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  • £59.99

    Arsenal (Brass Band - Score and Parts) - Van der Roost, Jan

    Arsenal was composed for the 50th anniversary of the 'Harmonie van het Spoorwegarsenaal'[railroad arsenal], based in Mechelen (Belgium). Rather a stately concert march, it has beautiful themes and a broad melody in the trio. It was premiered in the Mechelen Cultural Center on the 11th of May 1996 during the solemn ceremony, opening the anniversary year and conducted by the composer. In the mean time, Arsenal has been recorded several times by such renowed performers like the Tokyo Kosei Wind Orchestra, the Black Dyke Brass Band etc.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £99.95

    Carols for Band (Brass Band Set) - Sparke, Philip

    Designed to be playable by any combination from quartet to full brass band, wind band or orchestra, the arrangements in this book with provide a practical solution to all your carolling needs. Parts are divided into Soprano, Alto, Tenor and Bass so that any suitable instrumentation will sound well, providing an equal balance of players per voice is maintained. The carols are printed in alphabetical order so they are easy to find, and comprehensively indexed under both first line and name of tune.Score, Timpani and Percussion parts are available separately.Instrumentation is as follows: Brass BandWind BandStringsSopranoEb Soprano CornetSolo Bb CornetBb Repiano & Flugel1st Flute & Piccolo2nd FluteOboe1st Bb Clarinet1st Bb Trumpet/Cornet1st ViolinAlto2nd & 3rd Bb CornetSolo Eb Horn1st Bb Trombone2nd & 3rd Bb ClarinetsEb Alto Saxophone2nd Bb Trumpet/Cornet1st F Horn2nd ViolinTenor1st & 2nd Eb Horns1st & 2nd Bb Baritones2nd Bb Trombone1st Bb EuphoniumEb Alto ClarinetBb Tenor Saxophone2nd F Horn1st & 2nd TrombonesViolaBassBass Trombone2nd Bb EuphoniumEb BassBb BassBassoonBb Bass ClarinetEb Baritone SaxophoneBass TromboneEuphoniumTubaCello/BassTitles included:Angels from the Realms of GloryAs with Gladness Men of OldAway in a MangerBrightest and BestChristians AwakeCoventry CarolDeck the HallsDing Dong, Merrily on HighFirst NowellGod Rest ye Merry, GentlemenGood King WenceslasHark the Glad SoundHark, the Herald Angels SingHolly and the IvyI Saw Three ShipsIn Dulci JubiloIn the Bleak Mid-WinterInfant HolyInfant KingIt Came Upon a Midnight ClearJingle BellsLo, He Comes with Clouds DescendingLove Came Down at ChristmasO Come, All ye FaithfulO Come, O Come, EmmanuelO Little Town of BethlehemOf the Father's Love BegottenOnce in Royal David's CitySans Day CarolSee Amid the Winter's SnowSilent NightSussex CarolThou Didst Leave Thy ThroneUnto Us is Born a SonWe Wish You a Merry ChristmasWhile Shepherds WatchedThe Brass Band Set consists of 25 Parts:1 x Eb Soprano Cornet4 x Solo Bb Cornet2 x Bb Repiano & Flugel4 x 2nd & 3rd Bb Cornet1 x Solo Eb Horn2 x 1st & 2nd Eb Horn2 x 1st & 2nd Bb Baritone1 x 1st Bb Trombone1 x 2nd Bb Trombone1 x Bass Trombone1 x 1st Bb Euphonium1 x 2nd Bb Euphonium2 x Eb Bass2 x Bb Bass

    Estimated dispatch 7-14 working days
  • £85.00

    PENTACLE (Brass Band - Score and Parts) - Cole, Graham

    2009 National Championships Area Qualitying Contest - 1st Section.It is a five-movement work, played without a break. The Pentacle is an image of an up-right five-pointed star drawn inside a circle with a single continuous line making the five points equally spaced. Traditionally, each of the five angles has been attributed to the five metaphysical elements of the ancients. These provide the titles for the five sections of he piece: Earth (representing stability and physical endurance), Wind (representing intelligence and the arts), Fire (representing courage and daring), Water (representing emotions and intution) and Quintessence (which represents the All and the Divine spirit).Duration: 13.00

    Estimated dispatch 7-14 working days
  • £30.00

    PENTACLE (Brass Band - Score only) - Cole, Graham

    2009 National Championships Area Qualitying Contest - 1st Section.It is a five-movement work, played without a break. The Pentacle is an image of an up-right five-pointed star drawn inside a circle with a single continuous line making the five points equally spaced. Traditionally, each of the five angles has been attributed to the five metaphysical elements of the ancients. These provide the titles for the five sections of he piece: Earth (representing stability and physical endurance), Wind (representing intelligence and the arts), Fire (representing courage and daring), Water (representing emotions and intution) and Quintessence (which represents the All and the Divine spirit).

    Estimated dispatch 7-14 working days
  • £89.95

    TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score and Parts)

    This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in four versions: with brass band (1976), orchestra (1978), wind band (1984) and piano reduction.The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins

    Estimated dispatch 7-14 working days
  • £44.95

    TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score only)

    Brass Band Score onlyThis work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins

    Estimated dispatch 7-14 working days
  • £42.95

    WHEREVER YOU ARE (Brass Band) - Mealor, Paul - Stubbs, Duncan

    Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and The Military Wives Choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12 November 2011, in the presence of Her Majesty The Queen. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John. Selling a staggering 556,000 copies in the week leading up to Christmas, more than the rest of the Top 12 combined, Wherever You Are became the UK's Official Christmas No. 1 of 2011. A wind band version is also available. A contribution from the sales of the sheet music will be donated to the two nominated charities: The Royal British Legion and SSAFA Forces Help.

    Estimated dispatch 7-14 working days

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  • £63.69

    We Seven (Brass Band) Derek Jenkins

    We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion

    In stock: Estimated dispatch 1-3 days
  • £85.00

    Pentacle (Score & Parts) - Graham Cole

    Pentacle was selected as a test piece for the National Brass Band Championships of Great Britain, First Section regional competition in 2009. The Pentacle is an image of an upright five-pointed star drawn inside a circle with a single continuous line making the five points equally spaced. Traditionally, each of the five angles has been attributed to the five metaphysical elements of the ancients. These provide the titles for the five sections of the piece: Earth (representing stability and physical endurance), Wind (representing intelligence and the arts), Fire (representing courage and daring), Water (representing emotions and intuition) and Quintessence (which represents the All and the Divine spirit).Brass Band Grades 1 & 2: Novice and Learner bands.Duration: 13 minutes.

    In stock: Estimated dispatch 1-3 days
  • £32.00

    Chorale Prelude

    This stately work is very loosely based on the opening chords from 'The Lamb', although there are no direct quotations from that work. The opening chorale is played as gradually more themes are added above in a dignified and legato subject where instruments sustain notes to give a lingering echo effect. Players need to be aware of their role in this to maximise the effect. The second subject increases the intensity until the time signature change introduces a second chorale. Then, a short imitative passage leads to a rising appogiatura theme and the climax of the work, which re-introduces the original chorale in a major tonality. With versions for brass ensemble, brass band, wind orchestra and woodwind orchestra, this work has been placed in concerts when a meaningful, reflective moment is required.