Results
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£24.95
Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£290.99Hymn of the Highlands (Complete Edition) (Brass Band - Score and Parts) - Sparke, Philip
Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.Includes:Ardross Castle, Duration: 7:00Summer Isles (Euphonium solo), Duration: 4:00Flowerdale (Soprano Cornet solo), Duration: 4:30Strathcarron (Sword Dance), Duration: 5:30Lairg Muir (Cornet solo), Duration: 4:30Alladale (Flugel Horn, Horn and Baritone trio), Duration: 4:15Dundonnell (Finale), Duration: 5:45Duration: 35:00
Estimated dispatch 7-14 working days
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Dardanella | Bernard & Black arr. Dario Salvi
'Oh Sweet Dardanella, I love your harem eyes. I'm a lucky fellow, to capture such a prize'Dardanella was written in 1919 and became one of the most popular songs of the 1920's selling 13 million copies, going on to become a huge jazz standard covered by the likes of Louis Armstrong and Bing Crosby amongst others.This arrangement for Brass Band by Dario Salvi takes us back to the most famous version of 1920 sung by Vernon Dalhart and Gladys Rice, where the opening calls to mind the sounds of a fairground.Dario's arrangement moves between styles with an almost clockwork sound at one point changing to laid back swing beat at another, all supporting this cheerful melody. An excellent programme filler.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesPercussion parts:Drum KitXylophoneISMN: 979-0-708127-87-1
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Gymnopedie No 1 | Satie arr. Leigh Sharpe
The Gymnopedies by Erik Satie are three piano compositions of extraordinary beauty. Gentle, eccentric pieces which defied the classical tradition. The name Gymnopedie is thought to be a reference to Satie's joke at a party when, concerned by his lack of formal qualifications, on being asked his profession, he replied Gymnopaedist - which means - 'naked athlete'.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesPercussion parts:1: Glockenspiel2: CymbalsISMN: 979-0-708127-86-4
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La Calinda | Delius arr. Leigh Sharpe
Taken from the opera 'Koanga' by Frederick Delius. Koanga is the hero of the opera, an African prince and voodoo priest stolen away and now working as a slave on a Mississippi plantation who falls in love with a fellow slave; Palmyra.This piece is a faithful arrangement of Delius's masterpiece for Brass Band, and features a well loved and catchy lyrical theme. La Calinda is not a simple piece to play, but well worth investing in.An excellent concert piece.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesTimpaniPercussion:1.Tambourine, Floor Tom2.Glockenspiel3.VibraphoneISMN: 979-0-708127-91-8
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£12.00Kopanitsa
DescriptionKopanitsa was commissioned by Gavin Pritchard, who is also the work's dedicatee and gave the first performance with the Tongwynlais Temperance Band conducted by Gareth Pritchard at the Butlins Mineworkers Championship on 20 January 2008, winning the prize for best soloist as a result. He has recorded it on the CD "Enter the Galaxies" accompanied by the Cory Band conducted by Robert Childs.Gavin had requested a virtuoso showpiece featuring as many instruments as possible. The solo part is therefore written for vibraphone (bowed and struck), 10 x tuned tom toms, 5 x suspended cymbals plus hi-hat and a xylophone. The soloist's 'choreography' therefore forms an integral part of the performance. This can be seen to great effect in Gavin's performance of the work at the 2013 Brass in Concert Championship with Tredegar Band, available on the DVD of the event from World of Brass. A 'kopanitsa' is a Bulgarian folk dance that traditionally features two slow beats and two quick beats, reflected in the central 10/8 section. The music is deliberately Balkan in character, using the characteristic modes of Greek and Bulgarian folk music, and accelerates regularly to finish at breakneck speed. The tom-tom section marked 'ad lib.' after [D] can be improvised if the soloist wishes.You can view a sample PDF file of the score here and the solo percussion part here.PercussionThe band percussion parts are written for timpani, snare drum, suspended cymbal, tambourine on a stand and bass drum. It is possible to combine these with the soloist part to make the work a feature for percussion trio and parts for this can be made available on request.MutesSoprano cornet, solo and 1st horn, 1st and 2nd baritone and euphoniums will require straight mutes (metal ideally). Soprano cornet, principal cornet, repiano and 1 x 2nd cornet, plus all trombones, will require cup mutes. Repiano, 2nd and 3rd cornet require harmon mutes with the tubes removed (indicated by 'TR').
