Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 27 matches for your search

Results

  • £44.00

    Bist Du bei mir - Johann Sebastian Bach - Jacob de Haan

    The song Bist du bei mir, geh' ich mit Freuden zum Sterben und zu meiner Ruh' (BWV 508) was composed by Johann Sebastian Bach for his second wife Anna Magdalena (1701-1760), who he married in 1721. The unparalleled popularity of this song is probably due to the magnificent, sensitive melody that wonderfully fits the anonymous text, in which a loved one is told that even death is beautiful "as long as you are there with me." Jacob de Haan has produced this beautiful arrangement for brass band, which is suitable for many occasions.

    Estimated delivery 10-12 days
  • £91.00

    Clann Lir - Stijn Aertgeerts

    Clann Lir - Stijn Aertgeerts - 8'30'' - BVT123 THE CHILDREN OF LIR: AN IRISH LEGEND There was a time in ancient Ireland when the people believed in magic and in druids and spells. These were the days of the Tuatha De Danann tribe, the Goddess Danu and of Lir, the lord of the sea. Lir's wife, Eva, had given him four beautiful children. The two eldest, Fionnuala and Aodh, went swimming in a small lake. But these were no ordinary swimmers! They possessed gills for breathing and webbed feet as they were, after all, the offspring of 'the ruler of the land beneath the waves'. They met a messenger who told them that they were wanted by their father. They went home immediately only to find their father disturbed. 'What is wrong father?' they enquired ‘your mother has given birth to twins' he replied ‘....and has gone off to rest' 'What do you mean father?' they asked Lir explained that this was what humans called 'death' but that since they were immortal that their mother had gone to recover, possibly for a thousand years or more. The children were to look after the new brothers, Fiachra and Conn. The children kissed their mother for the last time and then left. As the children grew Lir's spirits declined until one day he met Aoife, the sister of his wife. Aoife was possessed of magical powers and soon enough it was known that she and Lir would marry. The new family thrived under the influence of their new mother but not for long as guilt and jealousy about the children's real mother took its toll on Aoifes health. She fell into sickness for a year but recovered only to start to become old before here time. Aoife was a changed woman now and one day suggested that she and the children should visit their grandfather. On the journey they stopped by a lake and she encouraged the children to go for a swim. The four children played happily in the water, not noticing that their stepmother was now standing at the water’s edge wearing her father’s magic cloak. 'For too long you children have stood between your father and I, but not for much longer!' she cried'We cannot be killed by you...' Aodh replied, ‘...we are the Children of Lir and if you harm us our ghosts will haunt you!' 'I’m not going to kill you.....' she shouted ‘......but I am going to change you!' At this she bowed her head and started an incantation. The children looked at each other in fear as they saw a red and gold circle envelope them on the water. They saw Aoife open up her cloak from which the great light of a fireball emerged and hurtled towards them, burning all in its wake. The fireball hit the water and caused masses of steam to rise about the children and they soon lost all feeling in their legs, arms, shoulders and head. They soon regained their sight only to see Aoife laughing at them. Aodh tried to attack her and flailed his arms about furiously but nothing happened except the splashing of water. He turned to look at his brothers and sister only to see that they had all been turned into the most beautiful swans ever seen. Aoife scowled at them again and told them that they were to spend nine hundred years as swans, three hundred on Lough Derravaragh, three hundred on the Straits of Moyle and three hundred on the Isle of Inish Glora. To end the spell they would have to hear the bell of the new God. -'I leave you with your voice however, and the most beautiful singing ever heard' she said. Clann Lir was Commisioned by K.F. De Vrije Vlaamse Zonen (Kapelle-op-den-Bos)Percussion parts assisted by Sam Coenen

    Estimated delivery 10-14 days

     PDF View Music

  • £68.00

    Voyage with the VOC - William Vean

    The Netherlands have been an important trading nation for a long time - partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the 'Verenigde Oostindische Compagnie' (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing for departure. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship's biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words 'One, two, three, in God's name ...' and the body, wrapped in canvas, would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.

    Estimated delivery 10-12 days

     PDF View Music

  • £79.95

    JOURNEY OF THE LONE WOLF (Brass Band Set - Score and Parts) - Dobson, Simon

    Championship Section Test Piece 2016 National Finals of the British Brass Band Championship. The Lone Wolf of the title is the great Hungarian composer and folklorist Bela Bartok. Bartok's journey took him from the hills of the Balkans to the heart of the new world. His singular vision may have meant a life out in the cold, a life without warmth and love, a life without true happiness, a death mourned by a few in a strange land. The first of the three linked movements is capturing the Peasants' Song and follows the young Bartok and fellow composer Zoltan Kolday as they embark on Summertime adventures through the Hungarian countryside to collect and catalogue the astonishing variety of Gypsy and folk music heard in the Balkan hills. The arrival of WW1 plunges Bartok's beloved Hungary into chaos. Bartok was at times a cold man, aloof and lonely. The occasional moments of tenderness he showed are portrayed in Night Music. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartok may have heard in the USA later in his life. Having been forced by the world's evils to leave his homeland of Hungary for America Bartok, the anti-fascist, felt isolated and angry. In the finale, Flight and Fight, we hear his longing for a simpler time of Gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

    Estimated delivery 12-14 days
  • £79.99

    Journey of the Lone Wolf - Score & Parts - Simon Dobson

    Championship Section Finals Test Piece for National Brass Band Championships of Great Britain 2016Journey of the Lone Wolf tells the story of the hungarian composer B?la Bart?k. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement:1. Capturing the Peasants’ SongAfter the upheaval of moving to Budapest the young B?la Bart?k meets Zolt?n Kod?ly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bart?k's beloved Hungary into chaos.2. Night MusicBart?k was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bart?k may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bart?k, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

    Estimated delivery 12-14 days
  • £10.00

    Journey of the Lone Wolf - Study Score - Simon Dobson

    Championship Section Finals Test Piece for National Brass Band Championships of Great Britain 2016Journey of the Lone Wolf tells the story of the hungarian composer B?la Bart?k. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement:1. Capturing the Peasants’ SongAfter the upheaval of moving to Budapest the young B?la Bart?k meets Zolt?n Kod?ly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bart?k's beloved Hungary into chaos.2. Night MusicBart?k was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bart?k may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bart?k, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

    Estimated delivery 12-14 days
  • £35.00

    Swingin' Kilts (Brass Band - Score and Parts)

    John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin' Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin' Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats. 03:14

    Estimated delivery 12-14 days
  • £15.25

    Swingin' Kilts (Brass Band - Score only)

    John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin' Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin' Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats. 03:14

    Estimated delivery 12-14 days
  • £40.00

    Swingin' Kilts - John Blanken

    John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin' Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin' Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

    Estimated delivery 10-12 days
  • £79.95

    Malcolm Arnold Variations - Score and Parts - Martin Ellerby

    MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm’s passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold’s own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold’s style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work’s structure. I have long beforehand submerged myself in Malcolm Arnold’s music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer’s personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there – and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you ‘up front’! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues – a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed – this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score – there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm’s own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a ‘sunshine- affair’ and firmly believe that Malcolm Arnold would have had it no other way too!

    Estimated delivery 12-14 days