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  • £53.20

    Madness! - Medium

    Includes: Night Boat to Cairo; My Girl; Our House; Wings Of A Dove; It Must Be Love; Baggy Trousers; House Of Fun;The Return Of Los Palmos 7.

    Estimated delivery 12-14 days
  • £44.95

    Petite Suite de Ballet - Eric Ball

    This composition consists of four ‘miniatures’, simple in construction, yet not without technical demands upon the players.The music is for a ballet which so far exists only in the imagination! Like most ballet, it has a touch of the fantastic, and must be interpreted with a light, deft touch.The first movement, Parade, brings many characteristics on to the stage, marching perkily, leggily, with almost puppet-like movements.In the next movement, Pas Seul (Solo Dance), one lone figure holds the stage, with a mixture of grace and sauciness. At the end he (or she) runs off with a snap of the fingers.The third movement is a Minuet. A chosen few, richly garbed, perform this stately, courtly dance, while the rest of the company look on at some ritual in which they are not allowed to join.The final Ensemble commencing with the return of the lone figure, gradually brings the whole company to the stage. Various groups come forward for a few moments, and then rejoin the general pattern of the dancing. Towards the end a stately procession is formed, but this finally breaks up in a sudden flurry of leaping and capering, and in a moment, as though at some magic call, the dances have disappeared, whilst the sonorous tones of the final bars of music follow them with a rather disapproving air.Our little fantasy is over.

    Estimated delivery 12-14 days
  • £55.00

    Purcell Variations - Kenneth Downie

    Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use. For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell’s original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated ‘Hallelujahs’. Purcell’s tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material – a quarry for ideas if you like: “I was obsessed with the intervals of thirds in Purcell’s tune, rather like Brahms in his Third Symphony”, the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell’s lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell’s opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie’s famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell’s tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his ‘home territory’ for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work’s introduction. Purcell’s second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell’s ‘Hallelujah’.

    Estimated delivery 12-14 days
  • £44.95

    Renaissance - Peter Graham

    A sequel to the much celebrated 'Shine as the light', Peter Graham felt the dawning of a new millennium was an appropriate back-drop against which to feature Joy Webb's song 'Come into our world', with its plea for revival or Renaissance in the form of Christ's promised return.

    Estimated delivery 12-14 days
  • £29.95

    Song for the Skies - Paul Lovatt-Cooper

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £34.95

    Elixir of Youth - Christopher Bond

    Written for Brass for Heroes 2013Elixir of Youth (2013) was written for the 2013 Brass for Heroes charity event where it was premiered on 19th October 2013 at St Paul's Hall in Huddersfield under the baton of Philip Harper. The title of the work reflects the nature of the band that was put together for that premiere performance; an all-star youth band comprising a selection of the country's young brass banding talent, with the term Elixir referring here to the everlasting talent seen in young brass players throughout the United Kingdom's brass bands and bands' and teachers abilities to keep producing such high quality musicians for the banding movement.The work, structured in three sections, is a showcase for band with a heroic opening where fanfare-like gestures in the cornets and trombones juxtapose rapid euphonium and baritone runs, alongside sweeping horns and percussion effects. As the piece progresses, a grove is introduced - just in the tubas at first, accompanied by a hi-hat - before spreading through the band, definitely stuff to tap your toes to! The middle, slower section of the work sees both flugel and cornet solos, with additional inputs from the euphonium and solo horn before a climax and return to the tempo and music of the opening section. A rousing close concludes the work where all of the work's themes are interweaved to create a sense of power, unity and grandeur; an Elixir of Youth.

    Estimated delivery 5-7 days
  • £34.95

    The Fire & the Phoenix - Christopher Bond

    For Trombone & Brass Band, Written for & Commissioned by Brett BakeThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.

    Estimated delivery 5-7 days
  • £34.95

    Time Eternal - Christopher Bond

    Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. As the title suggests, the idea of time is important in the work, with bell-like gestures forming the opening and closing sections. Rhythmic material is heard, often juxtaposing more lyrical passages, sometimes with dramatic percussion or semiquaver running accompaniments in the cornets.A slow and expressive middle section hears soloistic contributions from the flugel horn and euphoniums, as well as fuller tutti passages, before a return to the energetic tempo of the opening where material is heard again, often presented in different ways with a real sense of drive through to the close.

    Estimated delivery 5-7 days
  • £83.00

    Flying Back to Base (Bra) - Jan De Maeseneer

    Flying Back to Base is a work that describes the return flight of the pilot after a successful mission. A military opening that results is a festive ending. A very nice and light work where both the audience and the musicians will enjoy.

    Estimated delivery 10-14 days

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  • £25.00 £25.00
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    Fanfare for the Future - Andrew Stevenson

    Fanfare for the Future was commissioned by the organisers of the annual Madhurst Brass Festival 2012 to open the final concert. The title pays homage to the James Watson Memorial Fund, the choice charity of the event, which gives opportunities to young brass players. The piece opens with an epic fanfare featuring the cornets and trombones and the remaining instruments join gradually. The music then shifts gear into an exciting, fast tempo. This section features different time signatures, tricky technical passages and some of the initial motifs from the start return. The music then slows down for a melodic euphonium solo followed by a cornet solo which gradually builds to an emotional climax. The music gains tempo for a final sprint to the end, where the music finishes with a climax of rich chords and fanfares.