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£50.00
Vectis Isle - Broadbent, D
VECTIS ISLE is the Roman name for the Isle of WrightSTATELY OSBORNEOsborne House was the summer residence of Queen Victoria. Music of fanfares and pageantry in 3/4 time, with a central delicate minuet section, before returning to the original fanfares and stately themes.PICTURESQUE CALBOURNECalbourne is a pretty, tiny country village with its feature of an old water mill. The music is pastorale in style. 6/8 rhythms with a free and easy waltz section.THE OLD CHURCH AT GODSHILLThis movement links directly from the second, but may be played on its own if desired. Godshill is a quaint but beautiful village of thatched cottages by an old church.SANDOWN HOLIDAYSThis final movement is intended to portray the happy atmosphere of this pleasant seaside resort, with just a moment or two to laze on the fine beaches under an afternoon sun before the final allegro concludes this suite.Duration 14 and a half mins
In Stock: Estimated dispatch 1-3 working days
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£15.00Symphony in Two Movements (Study Score Only)
Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£124.99Metamorphosis (Brass Band - Score and Parts)
The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme.Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material - each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three is the so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.Duration: 17:00
Estimated dispatch 7-14 working days
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£74.95Aspects of Adiemus (Brass Band - Score and Parts)
Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.Duration: 20.00
Estimated dispatch 7-14 working days
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£24.95Amidst a Celtic Dream
This is an original composition for euphonium and brass band from the pen of bright young composing talent, Benjamin Tubb. The work begins with an expressive lament incorporating a clever quote from Amazing Grace, a melody associated by many with Celtic Scotland but known to be of American origin. Following an expressive cadenza, the music moves quickly through a variety of styles featuring complex rhythms before arriving at a grandstand close.Amidst a Celtic Dream was commissioned by, and composed, for David Childs.
Estimated dispatch 7-14 working days
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£94.00Montage (Brass Band - Score and Parts)
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.
Estimated dispatch 7-14 working days
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£29.95
Darkwood (Score Only)
Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan's first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band's exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign - Danger Global Warming Project and the band's collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil - a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms - an exciting new work for Grimethorpe Colliery Band's Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.
Estimated dispatch 7-14 working days
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£55.00Escape the Kraken!
This evocative music portrays an underwater escape from the clutches of the legendary, multi-tentacled sea creature, the Kraken. From the mysteriousness of the seabed, the awakening of the beast, an exciting chase ensues as you evade capture. The work is full of excitement and energy, balancing myth alongside a cinematic sound world. Originally composed in 2017 for Jaren Hornmusikkforenig , Escape the Kraken! was the finale of the concept programme Twenty-Thousand Leagues Beneath the Sea . The work is published here in its 2019 revision, as performed at the Brass In Concert championships by the Flowers Band in their award-winning programme Captain Nemo's Forgotten Journal. Duration: 00:04:45 Grade: 5 / 5.5
Estimated dispatch 5-7 working days
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£25.00Shindig
Commissioned by Adrian Smith for the the Blackley Band's 2018 performance at the French Open Championships, Shindig is an approachable concert item for lower-section bands. This quirky work takes the form of an Irish reel, providing the opportunity for each instrumental family within the ensemble to 'take to the floor.' Duration : 00:03:00 Grade : 2.5 / 3
Estimated dispatch 5-7 working days
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£32.99Prelude Number 1 For Brass Band, Joseph Knight
This is a five minute prelude for brass band. It has an ABA form with a jazzy middle section. The subtitle is taken from the biblical text 'Awake O Sleeper' from Ephesians 5, the full quote is "Awake, O sleeper, and arise from the dead, and Christ will shine on you". This is reflected within the music as in the recapitulation of the A section it moves into an almost fanfare finale.
Estimated dispatch 5-9 working days
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