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  • £29.95

    Ghost of Christmas Past, The - Jonathan Bates

    DURATION: 2'30". DIFFICULTY: 2nd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'The Ghost of Christmas Past' is a lively and virtuosic cornet solo portraying the visions Scrooge is shown of his childhood. Beginning in a jovial mood, the ghost then shows Scrooge his early love life, before showing how Scrooge's unsympathetic and callous ways lead to his loss of love and friendship throughout the years as the music gets gradually darker and darker with each passing section. .

    In Stock: Estimated dispatch 1-3 working days
  • £75.00

    Donec Iterum Conveniant - Anton Weeren

    translation: "Until We Meet Again". This choral piece was dedicated to those who have gone before us into the light. The feelings of sorrow and loss for beloved people who have passed away are solemnly translated musically in this composition. Both peace, contemplation, and reflection, as well as emotion, hope, expression, and the question of "why", are clearly expressed musically. This makes this composition particularly suitable for somber occasions, as a resting point in a program, or as warm-up music.

    Estimated dispatch 10-14 working days

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  • £42.00

    Lensky's Aria for Euphonium Solo and Band - Pyotr Iljitsj Tchaikovsky/Erik Janssen

    In Tchaikovsky's most popular opera, 'Eugen Onegin', the poet Lensky dies after a duel, caused by a misunderstanding about his fiancee. In this aria Lensky mourns the approaching loss of love and life.

    Estimated dispatch 10-14 working days

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  • £30.00

    The Sword and the Star

    DescriptionThe Sword and the Star was written in 2006 for the Middleton Band at the request of their Musical Director, Carl Whiteoak. The inspiration for the work was the band's badge, which features a medieval archer. The town of Middeton's historical link with the symbol of the Archer came from the English victory at the Battle of Flodden in September 1513, where bowmen from Middleton and Heywood under the command of Sir Richard Assheton played a vital part in crushing the invading Scottish army. Sir Richard captured one of the Scottish commanders and presented the prisoner's sword to the St Leonard's church in Middleton in recognition of the town's contribution. As long time Lords of the Manor, the Assheton family crest was for centuries featured in the coat of arms of Middleton council, and when Middleton became part of the Metropolitan Borough of Rochdale the black star from the Assheton crest was used to represent Middleton in the new borough's coat of arms. Hence the title The Sword and the Star, for a piece which attempts to give an impression of the town as it was then and as it is now.The music is in three short sections - a fanfare, a lament and a bright scherzo - and simply aims to contrast the medieval hamlet of Middleton with the bustling urban centre it has now become. The central lament features a Scottish song called "The Flowers of the Forest", written to mourn the loss of so many of Scotland's young men on the field of Flodden; the song returns in a much more positive form at the end of the piece.

    Estimated dispatch 7-14 working days
  • £35.00

    In Pitch Black - Lucy Pankhurst

    An extremely emotional and poignant work for brass band composed by Lucy Pankhurst, in memory and tribute to those affected by the Pretoria Pit disaster in Lancashire on 21st December 1910. The piece is chilling in its depiction of the tragic story, sensitively conveying the atmosphere and emotions as perceived before, during and after the event. Through its use of playing techniques, effects, sound combinations and even silences, In Pitch Black offers a powerfully reflective piece.Pritoria Pit DisasterLancashire's worst pit disaster and Britain's third largest loss of life from a single mining accident happened at the No. 3 Bank Pit belonging to the Hulton Colliery Company, just 4 days before Christmas 1910. The pit known as the 'Pretoria Pit' was situated on Hulton Parkland on the border of Atherton and Westhoughton. An explosion occurred at 7.50 am on Wednesday, 21 December 1910, resulting in the death of 344 men and boys, including many members of The Wingates Band.The Writing ExperienceDuring Lucy's research for this work, she acknowledges that she found the harsh reality from the shocking images and historical accounts of the event most disturbing, and is not embarrassed to disclose that it was wholly a very emotional experience in creating the composition. Consequently, she chose to create something to illustrate the true emotion of the situation. She wanted to pay tribute to the lives lost and the devastation which remained in their absence, by creating a piece of music which begins in darkness; desolate and claustrophobic, whilst still leaving the audience feeling uplifted and thoughtful in the final bars.The significance and musical appreciation for the creation of In Pitch Black was formally recognised by BASCA in 2011, when Lucy Pankhurst won the internationally acclaimed British Composer Award (the first time a brass band work had received the award, and the first time a female composer had won the category).Full programme notes are included in the product images.Look and Listen (performance courtesy of Manchester University Brass Band):