Estimated dispatch 7-14 working days
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£45.00Ocean of Storms
Ocean of Storms or Oceanus Procellarum is one of only a few lunar maria or 'seas' on the moon's surface to be called an ocean, due to its immense size. The work opens atmospherically with a sense of weightlessness and introduces the main thematic idea. As the work develops the turbulent ebb and flow of the storm increases in its ferocity with solo spots for solo cornet, solo euphonium, flugelhorn and baritone. Duration: 00:05:45 Grade: 6
Estimated dispatch 7-14 working days
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£99.95Carols for Band (Brass Band Set) - Sparke, Philip
Designed to be playable by any combination from quartet to full brass band, wind band or orchestra, the arrangements in this book with provide a practical solution to all your carolling needs. Parts are divided into Soprano, Alto, Tenor and Bass so that any suitable instrumentation will sound well, providing an equal balance of players per voice is maintained. The carols are printed in alphabetical order so they are easy to find, and comprehensively indexed under both first line and name of tune.Score, Timpani and Percussion parts are available separately.Instrumentation is as follows: Brass BandWind BandStringsSopranoEb Soprano CornetSolo Bb CornetBb Repiano & Flugel1st Flute & Piccolo2nd FluteOboe1st Bb Clarinet1st Bb Trumpet/Cornet1st ViolinAlto2nd & 3rd Bb CornetSolo Eb Horn1st Bb Trombone2nd & 3rd Bb ClarinetsEb Alto Saxophone2nd Bb Trumpet/Cornet1st F Horn2nd ViolinTenor1st & 2nd Eb Horns1st & 2nd Bb Baritones2nd Bb Trombone1st Bb EuphoniumEb Alto ClarinetBb Tenor Saxophone2nd F Horn1st & 2nd TrombonesViolaBassBass Trombone2nd Bb EuphoniumEb BassBb BassBassoonBb Bass ClarinetEb Baritone SaxophoneBass TromboneEuphoniumTubaCello/BassTitles included:Angels from the Realms of GloryAs with Gladness Men of OldAway in a MangerBrightest and BestChristians AwakeCoventry CarolDeck the HallsDing Dong, Merrily on HighFirst NowellGod Rest ye Merry, GentlemenGood King WenceslasHark the Glad SoundHark, the Herald Angels SingHolly and the IvyI Saw Three ShipsIn Dulci JubiloIn the Bleak Mid-WinterInfant HolyInfant KingIt Came Upon a Midnight ClearJingle BellsLo, He Comes with Clouds DescendingLove Came Down at ChristmasO Come, All ye FaithfulO Come, O Come, EmmanuelO Little Town of BethlehemOf the Father's Love BegottenOnce in Royal David's CitySans Day CarolSee Amid the Winter's SnowSilent NightSussex CarolThou Didst Leave Thy ThroneUnto Us is Born a SonWe Wish You a Merry ChristmasWhile Shepherds WatchedThe Brass Band Set consists of 25 Parts:1 x Eb Soprano Cornet4 x Solo Bb Cornet2 x Bb Repiano & Flugel4 x 2nd & 3rd Bb Cornet1 x Solo Eb Horn2 x 1st & 2nd Eb Horn2 x 1st & 2nd Bb Baritone1 x 1st Bb Trombone1 x 2nd Bb Trombone1 x Bass Trombone1 x 1st Bb Euphonium1 x 2nd Bb Euphonium2 x Eb Bass2 x Bb Bass
Estimated dispatch 7-14 working days
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£188.50
Fansa da Matasa - Reid Gilje
"Fansa da Matasa" was written for Norwegian Brass Band Felleskorpset Askoy, today named Ravnanger Brass.The piece is divided into six main parts where the last one includes the hymn "Colne";Part 1 starts slowly, but rhythmically where the intensity grows towards a virtuosic Part 2.Part 2 feature a demaning solo for xylophone (bars 55 to 63). A simplified version of this solo is included in the part.Part 3 starts with some declamatory cadences and continue with several solos before it closed with a larger tutti-part.Part 4 has to be played well firmly and rhythmically. The melody is more of a cantabile style.Part 5 is a beautiful and quiet one with a touch of melancholy. (Small notes in Baritone to played if necessary).Part 6 has to be played with a rhythmic drive and intensity. The hymn "Colne" starts at bar 248 and should be played with a sostenuto-style.
Estimated dispatch 5-14 working days
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