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  • £77.00

    Reflection - Nick Van Elsen

    Reflection - Nick Van Elsen - 05'10'' - BVT134 Reflection' is written for the wind band of the 'Kunstacademie Noord-Limburg' conducted by Tom D' Joos, this orchestra also worked on 'Klankspiegelingen', a bigger project on the occasion of the first anniversary of the carillon in Neerpelt. The composer distilled a number of themes for his choral 'Reflection'.

    Estimated delivery 10-14 days

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  • £58.10

    REFLECTION OF COLOURS (Brass Band) - Trachsel, Thomas

    Sinfonietta No 3 Passacaglia - green; Elegy - blue; Finale Furioso - red. Grade: Advanced

    Estimated delivery 12-14 days

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  • £71.20
  • £71.20

    Reflection of Colours - Thomas Trachsel

    Sinfonietta No.3 for Brass BandIncludes: Passacaglia - green; Elegy - blue; Finale Furioso - red

    Estimated delivery 12-14 days
  • £109.00

    Dear Reflection - ARMITAGE, Dennis

    Estimated delivery 10-14 days

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  • £24.95

    Lament - Ben Hollings

    Lament was written for the Carlton Main Frickley Colliery Band’s programme of music at the 40th Brass in Concert Championships at the Sage, Gateshead. The programme, based upon the Great Fire of London, tells the story of the fire in 1666. There were between 8-10 deaths recorded as a result of the fire, however once the damage of the fire was realised, the death toll was expected to be much higher. Lament pays tribute to those that lost their lives in the fire, where the reduced brass ensemble is a reflection of the number of lives lost. The piece allows for a moment of reflection in a programme based on such terror and panic.

    Estimated delivery 5-7 days
  • £27.00

    Auld Lang Syne (Brass Band - Score and Parts) - Wilkinson, Keith M.

    It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.

    Estimated delivery 12-14 days

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  • £47.00

    Have Mercy, Lord (Brass Band - Score and Parts)

    Have Mercy, Lord from J.S. Bach's St Matthew Passion is one of the most beautiful arias from the baroque period. In Philip Sparke's arrangement, it is envisaged that the soloists stand together as a group stage right, while the other musicians stand behind to form the tutti group. This piece is easily playable for both the soloists and the band, and will create a beautiful moment of reflection whether performed on the concert stage or in a church. 07:07

    Estimated delivery 12-14 days

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  • £7.50

    Have Mercy, Lord (Brass Band - Score only)

    Have Mercy, Lord from J.S. Bach's St Matthew Passion is one of the most beautiful arias from the baroque period. In Philip Sparke's arrangement, it is envisaged that the soloists stand together as a group stage right, while the other musicians stand behind to form the tutti group. This piece is easily playable for both the soloists and the band, and will create a beautiful moment of reflection whether performed on the concert stage or in a church. 07:07

    Estimated delivery 12-14 days

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  • £49.99 £49.99
    Buy from Marcato Brass

    Poppyfields | Kevin Bell

    It is 4.15am on 8th August 1918, and a British soldier waits for the whistle which will send him 'over the top' and into battle. Beginning with the Battle, entering a dream-like section as our hero advances forwards, followed by random skirmishes, before Battle ends and we enter a lyrical reflective section where the soldiers thoughts turn to home. Finally a lone cornet heralds a tribute to the Fallen, and answered by the euphonium, calls for hope for a new dawn and a better world. There is an optional narration from our soldierbefore the piece starts, and alsohis reflections of war and home after the battle is over, however the piece is written to be played with or without narration. This piece by Kevin Bell has it all: excitement, surprise, reflection and hope.