Results
-
£29.95John O'Gaunt (Overture) (Brass Band - Score only) - Vinter, Gilbert
Concert Overture for Brass BandIn the year 1340 in the town of Ghent, a son was born to Edward III King of England and his Queen Phillipa. The boy, afterwards known as John O'Gaunt (Ghent) grew up to be a warrior and before he was 20 he was fighting in France beside his brother, the Black Prince. For many years he was occupied with the wars in France and Spain and was seldom in England. His first two marriages brought him great riches and position, but the love of his life was Catherine Swynford, who bore him four children. Whilst he was away , his Palace of Savoy was burnt to the ground by the mob during the Peasant's Revolt. Finally in 1394 he returned home and married Catherine, for whom he felt a strong affection since her first marriage in St. Clement Danes Church in the Strand, many years before. The Beaufort children were thus legitimised and from them sprang a long line of English Kings and Queens.Duration: 9:30Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£30.00There and Back - Martyn Brabbins
An original composition for brass band by Martyn Brabbins.This work was created by Brabbins early in his career and combines his creativity and passion for the sounds of brass bands . It is one of two compositions from that era (the other being Here and There) which have now been given a new lease of life and made available to the general public through The Music Company (UK) Ltd.A fast-paced and lyrical piece lasting just over 2 minutes. It's a piece which can work well across a concert programme - giving flourish as an opener and equally effective if placed between longer content.Available here for brass band and also available orchestral wind, brass & percussion.**Brass Band version for purchase/orchestral wind, brass and percussion version for hire only.Listen InFind out more about Martyn Brabbins, listen in to the fascinating podcast presented as part of the British Bandsman's On The Record series:Apple podcasts:apple.co/3ufSsfXSpotify:spoti.fi/3duqoj5Podbean:bit.ly/3k3B75h
In Stock: Estimated dispatch 3-5 working days
-
£36.83In the Bleak Midwinter (Euphonium Solo with Brass Band) Holst arr. Wainwright
Crafted especially for Philip Broome (euphonium soloist with "The President's Own" United States Marine Band) and the Dallas Brass Band, this stunning arrangement by Andrew Wainwright was premiered at the 2024 Christmas with The Salvation Army concert in Dallas, Texas. Originally written for the Elgin Symphony Orchestra, Wainwright's setting has been beautifully adapted for euphonium solo and brass band. Featuring ethereal textures, shimmering harmonies, and a gently contemplative tone, this arrangement brings new life to Gustav Holst's classic setting of Christina Rossetti's In the Bleak Midwinter. Ideal for Christmas performances or sacred concerts, this piece showcases the euphonium's lyrical expressiveness while painting a vivid musical portrait of snowy landscapes and the quiet awe of the nativity. To view a video of Philip Broome and Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=waUkONoMPjc Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
-
£33.15Libera Me from 'Requiem' (Brass Band) Faure arr. Rob Bushnell
Composed between 1887 and 1890, Gabriel Faure's Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM's Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Faure himself said "My Requiem wasn't written for anything - for pleasure, if I may call it that!" It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Faure called "un petit Requiem") was first performed on 16 January 1888, with Faure conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer's own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Faure once said of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Upon interview, he also said, "It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different."This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. The tenor solo is featured on the euphonium. A recording of the original composition can be found here: www.youtube.com/watch?v=fXwFNoBHCf0 Duration: 4.20 minutes approx. Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani
In Stock: Estimated dispatch 1-3 working days
-
£79.95The Lost Village of Imber (Brass Band - Score and Parts) - Bond, Christopher
The Lost Village of Imber was commissioned by Bratton Silver Band in 2019 in celebration of 160 years of the band; 1859-2019. Structured in three movements, the complete work was premiered by Cory Band at Wiltshire Music Centre in February 2020.The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains.Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order.The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness, a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects, the anvil of the blacksmith; the cowbell of the cattle and the bells of the church.The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life.In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks, sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community, both the centrepiece and pinnacle of a very real story.Duration: 13.30
Estimated dispatch 7-14 working days
-
£100.00
King Arthur (Scenes from a Radio Drama) (Brass Band - Score and Parts) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
-
£19.99
King Arthur (Scenes from a Radio Drama) (Brass Band - Score only) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
-
£35.00Ascension - Lucy Pankhurst
A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.
In Stock: Estimated dispatch 3-5 working days
-
£33.15Novus Vitae (Euphonium Solo with Brass Band) Darren Bartlett
Written for the dedication (Christening) of the composer's two young nephews (Jake and Oliver) to celebrate their birth, this beautiful euphonium solo gives thanks for their safe arrival. Darren Bartlett writes: 'A beautiful melody transpired out of the love we all feel for our families and those who have a faith in God... At the key change the listener needs to feel the excitement and anticipation of new life and long to be a part of the celebration.' To view a video of Anthony Smith performing the version with piano accompaniment version please visit www.youtube.com/watch?v=kM9bUys27OM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Third Section + Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 2nd Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Tuned Percussion
In Stock: Estimated dispatch 1-3 working days
-
£95.00
Journey of the Lone Wolf (score & parts) - Simon Dobson
Journey of the Lone Wolf tells the story of the hungarian composer Bla Bartk. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement: 1. Capturing the Peasants' SongAfter the upheaval of moving to Budapest the young Bla Bartk meets Zoltn Kodly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartk's beloved Hungary into chaos.2. Night MusicBartk was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartk may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bartk, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes. Duration: 15 minutes.Level: Championship
In Stock: Estimated dispatch 1-3 working days
View Music
Watch video