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  • £90.00

    Har du fyr? - Ola Bremnes - Oyvind Strand

    This arrangement was made for The Suoni Wind Orchestra of Skien, Norway, and performed for the first time at their Promenade Concert "At Sea" at the Ibsen Culture Center, March 8th 2014, being the final number of the concert. Participating this concert was also the Choir Canto Libre and the two vocal soloists were Eli Kristin Hansveen and Andreas Hoff. Since that time this arrangement has been used also at other concerts involving choir and soloists.It is important that tempo is not too slow and one has to be thorough with details in the percussion parts. I have tried to paint a musical picture of the sea, as an eternal power, shifting from the quiet and lazy to the powerful and majestic with crushing waves and stormy winds, as Ola Bremnes describes it in his fantastic lyrics.- Oyvind Strand -Solo Options: Vocal ??" Soprano Sax ??" Alto Sax ??" Tenor Sax ??" Trumpet ??" Flugelhorn ??" Euphonium (TC/BC)

    Estimated delivery 12-14 days
  • £72.00

    Dans varsomt - Ray Farr

    Composed October 2014 by Ray Farr, based on a religious folk-song, or psalm, from Valdres in Norway. The words to the hymn, which was written by Olof Kolmodin in 1742, warn us to 'tread warily, my soul'.Ray has adapted the music into a lively Norwegian-style dance with an equally strong warning for people not to tread on anyone's toes.The piece was first performed at the Brass in Concet competition "Siddis Brass" by Jaren Hornmusikkforening in November 2014.

    Estimated delivery 12-14 days
  • £30.00

    Match Day - Peter Meechan

    Match Day takes its inspiration from a night in May 2005, when the team the composer supported from his childhood, Liverpool FC, won the European Cup in what was considered by many to be one of the greatest football matches of all time.The piece is not only inspired by a football match, but also takes its musical material from chants and songs that you will hear at 3PM on a Saturday afternoon at any football ground in the country.Match Day was written as a result of a commission from the National Youth Brass Band of Great Britain, and their Musical Director, Bramwell Tovey, to whom the piece is dedicated.

    Estimated delivery 12-14 days

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  • £24.95

    The Civil Defenders - Sir Patrick Moore - Rodney Newton

    The Civil Defence Association of Great Britain was formed as a support body for the Civil Defence Service and, while the Service had its own march, the Association did not - until recently. Sir Patrick Moore CBE FRS, astronomer, television personality extraordinaire, retired xylophonist, pianist and composer, was approached in the hope that he might provide a suitable march for the Civil Defence Association. Although now musically inactive through illness, he produced from his vast collection of marches written over a long period, the present one which he entitled, The Civil Defenders. Although originally scored for piano, Sir Patrick enlisted the help of his old friend and musical collaborator, Rodney Newton, who has arranged versions for brass and wind bands. The style of Civil Defenders is that of a traditional British 'road march' and embodies all the panache and gusto which that implies.

    Estimated delivery 3-5 days
  • £34.95

    The Rising - Andrew Ford

    To human beings, bush-fires are terrifying and often deadly events. But to the Australian bush, they bring the prospect of regeneration. After the conflagration, comes peace. It is often only a few days after the fire that the first shoots start to appear. Pale green leaves bud on charred branches. Slowly, the Bush renews itself. Over years, even decades, the native vegetation re-establishes itself, the undergrowth becomes thick once more. In effect, of course, the forest is now stockpiling fuel, and if not checked and occasionally cleared, the cycle must continue. The Bush needs fire to survive. These were the images I had in mind when I was composing The Rising. This is what gave me my structure.But, really, the piece might represent any sort of rising - revolutionary or religious, cosmic or simply musical - where a violent event brings peace and then, after a time, too much peace leads to violence. This short work begins with one big bang, then builds inexorably towards another. At the end, it feels as though the piece might begin again (and again (and again)) . . .The Rising was commissioned by the Black Dyke Band and is dedicated to them with respect and great admiration. Andrew Ford

    Estimated delivery 3-5 days
  • £24.95

    We Three Kings - Rev. John Henry Hopkins Jr - Dean Jones

    'We Three Kings of Orient Are' is a Christmas carol (technically an Epiphany carol) written by Rev. John Henry Hopkins, Jr. who wrote both the lyrics and the music as part of a Christmas pageant for the General Theological Seminary in New York City. It was supposedly written as early as 1857 but did not appear in print until his Carols, Hymns and Song was published in 1863. In this arrangement by Dean Jones the use of a dance-like idiom creates a lively atmosphere, which is tinged with a Spanish flavour in the central section!

