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  • £12.00

    Vienna Nights (Brass Band - Study Score)

    The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.

    Estimated dispatch 7-14 working days
  • £45.00

    The Thunderer (Brass Band - Score and Parts)

    This march, one of Sousa's most popular compositions, was written in 1889 and was dedicated to the Knights Templar of Washington, D.C. Sousa had been knighted by that organization three years earlier. The origins of the name of the march are unclear and the march is noteworthy not only for Sousa's usual creative skills but also for the use, in two sections of the march, of military-style percussion and, in the last section, of featured fanfares.This arrangement was prepared for the 2009 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson. The arrangement highlights the particular features mentioned above and performances will be enhanced by following the indicated staging directions.

    Estimated dispatch 7-14 working days
  • £24.95

    23 - A Lament for the Victims of Enschede (Brass Band - Score and Parts)

    23 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.On the 13 th May 2000, the Netherlands was shocked by an explosion in Roombeek - a district of Enschede, near the German border - after a fire broke out at a local fireworks depot. 23 people lost their lives in the tragic events. This piece pays tribute to their memory.The numbers 2 and 3 form the basis of the piece. The use of 5/4 allows the music to flow, alternating between 2 + 3 and 3 + 2; there are frequent passages where triplet quavers clash with straight quavers; and the tuned percussion make use of a scale composed of alternating intervals of 2 and 3 semitones.

    Estimated dispatch 7-14 working days
  • £44.95

    Brasilia (Trombone Solo with Brass Band)

    From the Robin Dewhurst collection, this multi-talented young composer has produced a simply wonderful solo for trombone and brass band. Premiered by virtuoso Brett Baker, this latin-styled work reaches its climax in a stunning cadenza for soloist supported by percussion section. (Also available with piano accompaniment).

    Estimated dispatch 7-14 working days
  • £100.00

    Danceries (Set II) (Brass Band - Score and Parts)

    Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunes and dances from Playfords Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, each movement is self-contained, colourful and direct, with its own distinct mood. The outer movements " Jennies Bawbee and Peascods Galliarda " share driving percussion with a military air. Tom Tinkers Toye and Hearts Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Suitable for 1st Section Bands and above. Duration: 15.00

    Estimated dispatch 7-14 working days
  • £89.99

    A Symphony of Colours (Brass Band - Score and Parts)

    A Symphony Of Colours contains four movements, which merge seamlessly together; Joy; Chroma (a journey through the composers perception of synesthesia); Endless Time (where tuned percussion features alongside extended solos for the euphonium); and the final, climactic Ascent. This virtuoso score won a BASCA British Composer Award in the Brass & Wind Band category for its composer, Simon Dobson. Suitable for Championship Section Bands. Duration: 17.00

    Estimated dispatch 7-14 working days
  • £74.95

    Aspects of Adiemus (Brass Band - Score and Parts)

    Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.Duration: 20.00

    Estimated dispatch 7-14 working days
  • £33.14

    Away in a Manger (Brass Band) Murray arr. Fendall Hill

    This unique arrangement by Fendall Hill of Away in a Manger brings together two beloved melodies of the cherished Christmas carol, seamlessly intertwining the popular American setting known as "Mueller" with the gentle strains of "Cradle Song", the tune favoured across Britain, Ireland, and the British Commonwealth. First introduced to American audiences by James R. Murray in Dainty Songs for Little Lads and Lasses (1887), the Mueller melody - often mistakenly attributed to Martin Luther - has become the most recognised version of the carol in the United States. Complementing this is the lyrical Cradle Song, composed by William J. Kirkpatrick and published in Around the World with Christmas (1895), offering a tender counterpoint to Murray's setting. To view a rolling score video featuring Sovereign Brass's CD recording please visit: https://www.youtube.com/watch?v=5vZsk3_UR1M&t=2s Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £44.19

    Hero (Tenor Horn Solo with Brass Band) Fendall Hill

    This piece was written as a full length virtuosic solo based on an earlier work called Humble Hero, which is also available from BrookWright Music. It is an extension of that work and still dedicated to Ken Bradley, designed to provide a reflection of his technical skills and a platform to emulate musicianship for which he was renowned. Ken Bradley (1962 - 2022) was one of Australia's best-known, well-loved, and talented brass musicians. The solo is also available from this website with piano accompaniment. To view a rolling score video of the work please visit www.youtube.com/watch?v=22daMSwSGh0 Duration: approx. 7.30 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Tenor Horn Soloist Eb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £33.14

    The Legend of Tam O Shanter (March) (Brass Band) Joe Galuszka

    Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

    In Stock: Estimated dispatch 1-3 working days