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  • £25.00 £25.00
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    In Dreams - Roy Orbison - Len Jenkins

    "In Dreams" is a song composed and sung by rock and roll performer Roy Orbison, and was released as a single on Monument Records in February 1963. Orbison later claimed that the origin for "In Dreams" came to him while he was sleeping, as many of his songs did. When he woke up the next morning, the entire composition was written in 20 minutes. Like many of Orbison's songs, but unlike the majority of rock and roll ballads, in under 3 minutes it goes through seven movements with distinct melodies and chord progressions without repeating itself. It was for that reason that I have always believed it was a suitable piece for brass where one does not have lyrics to distinguish changes between verses to avoid monotony. Graham Cooper

  • £82.00

    The Saga of Haakon the Good - Score & Parts - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920??"961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days
  • £25.75

    The Saga of Haakon the Good - Score Only - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920??"961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days
  • £100.00

    A Bournemouth Suite - Benjamin Tubb

    Not Yet Available for Purchase. Pleaes check back soon or contact us for more infomation. Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition.This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.Balloon RideThe First movement, Balloon Ride, describes a journey on "The Bournemouth Eye", a tethered hot air balloon that takes you up 500 feet. It's located in the middle of the town centre, which enables you to see surrounding countryside for up to 20 miles! The movement begins rather ominously as the balloon raises from the ground which leads into a more lively section caharacteresed by the repeating quavers in the lower brass and woodblock. The movement ends in much the same way as it started - signalling the return to terra firma.The Pier At NightDuring the summer there are several large firework displays in the town centre. The second movement, The Pier At Night descirbes an evening spent on the beach in deckchairs watching the montage of colours in the night-time sky. With demanding solos for horn and cornet, as well as exposed playing spread throughout the band, this slow movement will really test a band's expressive and lyrical playing.The 'BIC'The Bournemouth INternational Centre, also known as "The BIC" is one of Bournemouth's most visited attractions, and regularly hosts shows such as 'Riverdance' and pantomimes. Inside is a world of entertainment and the centre itself is just a stone's throw from both "The Bournemouth Eye" and the Pier. The 3rd movement has been written to describe the buzz of activity surrounding the BIC, and the entire works ends with the same syncopated motif from the beginning.A Bournemouth Suite was set as the 'set-test' at the Pontins Brass Band Championships 2009.

    Estimated delivery 12-14 days
  • £90.00

    Scottish Dances - Peter Martin - Menno Haantjes

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated delivery 5-10 days

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  • £40.00

    Hymnus Antverpiae - Jan Van der Roost

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.

    Estimated delivery 5-10 days
  • £63.00

    Bread and Games - William Vean

    'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.

    Estimated delivery 5-10 days

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  • £34.95

    A Slow Ride in a Static Machine - Phil Lawrence

    A Slow Ride in a Static Machine was inspired some time ago when my (late) Father came to visit me "down in London" as he put it. It was based not on one of his circular mishaps, but on several! He was always directed carefully, but refused to carry a map in the car! At one time when I lived in North London I would meet him outside the capital, and he would then follow be back to my place, but after I moved to East London I made him bite the navigational bullet and transverse the 'M25 Orbital'. His main problem seemed to be getting off this mesmerising circular cark park. He would often phone (in a weary tone) from the Dartford Tunnel (which is 5 junctions past the one he needed to get off at), asking me to, "bring him in" so to speak. I would always refuse. And then, he would do the opposite (especially when travelling at night), he would phone me up from near Cambridge (he'd gone the wrong way up the M11 away from London by 45 miles), and would ask where he was!The title is obviously a play on John Adams' composition, A Short Ride In A Fast Machine. This quirky tone poem starts as a wind-up by using those unwanted intervals of augmented 4th's and minor 9th's & 7th's in the main tune, before hearing the road works, the juggernauts multi horns, fender-benders, ambulance and police sirens! This then all works to a back beat on kit. The wind-up start gets to an almost Go-Go 1960's Disco middle section (the nostalgic hay-days of the open road), where our wind-up tune falls into place and we all relax as we can now drive at 42.1 mph! We DC, and then get into a right car mess in the Coda! Phil Lawrence.

    Estimated delivery 5-7 days
  • £24.95

    Silent Night - Franz Gruber

    In 1816, a Roman Catholic priest called Josef Mohr composed a short six-stanza poem for his Christmas service which he entitled Stille Nacht. On Christmas Eve in 1818 the church organ at St Nicholas Church, Oberndorf had broken down and he happened to show his organist and choirmaster Franz Gruber the poem he had written, wondering if it could be set to music which would not require the organ.Gruber spent that afternoon composing, what would become the most loved Christmas carol of all time. It was first performed that very Christmas Eve, with the church choir and Gruber accompanying them on guitar.Although Gruber's original melody has altered little since 1818, it was originally performed as a sprightly 6/8 dance. Over the years the melody has been slowed down and we now recognise it most commonly as a gentle, meditative lullaby.The song's lyrics have been translated into around 140 different languages and it has been used extensively, in countless guises all over the world.Perhaps its most poignant use however was during the First World War Christmas Truce in 1914, where it was sung simultaneously by French, English and German troops stationed on the front line, being the only carol they all new.This new arrangement for brass band yet again breathes new life into this timeless classic. Lush harmonies and its reflective texture will make this a welcome addition to any festive program.

    Estimated delivery 5-7 days
  • £35.00

    Hymnus Antverpiae (Brass Band - Score and Parts)

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion. 04:00

    Estimated delivery 12-14 days