Results
-
£55.00
Global Variations - Nigel Hess
Global Variations takes us around the world in just over eight minutes! The chimes of Big Ben herald the start of a whistle-stop global journey, calling in turn at France, Spain, South Africa, Egypt, Russia, India, China, Australia, South America, and the USA.Brass Band Grade 5: 1st SectionDuration: 9 minutes.
In Stock: Estimated dispatch 1-3 working days
-
£34.95Gallant Sister, The - Jonathan Bates
DURATION: 5 minutes. DIFFICULTY: 4th+. The Gallant Sister was commissioned by the Spennymoor Town Band, and the title is a reference to the local wartime community hero Kate Maxey, who was awarded the Royal Red Cross award for gallantry and distinguished service in the field after being seriously injured in March 1918 whilst working as a Sister in France.
In Stock: Estimated dispatch 1-3 working days
-
£30.0092 Squadron - Brass Band Sheet Music Full Score & Parts - LM372
COMPOSER: Alex McGeeA concert march for brass band dedicated to 92 SquadronNumber 92 Squadron, also known asNo. 92 (East India) Squadronand currently asNo. 92 Tactics and Training Squadron, of theRoyal Air Forceis a test and evaluation squadron based atRAF Waddington,Lincolnshire. It was formed as part of theRoyal Flying CorpsatLondon Colneyas a fighter squadron on 1 September 1917. It deployed to France in July 1918 and saw action for just four months, until the end of the war. During the conflict it flew both air superiority and direct ground support missions. It was disbanded atEilon 7 August 1919. Reformed on 10 October 1939,at Tangmere Airfield, the unit was supposed to be equipped with medium bombers but in the spring of 1940 it became one of the first RAF units to receive theSupermarine Spitfire, going on to fight in theBattle of Britain.LM372 - ISMN : 9790570003723
In Stock: Estimated dispatch 3-5 working days
-
£35.00Ascend the Brightest Heaven...
DescriptionThe band's uniform badges feature a significant local landmark, a transmission tower officially known as The Arqiva Tower but known more colloquially to locals as 'Emley Moor mast'. The current elegantly tapered concrete sculpture, the tallest freestanding structure in the UK at 1084 feet, is the third mast on this site and was built between 1969 and 1971 after the catastrophic collapse of the previous structure.On 19 March 1969 a combination of extreme icing and strong winds caused the tubular mast to collapse across Jagger Lane and the chapel opposite - fortunately, despite the fact that the organist was in the chapel practising, nobody was injured. Several million people lost their BBC2 and ITV signals, until the Independent Television Authority managed to set up a temporary transmitter nearby!Just over two years later the new mast was operational, and despite initial opposition from some locals who feared another, potentially worse, collapse, Emley Moor Mast is now a popular local landmark and a grade II listed building. In 2015 the mast was illuminated with coloured lights at night to mark the 'Grand Depart' of the Tour de France coming to Yorkshire.You can listen and follow the score in the video below:
Estimated dispatch 7-14 working days
-
£32.00The Cistercians
DescriptionThe Cistercianswas written during December 2003 and January 2004 as an entry for Morecambe Band's Centenary New Music Competition, which it went on to win. The first two performances were at the final of this competition, part of the band's 100th Anniversary Concert at The Dome in Morecambe on 9 July 2004.The music was inspired by visits to three of Britain's great Cistercian Abbeys; Valle Crucis, Fountains and Rievaulx. The Cistercian Order was founded at Citeaux in France in the 11th Century and was based on the principles of austerity, humility and piety. Cistercian Abbeys were deliberately sited in remote, difficult areas. Despite this many of them, especially Rievaulx, became immense centres of commerce and power, with ever more complex administration and hierarchies.In a way the music reflects this; all the material in the piece is derived from two simple motifs played by flugel and solo horn in the opening bars and becomes more complex and further removed from the original material as the piece develops. After a tranquil opening section a fugal chorale develops over a medieval-style "tenor" - a stretched out version of one of the original motifs. A burst of semiquavers leads into a faster, folk-dance type section - our medieval abbey has become a bustling trade centre - before rhythmic quaver pulses in the horns and cornets accompany powerful chords in the low brass; this is another "tenor" derived from the opening motifs. A short development section, including the folk dance "hocketing" round the band and a slightly disjointed 10/8 section leads to a restatement of the fugal chorale from the beginning before a frenetic coda brings the work to a triumphant conclusion.Performance Notes:Percussion instruments required are Bass Drum, Suspended Crash Cymbal, Glockenspiel, 2 x Tom-toms, Snare Drum, Tambourine, Tam-Tam, 2 x Timpani (G-C, C-F), Triangle, Wood Block. All cornets will require metal stratight mutes and all except soprano require cup mutes. All trombones require cup and metal straight mutes.You can follow a preview of the score in the video below.
Estimated dispatch 7-14 working days
-
£79.00
Bring Him Home (From "Les Miserables") - Boublil-Kretzmer-Schoenberg - Bjorn Morten Kjaernes
The novel by Victor Hugo which the story of this musical is based on, received only limited success in France when it was published. After translating the entire piece into English and adding a a great deal of new material it was still very poorly recieved in London ad well. But satisfied audiences spread the word and soon the ticket sales went through the roof. The show is now in it's 25th year in London!
Estimated dispatch 7-14 working days
-
£24.95Bilitis - Frances Lai - Simon Kerwin
Francis Lai is one of France's leading film music composers. His musical styles are very varied, ranging from contemporary jazz to classical. He is one of the pioneers in the creation of synthesiser sounds, samples, and the use of 'computer'...
Estimated dispatch 5-7 working days
-
£29.95Flame of Independence - Dan Price
Given as a gift to the United States of America from the people of France, The Statue of Liberty is one of the most recognizable icons of the United States world-wide and is also a universal symbol of freedom and...
Estimated dispatch 5-7 working days
-
£30.00Russian Rag - George L Cobb, Sandy Coffin
Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
-
£30.00That Moaning Trombone - Carl D Bethel, Sandy Coffin
Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
