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£54.99
Pleasure for Band - Kees Schoonenbeek
As the title suggests Pleasure for Band is a pleasant composition it is based in five equal parts. The first movement makes use of A-B-A form, with the A theme having a bright joyous character and the B theme having a contrasting more lyrical feel. This work will make an idea encore for any concert.
Estimated dispatch 5-14 working days
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£54.99(Everything I Do) I Do It for You (Brass Band - Score and Parts) - Adams, Bryan - Sebregts, Ron
This massive hit by Canadian singer/songwriter Bryan Adams has now become a classics rock ballad. This arrangement for brass band will bring great pleasure to both performers and audience.Duration: 4:00
Estimated dispatch 7-14 working days
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£34.95
MARCH OF THE HOURS (Brass Band Set) - Emil Soderstrom
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£34.95
March Of The Hours (Brass Band - Score and Parts) - Soderstrom, Emil
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£17.50
March Of The Hours (Brass Band - Score only) - Soderstrom, Emil
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£24.50
O Holy Night - Adolph Adam - Stephen Tighe
Arranged for the full band, this timeless classic has something for every player. The arrangement builds all the time to a gorgeous climax, and has an intricate part for the Vibraphone (although this is covered around the band if unavailable). A simple, yet effective arrangement and a pleasure to listen to.
In stock: Estimated dispatch 1-3 days
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£40.00Legends of Cyfarthfa - Matthew Hall
Legends of CyfarthfaCombining the music of Joseph Parry and the legendary Cyfarthfa Band, Legends of Cyfarthfa is a technically challenging but musically rewarding concert work. Robert Crawshay owned the Cyfarthfa Ironworks in South Wales creating a business empire second to none.Cyfarthfa Castle was built by Crawshay as the family home from the income made via the ironworks. He wanted his own private band to play under the name of the ironworks with the best players in the world, playing on the highest quality instruments at the time. Employing the band members under the guise of iron workers, the Cyfarthfa Band was made up of virtuoso players, performing for the pleasure of the Crawshay dynasty.This virtuosity can be heard in some of the more technically challenging sections of Legends of Cyfarthfa. Joseph Parry was born in Cyfarthfa.He composed the first piece of music specifically written for brass band called Tydfil Overture for the Cyfarthfa Band, alongside many other memorable works for other instrumentation.Legends of Cyfarthfa incorporates many of Parry's works including his opera Blodwen, hymn tune Aberystwyth, folk melody Myfanwy and the Tydfil Overture, alongside many other melodies from Wales. Sospanfach, Men of Harlech, Lisa Lan and Calon Lan are just a number of the melodies that are used in this composition.The premiere performance was given by Tredegar Town Band under the direction of Ian Porthouse at the 2010 Brass in Concert Championships where it was awarded the Cyril Beere Memorial Trophy for Best New Composition or Arrangement.https://matthew-hall.co.uk/wp-content/uploads/2014/08/05-Legends-Of-Cyfarthfa.mp3Legends of Cyfarthfa
Estimated dispatch 5-7 days
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£25.00Ariel
DescriptionAll hail, great master! Grave sir, hail! I comeTo answer thy best pleasure, be 't to fly,To swim, to dive into the fire, to rideOn the curled cloud. To thy strong bidding, taskAriel and all his quality.- William Shakespeare: The Tempest, Act 1, Scene 2Ariel was written for the Hammonds Band to open their programme at the 2019 Brass in Concert Championships at The Sage Concert Hall in Gateshead, where it received its premiere. The title is taken from the character in Shakespeare's play 'The Tempest'. Ariel is an immensely powerful "air spirit" or demon bound to serve Prospero, the exiled Duke of Milan, after being released by Prospero from imprisonment in a tree. In the play Ariel's magical abilities are used to help Prospero revenge himself on his enemies and reclaim his dukedom, whereupon Ariel finally regains his freedom.You can hear an audio preview and follow the score below:Performance notes:The cornets and horns are split into two "choirs" to be placed left and right of the band. It may be possible for the choirs to play their opening flourish offstage, and the optional repeated sections in the opening are to accommodate stage movement if required. Trombones form a third "choir" which should ideally stand centrally between basses and percussion, and the euphoniums and baritones should sit in front of the basses. The work requires four percussionists, although if four are not available the 2nd part may be omitted.Percussion 1: Kit - bass drum, snare, 3 x toms, hi-hat, suspended cymbal - and 3 x temple blocksPercussion 2: Tam tam and orchestral bass drum.Percussion 3: Glockenspiel and timpaniPercussion 4: Tubular bellsSoprano, solo cornets and 3rd cornets require cup mutes. Solo trombone requires a cup mute, second trombone requires a metal straight mute.
