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  • £37.95

    Song of India (Euphonium Solo with Brass Band - Score and Parts) - Rimsky-Korsakov, Nikolai - Wilson, Eric

    Song of India (or more accurately the 'Song of the Hindu'), from Rimsky-Korsakov's opera-bilina Sadko, provides a technical challenge as well as a musical one, requiring a great degree of control and accurate intonation as the subtly varied chromatic phrases weave their way over a gently undulating, almost hypnotic accompaniment. The Piano Accompaniment verion has been set for Trinity College music exams for 2019-22 (Grade 5), so this brass band version is the ideal opportunity to give young soloists experience with their band.

    Estimated dispatch 7-14 working days
  • £49.95

    Caprice (Euphonium Solo with Brass Band - Score and Parts) - Batterham, Andrew

    Caprice was written for Matthew can Emmerik, to showcase his virtuosity in an engaging piece of concert music. It is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo. This theme has been the inspiration for similar works by many composers, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber.In this work, the famous theme is treated to a more contemporary approach.The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the accompaniment. It is couched in an organic scale reminiscent of the Phrygian mode.The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument.The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the previous one, until the work concludes with a whirlwind dance at breakneck speed.Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will!

    Estimated dispatch 7-14 working days

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  • £53.00

    Last Night of the Proms Medley (Brass Band - Score and Parts) - Barton, Tom

    A collection of the finest and most famous repertoire, performed at the most quintessential of English summer classical music concerts, "The Proms". Unravel your Union Jack flag in preparation for "Rule Britannia" (Thomas Arne), "The Saucy Arethusa" (Henry Wood), "The Sailor's Hornpipe" (Traditional), "Land of Hope and Glory" (Edward Elgar), "Jerusalem" (Hubert Parry) and "The Can-can" (Jacques Offenbach). Duration: 8.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £29.95

    Christ the Lord (Brass Band - Score and Parts) - Venables, Marcus

    This festival prelude was written for the North York Temple Band to open the 2011 'Glory of Easter' concert. The piece is based on the Welsh tune of Llanfair (T.B. 271), associated with the words 'Christ the Lord is risen today'. The music is meant to be a celebration and awakening of our spirits to rejoice in the awesome wonder that is the Easter story; Christ thre Lord came to die for the worlds sins, but has risen, today!

    Estimated dispatch 7-14 working days
  • £14.95

    Christ the Lord (Brass Band - Score only) - Venables, Marcus

    This festival prelude was written for the North York Temple Band to open the 2011 'Glory of Easter' concert. The piece is based on the Welsh tune of Llanfair (T.B. 271), associated with the words 'Christ the Lord is risen today'. The music is meant to be a celebration and awakening of our spirits to rejoice in the awesome wonder that is the Easter story; Christ thre Lord came to die for the worlds sins, but has risen, today!

    Estimated dispatch 7-14 working days
  • £137.99

    Metamorphosis (Brass Band - Score and Parts) - De Haan, Jan

    The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme.Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material - each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three is the so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £38.00

    Tango de Buenos Aires (Brass Band - Score and Parts) - Anderson, Keiron

    Tango de Buenos Aires was written to celebrate the harmonic and rhythmic idioms used by the great Astor Piazzola, composer of dramatic Argentinian Tango music. This work attempts to capture the atmosphere with a modern adaptation of the dynamic rhythms and descending chromatic harmonies. It is a colourful addition to any programme and good for a quite serious or light concert. Duration: 3.00. Suitable for 2nd Section Bands and above

    Estimated dispatch 7-14 working days
  • £38.00

    Jubilee Gigue (Brass Band - Score and Parts) - Wiseman, Debbie - Houlding, Christopher

    Composer Debbie Wiseman is one of the UK's most successful female music ambassadors. Throughout the past 20 years, there are probably few people in the UK who have not heard a theme from one of Debbie's many film or television productions. Honoured in the Queen's New Year's with an MBE for services to the music and film industry, she has been awarded honorary fellowships at both the music colleges where she studied, Trinity College of Music and the Guildhall School of Music and Drama. "Jubilee Gigue" was commissioned to be performed on the Georgian barge as part of the Queen's Diamond Jubilee Pageant. Inspired by the "Gigue" in Handel's original Water Music, the work has a rollicking, upbeat feel and is now newly arranged for brass band by Chris Houlding. Duration: 5.30. Suitable for 3rd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £43.00

    Fugatango (Brass Band - Score and Parts) - Waterman, Steve

    Composer and Internationally reknown jazz trumpeter Steve Waterman writes... "When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally "Fugatango" featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section. Duration: 5.30. Suitable for 3rd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £40.00

    Abide With Me (Euphonium Solo with Brass Band - Score and Parts) - McGhee, Paul

    My arrangement of William H. Monk's tune of 1861, uses the euphonium soloist as the central figure for the melodic line in the three verses. Surrounding the solo line is an irregular pulsed figure in the percussion to give the music an unsettled feel whilst the muted ensemble lightly colour the melodic contour of the soloist. From the low beginnings of the piece, where no high instrumentation is used, we are led through the darkened texture to a bright finale, although the sense of the forbidding is always present.Abide With Me has always been a favourite hymn of mine and it was when watching the film 28 Days Later that I believed it would make a rather striking arrangement for brass band. This was confirmed further when the hymn was used at the 2012 opening ceremony of the London Olympics. The juxtaposition between the static, slow moving melody and the rhythmic effects of the dancers was something that I thought could be captured in an arrangement.- Paul McGheeDuration: 5.00

    Estimated dispatch 7-14 working days

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