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  • £34.95

    Starburst and Canyons - Paul Lovatt-Cooper

    The annual RNCM Festival of Brass features a number of the country's top bands and is a platform for modern compositions. Starburst and Canyons was composed for Dr Nicholas Childs and the Black Dyke Band to perform at the festival...

    Estimated dispatch 5-7 working days
  • £64.95

    Wychavon Sketches - Dan Price

    Wychavon Sketches was commissioned in 2018 by the Wychavon Festival of Brass, in-part celebration of reaching their thirty-year milestone. The work, in four clear movements, seeks to evoke images of the Worcestershire countryside, utilising the natural melodious quality and multifaceted...

    Estimated dispatch 5-7 working days
  • £44.95

    CALL OF THE RIGHTEOUS, The (Brass Band Set) - Leslie Condon

    The classic Leslie Condon 'Tone Poem', originally written for Tottenham (now Enfield) Citadel Band in the mid 1960's. Based on the old gospel tune 'When the roll is called up yonder', this music became a blueprint of style copied by countless others since. Also featured on Celebration by Croydon Citadel Band.

    Estimated dispatch 7-14 working days
  • £34.95

    HIGH COUNCIL, The (Brass Band Set) - Ray Steadman-Allen

    This march was written at the request of the then Chief of the Staff, Commissioner Arnold Brown for the welcome meeting of the 1974 High Council, a gathering of The Salvation Army's top leaders from around the world who meet to elect a new General. The scintillating music is filled with many wonderful and surprising shifts of key, rhythm and instrumental colour. Evangeline Booth's song 'The world for God' provides the international reference while at the trio's peak, the composer joins three tunes in impressive counterpoint; 'We're the Army' (cornets), 'A Robe of White' (horns and baritones) and 'Bound for Canaan's Shore' (trombones). The march ends with a dazzling shift into triple time and an impressive molto allargando codetta.

    Estimated dispatch 7-14 working days
  • £29.95

    BEFORE THE CROSS (Cornet Solo with Brass Band Set) - Edward Gregson

    Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.

    Estimated dispatch 7-14 working days
  • £59.95

    MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin

    This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

    Estimated dispatch 7-14 working days
  • £29.95

    DEEP RIVER (Brass Band Set) - William Broughton

    An arrangement, in 'Count Basie' style, of the spiritual of the same name. The tempo indication on the original manuscript states "the slower the better" and therein lies probably the most difficult aspect of the piece.

    Estimated dispatch 7-14 working days
  • £59.95

    DEVON FANTASY (Brass Band Set) - Eric Ball

    About the lovely county of Devon are songs and stories galore, for it has 'the best of both worlds' in its seascapes and inland scenery. This suite will perhaps bring to remembrance a few aspects of its beauty. The fantasy is in four easily distinguished parts; I. Moorland Songs; here is loneliness as well as beauty. II. The Fair; containing a reference to the song, Widdicombe Fair. III. Quiet Village; little disturbs the even tenor of life, and the 'echo' of music from the church serves to deepen the peace all around. IV. Seafarers; swashbuckling music with reminiscences of half-forgotten shanties.

    Estimated dispatch 7-14 working days
  • £35.00

    Match Day - Peter Meechan

    Match Day takes itas inspiration from a night in May 2005, when the team I have supported from my childhood, Liverpool FC, won the European Cup in what was considered by many to be one of the greatest football matches of all time.The piece is not only inspired by a football match, but also takes its musical material from chants and songs that you will hear at 3PM on a Saturday afternoon at any football ground in the country.Match Day was written as a result of a commission from the National Youth Brass Band of Great Britain, and their Musical Director, Bramwell Tovey, to whom the piece is dedicated.First performance:National Youth Brass Band of Great BritainBramwell Tovey - Conductor

    Estimated dispatch 12-14 working days

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  • £30.00

    Jubilee Gigue - Debbie Wiseman

    This piece was commissioned to be performed on the Georgian barge as part of the Queen's Diamond Jubilee Pageant. Inspired by the "Gigue" (sometimes referred to as "Country Dance") in Handel's original Water Music, the piece has a rollicking, upbeat feel and is now newly arranged for brass band. The story that inspired the piece is of a pirate ship attacking the flotilla. The pirates are then confronted by the courageous defenders of the flotilla who are, of course triumphant in the end. The piece concludes with a final defiant statement of the heroic theme, and the pirates are gone forever.