Estimated dispatch 7-14 working days
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£10.00Perseverance
DescriptionPerseverance was commissioned by Middleton Band to mark their 140th anniversary in 2016, supported using public funding by the National Lottery through Arts Council England, and featured on Middleton Band's CD of the same name.The title is taken from the original name of the 1876 band, the Middleton Perseverance Drum and Fife Band. According to the band's historical records, the Drum and Fife band was formed by six Middleton youngsters eager to learn music but short of funds. Following a whip round, they visited a music shop in Oldham where they purchased a 'one key flute' for six shillings and sixpence, and ('later on') a drum.This determination to make music despite the odds has been a characteristic of the band ever since; at the end of the second world war the band was again down to six players, who rebuilt the 'Middleton Borough Band' back to twenty-six players. After a period of some considerable success throughout the sixties and seventies culminating in winning the National Third Section title in 1983 the band hit hard times again in the late eighties and was down to only four members in 1987 before again being brought back to life. In recent decades the band has built a strong relationship with the East Lancashire Railway, another organisation which has battled sometimes mighty obstacles in its struggle to survive, and has maintained a thriving and successful youth band.The band's will to survive through adversity is reflected in the music, which builds from a sextet of four brass and two percussion players three times, only to fall back to the sextet twice. In the central slow movement the bass drum plays a 'heartbeat' rhythm as the remaining players remember those lost in the war. The relentless pace of the final section culminates in the band triumphing over the adversity which has curtailed the previous two sections. As a former member of Middleton Band (and one of the team that regained the National Third Section title in 2007) it is my pleasure to dedicate this work to the 'Pop and Ale Boys', Middleton Band.You can read more about the piece here.To view the accompanying video by Andy Marshall, designed to precede the piece, clickhereand find out more about the link between the video and the music here.Recording with Score VideoPerformance NotesIn performance the four brass members of the sextet (soprano, solo horn, solo trombone and solo euphonium) should stand at the sides of the band - soprano and horn behind the cornets, trombone and euphonium behind the trombones. Percussion may stand with them at the conductor's discretion, but only if the band has TWO snare drums and TWO concert bass drums available, as these are also needed at the back of the band in the tutti sections. In the second sextet snare drum should be muffled with a heavy cloth OR have the snares turned off (not both).Percussion and mutesPercussion required:snare drum (muffled with a heavy cloth at one point)concert bass drum, kit bass drum, hi-hat, suspended (crash) cymbal2 x tom-tomswood blockclash cymbals3 x timpanitam-tamglockenspielSoprano cornet, repiano and 2nd cornets, flugel and all trombones require metal straight mutes. Soprano, Solo Cornet 3/4, Repiano 2nd and 3rd cornets require cup mutes. Solo Cornet 1/2, Repiano, 2nd and 3rd cornets require harmon mutes.
Estimated dispatch 7-14 working days
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£53.50
Waterloo - Benny Andersson
The Swedish group ABBA had their decisive international breakthrough when the foursome won the Eurovision Song Contest on the 6th of April, 1974 with Waterloo. This cheerful song, with its driving beat and distinctive melody, has become a true pop classic, like many other ABBA hits. Roland Kernen has arranged Waterloo for brass band. It is an energetic piece that is a pleasure both to play and to listen to.
Estimated dispatch 5-14 working days
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