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  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £39.95

    Softly, As I Leave You - Alfred de Vita arr. Alan Catherall

    Made popular by many singers over the years, this lovely song was first arranged for the Childs brothers as a solo, and later a duet, by Alan Catherall. It was first performed in the duet version at the Royal Albert Hall, London, in October 1985, conducted by their late father, John Childs. Also available with piano Brass Band Set comprises: Detailed condensed conductor score Solo B-flat Euphonium B-flat Euphonium Duet (2) E-flat Soprano Cornet Solo B-flat Cornet (4) 2nd B-flat Cornet (2) 3rd B-flat Cornet (2) B-flat Flugelhorn* Solo E-flat Horn* 1st E-flat Horn* 2nd E-flat Horn 1st B-flat Baritone 2nd B-flat Baritone 1st B-flat Trombone 2nd B-flat Trombone Bass Trombone B-flat Euphonium (2) E-flat Bass (2) B-flat Bass (2) 1st Percussion 2nd Percussion 3rd Percussion (Drum Kit) * Alternative parts for use as solo or duet provided. There is no Repiano Cornet part.

    Estimated dispatch 7-9 working days
  • £14.83

    Jingle Boogie-Woogie Bells (Brass Band - Ukraine Charity Release) Ovcharenko

    This piece was arranged by Halyna Ovcharenko, a Ukrainian composer who was born in Lugansk, a Ukrainian city that is currently under occupation by the Russian Federation. All the proceeds from this sale will go towards the 'A family for every orphan' appeal, which is providing emergency relief services to thousands of children and families in Ukraine. For more information about the charity please visit https://afamilyforeveryorphan.org/ukraine/ Halyna Ovcharenko has been composing music since she was 11. Many of her compositions of various genres have received international awards, but she discovered the world of brass band music with its specific timbre and huge range of musical colors only recently, in 2022, while composing her Vyshyvanka for Grimethorpe Colliery Band. Halyna comments: "I enjoyed my experience. Since then I have had an appetite to write more for brass bands, and here we are - an arrangement of a traditional English Christmas song which I have done especially to raise money for Ukrainian orphans. Their heroic parents stood for my Lugansk, for our Ukraine and for the whole World. I hope that the World will make these children feel that they are not left alone, giving them love, care and joy." The picture on the front cover was drawn by Victoria Lebed, a Ukrainian girl. This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £33.35

    Away in a Manger (Brass Band) Murray arr. Fendall Hill

    This unique arrangement by Fendall Hill of Away in a Manger brings together two beloved melodies of the cherished Christmas carol, seamlessly intertwining the popular American setting known as "Mueller" with the gentle strains of "Cradle Song", the tune favoured across Britain, Ireland, and the British Commonwealth. First introduced to American audiences by James R. Murray in Dainty Songs for Little Lads and Lasses (1887), the Mueller melody - often mistakenly attributed to Martin Luther - has become the most recognised version of the carol in the United States. Complementing this is the lyrical Cradle Song, composed by William J. Kirkpatrick and published in Around the World with Christmas (1895), offering a tender counterpoint to Murray's setting. To view a rolling score video featuring Sovereign Brass's CD recording please visit: www.youtube.com/watch?v=58r_xRY7OM0 Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £24.95

    Mists on the River Wear - Dan Price

    Mists On The River Wear is a 'song and dance' for solo tuba. It was commissioned in 2010 by the Black Dyke Band's solo Eb Bass player and international tuba star Joseph Cook. The Song The work opens with unaccompanied...

    Estimated dispatch 5-7 working days
  • £66.72

    Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield

    This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £33.35

    You're Always There (Brass Band) Lee Fisher arr. Andrew Wainwright

    One of BrookWright's most popular titles, this piece is based on an original song by Lee Fisher which was written for Britain's Got Talent star Charlie Green. Originally arranged as a tenor horn solo with brass band, it is now available here as a standalone work for band. To view a follow-the-score video please visit www.youtube.com/watch?v=suzzgdxU_xU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 3.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £37.06

    The Vow (Brass Band) Andrew Wainwright

    VIEW SCORE PDF A majestic processional in the spirit of Elsa's Procession to the Cathedral, this powerful work blends the heartfelt beauty of William Himes' worship song All That I Am with an original theme by Andrew Wainwright. The piece was originally written for the composer's wedding. The piece features expressive interplay between solo lines and rich accompaniment, offering performers a dynamic canvas to shape and build the music. Gradually expanding in depth and intensity, it culminates in a stirring and triumphant conclusion - ideal for sacred ceremonies, concert halls, or moments of solemn celebration. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To view a video of the Southern Territorial Band performing the work please visit: www.youtube.com/watch?v=h2VUSKHMbho Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £25.00 £25.00
    Buy from Wobbleco Music

    A Holly Jolly Christmas - Johnny Marks - Len Jenkins

    "A Holly Jolly Christmas" is a Christmas song written in 1962 by Johnny Marks. He was also responsible for Rudolph, the Red-Nosed Reindeer and Rocking Around the Christmas Tree amongst his other compositions. The most well-known vocal editions are those by Burl Ives who recorded it in 1964 for a Christmas special, and then re-recorded in 1965 for his holiday album, Have a Holly Jolly Christmas. This latter version of the song has a somewhat slower arrangement than the previous version and featured an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. More recently, it has been recorded by Michael Buble.

  • £94.90

    Stjernen og Rosa (The Star and a Rose) (Brass Band - Score and Parts) - Hannevik, John Philip

    The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist. After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style. An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics. Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the Latin text for Adeste Fideles: Stella duce, Magi, Christum adorantes. The Rose is of course from the lyrics in the chorale Lo, how a Rose.Duration: 10.30

    Estimated dispatch 7-14 working days

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