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  • £10.00

    Evening Hymn & Sunset - Trad.

    ***To commemorate the 75th Anniversary of the D-Day landings, any music orders placed today shall also receive a FREE copy of this piece***. This work has become more and more popular as the years have gone by. Recognised as the end of day ceremony, this remembrance work incorporates the hymn tune 'St Clement', known more popularly as 'The Day Thou Gavest' and the Sunset Bugle call. Originally arranged by Max Standard for the University of Lancaster's performance at UniBrass 2014, this work is a fine addition to any band's programme.

    In stock: Estimated delivery 1-2 days

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  • £63.00

    Olympic Dream - Andreas Schulte

    The world's most important sports event inspired Schulte to compose a magnificent new concert piece. In three parts he successively describes the opening ceremony (musical entry of the athletes), the hymn for the winner (an alluring ballad), and the party following the closing ceremony (rock party) during which all tensions disappear. Enter the world of the Olympic Games and enjoy!

    Estimated delivery 10-14 days

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  • £25.00 £25.00
    Buy from Wobbleco Music

    Rondeau - Jean-Joseph Mouret - Len Jenkins

    It is quite popular to have a bright trumpet piece for the Bride and Groom to process from church following a wedding ceremony. I chose this one for my recent wedding and Len arranged it for brass quintet and organ. In many cases it is desirable to have the brilliance of brass for this type of occasion, but balance, space and budgetary considerations can make a full band too much in each of these respects. A quintet provides the best balance with the organ, can be fitted into the available space in church (or wherever the ceremony is to be held), and may be easier and more economical to organise. The music is a classical rondeau taken from the first Suite de Symphonies by the French composer Jean-Joseph Mouret, and is one of the less well known, but nevertheless brilliant piece as befits the occasion. Organ registration has not been detailed but left to the discretion of the Organist. As each organ is different it is felt that they are best placed to decide, in consultation with the leader of the brass ensemble, what stops and set-up will project the required sound and achieve the best balance.

  • £48.00

    Barcelona

    In 1987, Montserrat Caball? met with Freddie Mercury to discuss the production of a new song for the forthcoming 1992 Olympics to be held in Barcelona. From this meeting both agreed to produce an album titled: "Barcelona" - the title track of the same name which would be the iconic track used as the theme for the 1992 Olympics. The song had it's first performance in May 1987 at the Ibiza Festival and then again in 1988 at the open air La Nit festival in Barcelona. This would be Freddie Mercury's last live performance. In 1991 Mercury died - one year before the Olympics. The track was broadcast at the start of the international broadcast of the 1992 Olympics ceremony. In 1999 at the UEFA Champions League Final held in Barcelona, Montserrat Caball? performed 'Barcelona' live together with a recording of Freddie Mercury and his image which appeared on the stadium's electronic screen.

    In stock: Estimated delivery 1-2 days
  • £34.95

    Fanfare: The Crowning - Jonathan Bates

    DURATION: 3 minutes. DIFFICULTY: Championship. "Trumpets sound in the Abbey, bells ring out, & a 62-gun salute booms from the Tower of London.". 'The Crowning' is a ceremonial fanfare and chorale based upon the hymn tune 'Westminster', the London Abbey in which coronations and subsequent 'crownings' take place at the change of every Monarch. You will hear 62 bass drum strikes in the intrada representing the 62 gun-salute which accompanies the ceremony as the 'trumpets sound and bells ring out in the Abbey'. .

    In stock: Estimated delivery 1-2 days
  • £12.00

    Dragon Dances

    Dragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.To view a PDF preview of the full score, click here; to view a preview of the solo part click here.

    Estimated delivery 5-7 days

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  • £65.00

    The Once and Future King

    DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need – hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.

    Estimated delivery 5-7 days

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  • £35.00 £35.00
    Buy from PHM Publishing

    Abide with me for euphonium and brass band, arr. Paul McGhee

    Paul McGhee made this haunting arrangement of W.H. Monk's famous hymn tune for the young Belgianstar of the euphonium Glenn Van Looy, who performed it on 27 January 2013 at the Royal NorthernCollege of Music Festival of Brass, with the Leyland Band conducted by Michael Bach. Surrounding thethree verses of the solo line are wisps of texture, irregular rhythms and colours form brass andpercussion, giving the music an unsettled feel. Abide with me is a favourite of Paul McGhee, who says“When watching the film 28 Days Later I thought it would make a rather striking arrangement for brassband. This was confirmed further when the hymn was used at the 2012 opening ceremony of the LondonOlympics. The contrast between the static, slow moving melody and the rhythmic effects of the dancerswas something that I thought could be captured in an arrangement.”Grade 4 (soloist 5)Duration 5 mins?35 plus postage and packing