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£69.99
Auld Lang Syne - Menno Haantjes
Whereas 'Auld Lang Syne' may be considered the best-known Scottish song ever, yet at the same time it is an obscure one, for there are but few people who know the complete text by heart. After the familiar 'Should auld acquaintance be forgot .....' many people take their refuge to lyrics like 'rum tee dum ta dee ..... lah, lah, lah ........... for auld lang syne'. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns, however, he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad, he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes, both political and religious. Nowadays, 'Auld Lang Syne' is sung as a Christmas Carol and it is also sung on New Year's Eve at the turning of the year. Apart from that, though, the song is also sung on many other occasions sometimes with different lyrics, which usually have Love, Friendship and/or Parting as their themes, as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne, my dear, For auld lang syne, We'll take a cup of kindness yet, For auld lang syne.
Estimated dispatch 5-14 working days
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£29.95
A Little Prayer - Evelyn Glennie - Robert Childs
Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present. Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life." Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!" After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.
Estimated dispatch 5-14 working days
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£54.99
Proud Mary - Thijs Oud
At the end of the 1960s the group Creedence Clearwater Revival wrote many successful numbers, many of which were covered by various artists. Proud Mary - one of their best known songs was covered many times and this arrangement by Thijs Oud is based on Tina Turner's performance. For the musicians this is a fantastic piece to play. Each section has a challenging, yet satisfying part. For the audience this well-known and stirring number is a smash!
Estimated dispatch 5-14 working days
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£154.99
Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated dispatch 5-14 working days
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£23.95
The Red Kite (Euphonium Solo with Brass Band - Score and Parts) - Wiffin, Rob
At one time the Red Kite was close to national extinction in the UK but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail. I love watching it soaring so gracefully through the sky. I attempted to catch that feeling in this solo composed for Martin Smith. In writing it I had in mind making the euphonium glide solitary and effortlessly, occasionally swooping down then reclaiming its high altitude.To create the desired atmosphere, I avoided too many root position chords and enhanced the feeling of floating by adding notes to a lot of the harmony, giving it subtle colour. The harmonic rhythm is slow but the movement switches in the way that the Red Kite can make slight changes of direction by minor adjustments of its tail. On top of this accompaniment the soloist is left to sing with a sense of grace and freedom.- Rob WiffinDuration: 3.45
Estimated dispatch 7-14 working days
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£72.99
Pagan Songs (Brass Band - Score and Parts) - Crausaz, Etienne
Written in three movements without a break, this work was inspired by melodies of a popular nature. The first movement features two opposing modal melodies: one is very bright and lively, the other dark and tuneful. Various motifs are developed to offer highly contrasting musical events. The second movement is very peaceful, with a melody resembling a lullaby. To conclude the piece, the last movement delivers a festive dance with a swing feel. Commissioned by the Swiss Music Association, this very accessible work is mostly intended for small ensembles or those with mixed instrumentation. The duration and conception of this piece makes it ideal for competitions and concerts alike.Duration: 7.00
Estimated dispatch 7-14 working days
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£91.99
Pulcinella (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. Duration: 6.45
Estimated dispatch 7-14 working days
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£102.99
Chameleon (Euphonium Solo with Brass Band - Score and Parts) - Doss, Thomas
Chameleon is a three-part solo piece for euphonium and brass band. The different styles within the piece provide lots of variety, requiring refined technique and a great deal of flexibility from the soloist. This composition was commissioned by Georg Pranger, to whom the piece is also dedicated. As a pioneer of the Austrian euphonium soloist scene, Pranger is committed to the unshackling of this wonderful instrument and the creation of great musical momentum, as achieved by this commission.Duration: 8.30
Estimated dispatch 7-14 working days
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£104.99
Viking Age (Brass Band - Score and Parts) - Deleruyelle, Thierry
The Viking age lasted from the late eighth, to the middle of the eleventh century. During this period, Scandinavian warriors and merchants explored, plundered and left their mark on numerous territories. This work is based on a series of four notes that appear in different forms, consisting of 4 movements: Northern Men, Explorer, Raids and Heritage. It is an impressive and spectacular piece, with lots of interesting and playful parts for all sections. This is a perfect contest piece or an outstanding work for thematic concerts.Duration: 10.40
Estimated dispatch 7-14 working days
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£22.99
Viking Age (Brass Band - Score only) - Deleruyelle, Thierry
The Viking age lasted from the late eighth, to the middle of the eleventh century. During this period, Scandinavian warriors and merchants explored, plundered and left their mark on numerous territories. This work is based on a series of four notes that appear in different forms, consisting of 4 movements: Northern Men, Explorer, Raids and Heritage. It is an impressive and spectacular piece, with lots of interesting and playful parts for all sections. This is a perfect contest piece or an outstanding work for thematic concerts.Duration: 10.40
Estimated dispatch 7-14 working days