    Estimated delivery 3-5 days
  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly due to the bore size of instruments and mouthpiece sizes (as in bigger), and, demands of modern day works for band on the player/soloist, and of course a greater demand of styles on the player, and progressive teaching methods. The technical styles in Blaze are about these changes.In Blaze I have clearly blended symphonic blowing styles of the trumpet plus the virtuosic attributes of today's modern cornet player. Many solo cornets parts (more past than present) in band are often clearly defined between low A and top C above the stave. Orchestral trumpet players need a working range of another fourth at either end of this defined range; I have incorporated this range into the concerto. The low register is much explored, and the average tessitura throughout is constantly varied below and above the stave from pedal Eb to super F# opt. The ideology of this blend of course makes sense as the original dedication is to Rod Franks, LSO, and of course blending with that is Rod's history at Black Dyke Mills Band.The concerto is ten minutes long and in one movement comprising of four sections and one solo cadenza, with one section only appearing once, an episode. This singular section was a revised addition and dedicated to Richard Marshall who gave the first premier in New Zealand in June 2003. For the purists the form is thus, A, B, A (vari), C (episode). D (slow movement), E (3/8 episode 1), D (vari), E, (episode 2). A (last move), B, A (developed) = (coda finale).The compositional style? Well, I hope quintessentially, 21st C English with an element of nostalgia (modal/old English). There are some hints at jazz playing styles and rhumba, but romantic English I would say, and especially the slow movement.Blaze is also very bold; the title itself reflects this, full of bravura and constant amazement, offering little respite for the soloist and sapping much stamina. The opening statement from the soloist is without accompaniment; just as a matador stands alone in the ring for the first few seconds, and looks at the mass crowd in defiance, he thinks, "you are here to see me die", so the soloist stares the audience back in the face, and opens with the richest, largest sound (not loudest) one can muster, thus throwing the gauntlet down to the ears of all who might disbelieve what they are about to encounter, a gladiatorial cornet, a Blaze from the stage.For the soloist, it is a non-stop Blaze of sound, electrifying technique, sage-like musicianship, super-human stamina and sheer matador-like bravura with 10th Dan mastery of over-all control, a test beyond the reasonable. And for the audience? Of course, a BLAZE never to be forgotten. Phil LawrenceThis work can be heard performed by cornet soloist Richard Marshall & the Grimethorpe Colliery Band on their award winning album entitled 'BLAZE'

    Estimated delivery 3-5 days
  • £24.95

    The Lost Chord - Arthur Sullivan - Robert Childs

    Sullivan composed The Lost Chord whilst watching at his brother Fred's bedside during his last illness. The manuscript is dated 13th January 1877, five days before his brother's death. He had been trying to set the words of Adelaide Procter to music for several years, but did not succeed until faced with Fred's passing.The success of the song was immediate. None other than the Prince of Wales was said to have remarked that he would travel the length of his future kingdom to hear it sung. Sullivan later commented: 'I have composed much music since then, but have never written a second Lost Chord'. This arrangement for Solo Euphonium and Brass Band is featured on David Childs's third solo album, Hear My Prayer (DOYCD166).

    Estimated delivery 3-5 days
  • £64.95

    Actaeon - Gareth Wood

    This major work for brass band is based on the story of the Greek mythological character, Actaeon.Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis punished Actaeon: she forbade him speech and if he tried to speak, he would be changed into a stag. Upon hearing the call of his hunting party, he cried out to them and was immediately changed into a stag. His own hounds then turned upon him and tore him to pieces as they did not recognise him.The music begins with Actaeon taunting his hounds. A slower section represents the young hunter (solo horn) leading to an up-tempo section as he rides through the forest. The central scherzo portrays a hunt. A gentle section (euphonium solo) potrays Artemis bathing under a waterfall. The music then depicts Actaeon being transformed into a stag with the final terrifying sounds of his body being torn apart!

    Estimated delivery 3-5 days
  • £69.95

    ENGLISH HERITAGE (Brass Band Set) - George Lloyd

    English Heritage was first heard in the pleasant surroundings of Hampstead Heath as part of a Kenwood Lakeside concert given on 2nd July 1988. It was commissioned for English Heritage by Michael Webber, the organiser of Kenwood Concerts for English Heritage and subsequently chosen as the Championship Section test-piece for the National Brass Band Championships of Great Britain 1990. The sense of historic significance inherent in ensuring the preservation of England's fine buildings of the past drew from the composer music which seems to capture the essence of Olde England. This is a musical view of England's heritage concerned not only with pageantry and ceremonial but also catching some of the humour inherent in the English character as well as those quiet reflective moments which have surely fashioned England's past and influenced its present.

    Estimated delivery 12-14 days