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  • £65.00

    A Bandsman's Overture (Brass Band - Score and Parts)

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets. 06:00

    Estimated delivery 12-14 days

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  • £10.50

    A Bandsman's Overture (Brass Band - Score only)

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets. 06:00

    Estimated delivery 12-14 days

     PDF View Music

  • £73.00

    A Bandsman's Overture - Philip Sparke

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.

    Estimated delivery 10-14 days

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  • £25.50

    Huntingtower - Ottorino Respighi - Alastair Wheeler

    Whilst best known in the Brass Band world for The Pines of Rome, Respighi wrote Huntingtower in 1932 for Concert (wind) Band for a special concert in memory of John Philip Sousa, who had passed away on March 6 of that year. The work was premiered by the US Army Band. With only around 6 weeks to compose the work, his inspiration for the piece came from a visit to Huntingtower Castle in Scotland. A standard in the wind & military band repetoire, the work is available for Brass Band and is a great alternative to some of the traditional Overtures.

    In stock: Estimated delivery 1-2 days

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  • £19.50

    Song Without Words - Max Stannard

    This sublimely simple piece is the perfect choice of solo for bands looking to add a special moment to their concerts. With parts not too demanding, this solo would suit up and coming cornet players that would like the chance to fulfil their moment in the spotlight. The gentle ballad flow of the work would work well at any concert occasion and is open to youth bands as well as more seasoned senior bands.

    In stock: Estimated delivery 1-2 days

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  • £65.80

    Blackbird Special - Davis - Reid Gilje

    "Blackbird Special" is a song by American band Dirty Dozen Brass Band.The song is an entertainment piece, a good concert opener or encore.When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance.Percussion section may play their parts ad lib. The most important is the groove of the piece.Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short.It's important to hold the note values, especially in bars 49, 51, 53 and 55.From 57 and throughout the piece, the percussion may invite the audience to join for handclaps.As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63.

    Estimated delivery 10-14 days

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  • £65.00

    Blackbird Special - Davis, Lewis, Towns, Harris, Marshall, Joseph, Johnson & Jones - Reid Gilje

    "Blackbird Special" is a song by American band Dirty Dozen Brass Band.The song is an entertainment piece, a good concert opener or encore.When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance.Percussion section may play their parts ad lib. The most important is the groove of the piece.Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short.It's important to hold the note values, especially in bars 49, 51, 53 and 55.From 57 and throughout the piece, the percussion may invite the audience to join for handclaps.As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63.

    Estimated delivery 12-14 days
  • £25.00 £25.00
    Buy from Wobbleco Music

    A Holly Jolly Christmas - Johnny Marks - Len Jenkins

    "A Holly Jolly Christmas" is a Christmas song written in 1962 by Johnny Marks. He was also responsible for Rudolph, the Red-Nosed Reindeer and Rocking Around the Christmas Tree amongst his other compositions. The most well-known vocal editions are those by Burl Ives who recorded it in 1964 for a Christmas special, and then re-recorded in 1965 for his holiday album, Have a Holly Jolly Christmas. This latter version of the song has a somewhat slower arrangement than the previous version and featured an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. More recently, it has been recorded by Michael Bubl

  • £40.00

    It Started with a Kiss - Timothy Travis

    This delightful ballad, in which the solo horn plays a leading role, will remind many people of a very special moment in their lives. A lot could be said about it, but perhaps it is better to let the music speak for itself. While listening to this romantic ballad, unforgettable moments are sure to be relived by many people. Daydreaming is allowed, but don't forget to pay some attention to the soloist's performance - it will be worth your while.

    Estimated delivery 10-14 days

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  • £44.95

    Music of a Legacy (Brass Band - Score and Parts) - Ponsford, Steven

    This piece pays tribute to the vast heritage of Salvation Army brass band music. Written in one movement, it is rhapsodic in nature and quotes references from just a few of the many iconic pieces from the past, progressing naturally through the different styles of music; firstly marches, followed by meditations, major works and then solos. The underpinning theme that binds the work together is the much-loved hymn, by Timothy Dudley-Smith, drawing particular attention to the last line of the first verse; 'Lord for the years, we bring our thanks today'. This is music of thanksgiving to the rich inheritance that inspires writers today to continue the mission of the gospel through this very special and unique genre.

    Estimated delivery 12-14 days