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  • £40.00

    La Fiesta - Corea, C - Harper, P

    Chick Corea is an American pianist and composer of Sicilian and Spanish descent, whose long career in jazz music continues to this day. A member of Miles Davis's band in the 1960s, he formed his own band Return to Forever in the 1970s before establishing himself as one of the greats of modern jazz.La Fiesta was composed in 1972 and included on Return to Forever's debut album. The music is in one-in-a-bar waltz time and switches between Latin carnival-style and jazz waltz, with stand-up solos for cornet, baritone and tenor horn. This arrangement was performed as part of the Cory Band's winning Brass in Concert programme in 2012.Listen to Cory BandCourtesy of World of Brass

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  • £34.95

    Night Flight! - Jonathan Bates

    'Night Flight' was composed for the Foden's Band's appearance at the 2021 Brass in Concert Championships held at The Sage, Gateshead. The band's theme encompassed a large range of monsters and creatures and this work depicts one of the most notorious monsters in folklore; Count Dracula. Throughout this short, virtuosic showpiece for Soprano Cornet and Euphonium, you can hear multiple strains of Mussorgsky's 'Night on a Bald Mountain' (with which Foden's Band opened their programme). . .

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  • £35.00

    The Witch of the Westmerlands - Harper, P

    Arranged for the Leyland Band's 2010 Brass in Concert programme. This is a sumptuous, lyrical setting of Scottish folk singer-songwriter Archie Fischer's originally up-beat song, with solos for baritone and cornet. The words tell the story of an ancient knight wounded in battle and dying on the battlefield who is healed by a mysterious old lady appearing from across the moors and swiftly vanishing again.The original version was sung by, amongst others, Barbara Dickson who has said she is a big fan of Philip's sensitive arrangement.Listen to Cory BandCourtesy of World of Brass

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  • £33.00

    Lux Aeterna - Harper, P

    The title Lux Aeterna (Eternal Light) can be interpreted on a number of levels. Musically it has a rather mystical feel to it, and the single note with which the piece begins continues uninterrupted throughout, like an inextinguishable flame, or a constant source of hope. There are lyrical and song-like solo lines for cornet, flugel and euphonium. In a recent review Paul Hindmarsh described the piece as a touching new work by Philip Harper that would have got my vote for best new work for its technical ingenuity if not its 'wow factor'.Listen to Cory BandCourtesy of World of Brass

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