    In Stock: Estimated dispatch 3-5 working days
  • £25.00 £25.00
    Buy from Wobbleco Music

    Paint It Black - Mick Jagger & Keith Richards - Len Jenkins

    "Paint It Black" (originally released as "Paint It, Black") was written by Mick Jagger and Keith Richards, and first released as a single on 6 May 1966. It became the Rolling Stones' sixth number one in the UK and has remained influential as the first number one hit featuring a sitar. The song came at a pivotal period in The Rolling Stones' recording history, a time that saw the song-writing collaboration of Jagger and Richards assert itself as the principal composers of the band's original material. Its lyrics are for the most part meant to describe bleakness and depression and describe the extreme grief suffered by one stunned by the sudden and unexpected loss of wife, lover or partner. It famously plays during the end credits of the film Full Metal Jacket. Beginning in the style of an ironic minuet, which can be by-passed by starting at bar 54 where the heavy rock beat takes over, the piece is interesting and within the capabilities of 3rd or 4th section bands. For those bands with a drummer and one percussionist, an alternative percussion part is provided.

  • £62.00

    The Night To SIng (Score only) - Bramwell Tovey

    The piece takes its inspiration from the VE Day celebrations of 1945. On 8 May 1945 the end of the war in Europe was celebrated in Great Britain. VE day (Victory in Europe day) gave rise to extraordinary public celebrations all over the country, from street parties to services of thanksgiving, to impromptu singing and community music-making. Contemporary reports mention Victorian ballads and Edwardian music hall songs, as well as the latest popular craze - the Conga. Festivities continued until dawn whereupon, finally surrendering to fatigue, the remnants of the crowd headed home on foot, long after the last bus. Some felt the celebrations to be inappropriate - much of Europe lay in ruins and war still raged in Asia. Almost everyone lamented the loss of somebody who had not survived. Duration: 16:50

    Estimated dispatch 7-9 working days
  • £74.00

    The Night To SIng (Parts only) - Bramwell Tovey

    The piece takes its inspiration from the VE Day celebrations of 1945. On 8 May 1945 the end of the war in Europe was celebrated in Great Britain. VE day (Victory in Europe day) gave rise to extraordinary public celebrations all over the country, from street parties to services of thanksgiving, to impromptu singing and community music-making. Contemporary reports mention Victorian ballads and Edwardian music hall songs, as well as the latest popular craze - the Conga. Festivities continued until dawn whereupon, finally surrendering to fatigue, the remnants of the crowd headed home on foot, long after the last bus. Some felt the celebrations to be inappropriate - much of Europe lay in ruins and war still raged in Asia. Almost everyone lamented the loss of somebody who had not survived. Duration: 16:50

    Estimated dispatch 7-9 working days
  • £40.00

    In Gardens of Peace - Harper, P

    Composed to commemorate the life Henry Nichols, killed in the Battle of the Somme in 1917, the music has a peaceful tranquillity, but also a deep sense of tragedy and loss. It ends positively, with the wish that hope can come from desperation. Recorded by Glyn Williams with Cory Band.2nd section +Duration 5 minsListen to Glyn Williams (Euphonium) with Cory BandCourtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £15.00

    Harrison's Dream (Brass Band - Study Score)

    At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000

    Estimated dispatch 7-14 working days