Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 56 matches for your search

Results

  • £42.00

    The Beacons (Parts only) - Ray Steadman-Allen

    For centuries hilltop beacon fires blazed across the land signals of important happenings or warnings of invasion. This music tells no specific story but the titles of the four thematically related sections are a guide to the idea: The Beacons; Far Horizons; The Invaders; Celebration. The first movement has something of the character of the march and the fanfare; spirited and tightly driving, it promises most of the thematic material of the work. The second is largelt tranquil and is thinly scores with solo passages. The third has the most dramatic potential; its energy and conflict subsides to a lament and a tolling bell before a vigorous rounding off. Appropriately, the fourth movement is in a merry-making mood, and the jubilant music concludes with fragment statements of the main themes. The Beacons was first performed by IMI Yorkshire Imperial Band (James Scott) at the 'Concert of the Century', celebrating the Centenary of the British Bandsman, at the Free Trade Hall, Manchester, on 5 September 1987. Duration: 12:30

    Estimated delivery 5-7 days
  • £55.00

    Newton Wood Suite - Dan Price

    Brass Band Concert Series - Grade 3 Extended concert work or own-choice test-piece (4th Section) by Dan Price Newton Wood Suite is a set of three musical sketches which take inspiration from geographical locations and historical periods in the life of English engineer Daniel Adamson. This work was originally written as a concert band item in 2013 to help celebrate the 125th Anniversary year of the Adamson Military Band. The work is in three movements; I - The Foundry, II - Dewsnap Lane, III - Work Begins on the Manchester Ship Canal, each of which paints an evocative musical scene. Each of the movements also works independently and is available separately. Two percussion parts with percussion I playable as a drum kit part. Duration: 00:09:30 (complete) Grade 3

    Estimated delivery 5-7 days
  • £25.00

    Prelude 1946 - Dan Price

    Brass Band Concert Series - Grade 3 The North West Area Brass Bands Association has for 70 years been representing bands in the North West of England and surrounding areas. Our member bands come from Cheshire, Derbyshire, Greater Manchester, Isle of Man, Lancashire, North Wales, Staffordshire and Yorkshire. We are delighted that Dan Price has been able to compose Prelude 1946 to mark our special 70th Anniversary year and extend our sincere thanks to him for this new work. Duration: 00:03:45

    Estimated delivery 5-7 days
  • £35.00

    Starburst - Dan Price

    Brass Band Concert Series - Grade 3 A fast-paced and exciting concert finale or first half finisher by Dan Price. Commissioned by the Greater Manchester Hub Youth Brass Band for their 2014 season, Starburst is a high-octane work in a contemporary style with elements of rock and funk fusion. The piece features soloistic input from all sections, with vibrant percussion colours adding to the overall effectiveness. Although the piece sounds extremely virtuosic it is accessible for most bands, and is fun to rehearse as well as exciting to listen to. Duration: c. 04:00

    Estimated delivery 5-7 days
  • £70.00

    General Series Band Journal Numbers 2068 - 2071

    Contains the following pieces: Whisper A Prayer,In The Light We Walk,We Saw Love,Manchester, Usa

    Estimated delivery 12-14 days
  • £24.95

    Holcombe Hill - Dan Price

    A traditional concert march in league with the great marches composed by William Rimmer, Kenneth J Alford and George Allen. The name is taken from an area in Lancashire just north of Bury, Greater Manchester, not far from the composer's home.

    Estimated delivery 12-14 days
  • £79.99

    Journey of the Lone Wolf - Score & Parts - Simon Dobson

    Championship Section Finals Test Piece for National Brass Band Championships of Great Britain 2016Journey of the Lone Wolf tells the story of the hungarian composer B?la Bart?k. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement:1. Capturing the Peasants’ SongAfter the upheaval of moving to Budapest the young B?la Bart?k meets Zolt?n Kod?ly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bart?k's beloved Hungary into chaos.2. Night MusicBart?k was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bart?k may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bart?k, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

    Estimated delivery 12-14 days
  • £10.00

    Journey of the Lone Wolf - Study Score - Simon Dobson

    Championship Section Finals Test Piece for National Brass Band Championships of Great Britain 2016Journey of the Lone Wolf tells the story of the hungarian composer B?la Bart?k. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement:1. Capturing the Peasants’ SongAfter the upheaval of moving to Budapest the young B?la Bart?k meets Zolt?n Kod?ly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bart?k's beloved Hungary into chaos.2. Night MusicBart?k was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bart?k may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bart?k, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

    Estimated delivery 12-14 days
  • £69.95

    Masquerade - Score and Parts - Philip Wilby

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi’s last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi’s music, and some of Shalespeare’s plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story:• . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe’en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff’s arrival (musicologists will, perhaps, note a rare use of ‘large bottle in F’ being used during this scene of suppressed alcoholic revelry!). Falstaff’s companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game ‘Blind Man’s Buff’, he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi’s character concludes the opera with a good-humoured fugue on the words.... ‘All the World’s a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated delivery 12-14 days
  • £34.95

    Masquerade - Score Only - Philip Wilby

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi’s last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi’s music, and some of Shalespeare’s plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story:• . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe’en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff’s arrival (musicologists will, perhaps, note a rare use of ‘large bottle in F’ being used during this scene of suppressed alcoholic revelry!). Falstaff’s companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game ‘Blind Man’s Buff’, he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi’s character concludes the opera with a good-humoured fugue on the words.... ‘All the World’s a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated delivery 12-14 days