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£29.95
BEFORE THE CROSS (Cornet Solo with Brass Band Set) - Edward Gregson
Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.
Estimated dispatch 7-14 working days
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£44.95
MUSIC FOR A JOYFUL OCCASION (Revisited) (Brass Band Set) - Kenneth Downie
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£35.00
2nd Epitaph - Across the Water - Peter Meechan
This piece, as the title suggests, is the second Epitaph I have written, the first being Epitaph (for Hillsborough). a2nd Epitaph - Across the Watera was written for the Fountain City Brass Band, who are from the USA, to perform on D-Day landing beaches in Normandy, France.The title has a double reference point - the water between the UK and France, across which many troops (from the UK and the USA amongst others) travelled in the Normandy invasions, and also the water between the UK (the home of the composer) and the USA (the home of the band).
Estimated dispatch 12-14 working days
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£52.00Introduction and Allegro on a bass by Max Reger (Score only) - Robert Simpson
The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 7-9 working days
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£62.00Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson
The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 7-9 working days
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£29.95The Gospel Train (Brass Band - Score and Parts)
This arrangement was originally written in 1972 for the Blood and Fire group and later expanded for brass band. It has been performed with great effect in recent years.The music depicts a moving train, with the Cornets evoking the train's whistle and the Basses and Trombones providing rhythmic momentum. The interplay between the different sections creates a lively, jazz-infused atmosphere, full of energy and drive, capturing the motion and character of a train in motion.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2254 - 2257, April 2025
2254: Be glorified today (Martin Cordner)Built around Bob Kilpatrick's song In my life, Lord, be glorified today (S.A.S.B. 593), this concert opener was composed for Cambridge Citadel Band (UK and Ireland Territory) at the request of Bandmaster Simon Fisher. The piece pays homage to the city.2255: Driven by mission (Stephen Bulla)Stephen Bulla wrote this piece to commemorate Willis Howell and his wife's retirement from active officership. Bulla references St. Denio (S.A.S.B. 37), Melita (T.B. 442), For your mission and Men of Harlech (T.B. 756), and the assembling of the tunes and all they represent reflects the masterful artistry that always marks Bulla's works.2256: The Lord's my shepherd (Paul Sharman)This arrangement brings together two settings of Psalm 23; the familiar hymn tune Crimond (T.B. 68) and the more recent melody by Stuart Townend (T.B. 863).2257: Cornet Solo - I love you, Lord (Ian Robinson)Laurie Klein's chorus I love you, Lord (S.A.S.B. 369) has been popular for many years with Salvation Army congregations around the world and this work combines unconventional harmonies with sparse scoring to feature the soloist.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2246 - 2249, August 2024
2246: Christmas Prelude - David's City (Noel Jones)In 2 Samuel 5, we read of David's anointing as King of Israel at the age of thirty, a reign that lasted for forty years. Bethlehem was known as 'David's city' because he was born there and worked as a shepherd on the nearby hills. Verses 1, 2 and 5 of Once in Royal David's City (C.C. 68) are featured in this Christmas Prelude. There are also brief references to the carols O come, all ye faithful and O little town of Bethlehem between verses.2247: Cornet and Euphonium Duet - This Kingdom (Stephen Bulla)Geoff Bullock's song, This Kingdom, has been made well known by the American gospel singer Ron Kenoly. Stephen Bulla wrote this duet for a Brass Spectacular concert held in Basel, Switzerland, in May 2019.2248: Wonder (Stephen Gibson)When we stop to consider the mystery of God's love for each one of us, its enormity can only cause us to wonder. The opening bars of this music create an atmosphere, using a rolling accompaniment underneath sustained, music and chromatic Cornets, setting the style for the entire piece. Occasional references to Albert E. Webber's chorus Can you wonder? are heard throughout.2249: O to love thee! (Michael Davis)This piece takes its title from the first verse of Francis Bottome's words, Precious Jesus, O to love thee! The introduction establishes the baroque form of a prelude which leads into the tune Glory to the lamb (T.B. 327). Following a brief interlude, the melody is passed through several sections of the band, with delicate countermelodies in the Flugel and Horns. The majestic ending eventually comes to rest on the final tonic chord.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
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£94.9920,000 Leagues Under the Sea (Brass Band - Score and Parts)
Frenchman Jules Verne was a pioneer in science fiction during the late 19th Century, penning some classic stories such as Journey to the Centre of the Earth and Around the World in 80 Days - both of which have already been the subject of brass band test-pieces. It was therefore natural for me to choose Verne's 1869 watery magnum opus as the subject for this piece to which there are five sections, as well as an introduction and a finale.THE NAUTILUS. After a mysterious introduction we are introduced to The Nautilus - a fantastical submarine.THE CORAL KINGDOM. We visit awe-inspiring underwater coral formations.SQUID ATTACK. The Nautilus is attacked by a school of giant squid, or 'devilfish'.CAPTAIN NEMO. Captain Nemo is a loner and an eccentric. Some say he is a madman. Soloists of the band help to uncover the character of this enigmatic but powerful figure.MAELSTROM. The Nautilus is dragged into the ocean's deadliest whirlpool but Captain Nemo lives to fight another day.Duration: 12.30
Estimated dispatch 7-14 working days
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