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  • £50.00

    In Memoriam - Arthur Sullivan - Neville Buxton

    Written before teaming up with W.S. Gilbert, the first performance of "In Memoriam" was in 1866 at the Norwich Festival. Just before Sullivan started the composition, his father passed away. Sullivan turned his grief to the completion of this overture. It is also thought that the work was initially inspired by a poem of the same name by the Lord Tennyson Alfred. The overture enjoyed much success during Sullivan's lifetime, although sadly is seldom heard today. This arrangement of the work is the 2013 set test piece for the Butlins Mineworkers Open Brass Band Festival, 2nd section.

    In stock: Estimated delivery 1-2 days
  • £135.00

    A Tale as Yet Untold (Brass Band - Score and Parts)

    2013 Butlins Championship Section. Score and Parts.A Tale as Yet Untold was commissioned by the Cory Band for the European Brass Band Championships in Linz, Austria, 2010, and their winning performance gave them a hat trick of victories at the competition. The theme of this impressive work, which is set in three movements, is one that recurs again and again throughout the music of Philip Sparke, the power of the human spirit to overcome adversity and how the beauty of music can help in this respect.Grade: AdvancedDuration 14:00

    Estimated delivery 12-14 days
  • £36.50

    A Tale as Yet Untold (Brass Band - Score only)

    2013 Butlins Championship Section. Score and Parts.A Tale as Yet Untold was commissioned by the Cory Band for the European Brass Band Championships in Linz, Austria, 2010, and their winning performance gave them a hat trick of victories at the competition. The theme of this impressive work, which is set in three movements, is one that recurs again and again throughout the music of Philip Sparke, the power of the human spirit to overcome adversity and how the beauty of music can help in this respect.Grade: AdvancedDuration 14:00

    Estimated delivery 12-14 days
  • £34.95

    Overture On God Save The Queen - Jonathan Bates

    Composer Jonathan Bates describes his Overture on God Save the Queen as, "a messed up take on the UK national anthem!" The work takes the well-known melody and goes as wildly different from the original as possible.Much of the music is written in a deep ethereal funk in 13/16, before a heavy, grungy half-time feel section featuring the euphonium and baritone, with the tune still dominating the harmonic structure of the accompaniment.With great scope for choreography the work is extremely clever, entertaining, and proved the perfect vehicle to open both Flowers Band's 2014 Brass in Concert programme, and their 2015 Butlins Mineworker's Championship winnning programme.

    Estimated delivery 12-14 days
  • £19.99

    Spanish Dance - Andrew Wainwright

    Based on the traditional Spanish carol 'Riu Riu Chiu', this exciting foot-tapping item was premi?red at Butlins Mineworkers Championships in 2010. Recorded on Virtuosi GUS Band's CD 'A Mingled Chime', it has since proved to be a popular concert item.'Spanish Dance winds up to a whirlwind climax with a respectful nod in the direction of Morley Calvert's 'Canadian Folk Song Suite' - very clever.' Paul Hindmarsh, British Bandsman magazine

    Estimated delivery 10-14 days
  • £89.95

    Songs of Ascent - SCORE & PARTS - Jonathan Bates

    DURATION: 14 minutes. DIFFICULTY: Championship. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set work for the Championship Section at the Butlin's Mineworker's Championships in 2020.

    In stock: Estimated delivery 1-2 days
  • £29.95

    Songs of Ascent ADDITIONAL A4 SCORE - Jonathan Bates

    ADDITIONAL SCORE ONLY. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set test piece for the Championship Section at the Butlins Mineworkers Championships in 2020.

    In stock: Estimated delivery 1-2 days
  • £12.00

    Kopanitsa

    Kopanitsa was commissioned by Gavin Pritchard, who is also the work's dedicatee and gave the first performance with the Tongwynlais Temperance Band conducted by Gareth Pritchard at the Butlins Mineworkers Championship on 20 January 2008, winning the prize for best soloist as a result. He has recorded it on the CD "Enter the Galaxies" accompanied by the Cory Band conducted by Robert Childs.Gavin had requested a virtuoso showpiece featuring as many instruments as possible. The solo part is therefore written for vibraphone (bowed and struck), 10 x tuned tom toms, 5 x suspended cymbals plus hi-hat and a xylophone. The soloist's 'choreography' therefore forms an integral part of the performance. This can be seen to great effect in Gavin's performance of the work at the 2013 Brass in Concert Championship with Tredegar Band, available on the DVD of the event from World of Brass. A 'kopanitsa' is a Bulgarian folk dance that traditionally features two slow beats and two quick beats, reflected in the central 10/8 section. The music is deliberately Balkan in character, using the characteristic modes of Greek and Bulgarian folk music, and accelerates regularly to finish at breakneck speed. The tom-tom section marked 'ad lib.' after [D] can be improvised if the soloist wishes.You can view a sample PDF file of the score here and the solo percussion part here.

    Estimated delivery 3-5 days

     PDF View Music

  • £64.95

    Lucid Perspectives - Andrew Baker, Lucy Pankhurst, Paul McGhee

    Lucid Perspectives was commissioned by the Woodbridge Excelsior Brass Band for use as their own choice test piece at the 2017 Butlins Mineworkers 4th Section Championships in Skegness. Having been asked on a few occasions to write a piece for 4th section, I decided it was the perfect time to maybe write a collaborative piece that uses different compositional voices working to a common goal.With a brief of ‘write a short two minute piece that incorporates the view from the window where you composed it’, the composers set about making a new and interesting work for brass band where the main objective was to produce a short piece of music that never ‘talks down’ to the performer and engages them in a tonal language that perhaps isn’t instantly familiar.Written in four ‘movements’ which run continuously, Lucid Perspectives aims to bring together three unique voices in a work that reflects their styles, surroundings and inspirations.

    Estimated delivery 3-5 days
  • £34.95

    Overture on God Save the Queen - Jonathan Bates

    Composer Jonathan Bates describes his Overture on God Save the Queen as, "a messed up take on the UK national anthem!" The work takes the well-known melody and goes as wildly different from the original as possible.Much of the music is written in a deep ethereal funk in 13/16, before a heavy, grungy half-time feel section featuring the euphonium and baritone, with the tune still dominating the harmonic structure of the accompaniment.With great scope for choreography the work is extremely clever, entertaining, and proved the perfect vehicle to open both Flowers Band's 2014 Brass in Concert programme, and their 2015 Butlins Mineworker's Championship winnning programme.

    Estimated delivery 3-5 days