Results
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£25.00March - The Traditional
The Traditional is a concert march that takes influence from the great band marches of William Rimmer and T.J. Powell. Composed in 2004 and runner-up in 'the mouthpiece.com march competition'. Duration : 00:03:30 Grade : 3 / 3.5
Estimated dispatch 5-7 working days
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£25.00March - Spirit of Victory
Andrea Price Composed in 2004 for the 'Mouthpiece.com March Competition,' Spirit of Victory is a light-hearted concert march that takes influence from marches within the Salvation Army catalogue. It's tuneful nature and approachable scoring makes it accessible for confident Junior Bands, Fourth Section and above, offering an alternative choice to the traditional classics. Duration : 00:03:30 Grade : 2.5/3
Estimated dispatch 5-7 working days
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£25.00Shindig
Commissioned by Adrian Smith for the the Blackley Band's 2018 performance at the French Open Championships, Shindig is an approachable concert item for lower-section bands. This quirky work takes the form of an Irish reel, providing the opportunity for each instrumental family within the ensemble to 'take to the floor.' Duration : 00:03:00 Grade : 2.5 / 3
Estimated dispatch 5-7 working days
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£25.00The Garland Waltz (Tchaikovsky arr. Dan Price)
The Garland Waltz comes from 'The Sleeping Beauty', the second of three ballets by Pyotr Tchaikovsky. Sleeping Beauty's theme is simplistic and focuses on the conflicting forces of good and evil through the characters the Lilac Fairy (good) and Carabosse (evil). The ballet's premiere in 1890 received more favourable accolades than 'Swan Lake' but Tchaikovsky never witnessed the work's true success outside of Russia as he died in 1893. By 1903, 'The Sleeping Beauty' was the second most popular ballet in the repertoire of the Imperial Ballet, having been performed 200 times in only 10 years. The waltz and other music from the ballet has been used extensively in film and television, most notably in Disney's animated version of 'Sleeping Beauty' and the recently released 'Maleficent'. Here, Dan Price faithfully transcribes Tchaikovsky's original score for Brass Band. Duration : 00:04:45 Grade : 3.5 / 4
Estimated dispatch 5-7 working days
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£25.00She's a Lassie From Lancashire
She's a Lassie from Lancashire is a British musical hall song from the pen of writing partnership C.W. Murphy, Dan Lipton and John Neat. The song gained widespread popularity through performances and recordings by the revered Florrie Forde. Commissioned by Mark Peacock for the Longridge Band , this reflective setting by Dan Price evokes the rolling Lancashire countryside, with subtle hints of industrialisation, mill machinery and the echoes of the song's musical hall origins. Duration: 00:03:50 Grade: 3/3.5
Estimated dispatch 5-7 working days
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£32.99Prelude Number 1 For Brass Band, Joseph Knight
This is a five minute prelude for brass band. It has an ABA form with a jazzy middle section. The subtitle is taken from the biblical text 'Awake O Sleeper' from Ephesians 5, the full quote is "Awake, O sleeper, and arise from the dead, and Christ will shine on you". This is reflected within the music as in the recapitulation of the A section it moves into an almost fanfare finale.
Estimated dispatch 5-9 working days
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£37.89Three Carols at Midnight (Brass Band) Martin Cordner
Rooted in the sacred stillness of a French village on Christmas Eve, this suite by Martin Cordner draws upon traditional carols that have echoed through centuries of candlelit chapels and midnight vigils. Each movement offers a window into the Nativity story: I. Mystery: Noel Nouvelet (Christmas Comes Anew) opens with modal wonder, evoking the anticipation of Christ's coming and the quiet awe of Advent. II. Cradle: Entre le boeuf et l'ane gris (Between the Ox and the Grey Donkey) rests in pastoral tenderness, where the newborn Savior lies between humble beasts, watched over by angels and the Virgin. III. Joy: Il est ne, le divin enfant (He is born, the Divine Infant) bursts forth in celebration, proclaiming the divine birth with rustic dance and jubilant praise. Together, these carols form a musical triptych - moving from mystery to intimacy to exultation. Three Carols at Midnight invites listeners to step into the hush of a French Noel, where the sacred story is told not only in word, but in melody, memory, and light. All proceeds support the mission and ministry of The Salvation Army Delaware Command, USA. To view a rolling score video of the work please visit www.youtube.com/watch?v=fUcCluBS18Q Difficulty level: 4th Section + Duration: approx. 5.00 minutes This PDF download includes parts and score. Sheet music available at www.brassband.co.uk or www.durhammusicshop.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2 Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£37.89Seaside Odyssey (Brass Band) Liz Lane
Seaside Odyssey is a celebration of the British seaside! The music represents a juxtaposition between natural and manmade elements; there are two main musical themes - the reflective sea (a wordless setting of John Masefield's Sea Fever) and a more lively 'seaside' theme, heard separately in different ways and later together. From childhood memories, sand, beach and cliffs to cafes, ice creams, fish and chips, buckets and spades, boating trips, beach huts, bandstands, piers, theatres, gardens, mini golf, arcades and more, Seaside Odyssey is a journey from dawn to dusk with the sea at the heart of the music. This work was commissioned by Grimethorpe Colliery Band for its seaside tour, August 2023, where it performed at Paignton, Lyme Regis, Weymouth, Shanklin and Herne Bay. Includes optional poems and words specially curated from poets associated with the seaside towns, which can be read before a performance. Duration: approx. 5 minutes This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Eb Soprano Cornet Bb Solo Cornet Bb Repiano Cornet Bb Cornet 2 Bb Cornet 3 Bb Flugelhorn Eb Solo Tenor Horn Eb Tenor Horn 1 Eb Tenor Horn 2 Bb Baritone 1 Bb Baritone 2 Bb Trombone 1 Bb Trombone 2 Bass Trombone Bb Euphonium Eb Bass Bb Bass Percussion 1: timpani, triangle and optional 'arcade jackpot' effect (see score/part) Percussion 2: 3 suspended cymbals (2 ride, 1 crash) and hi-hat Percussion 3: snare, tom-toms and bass drum Percussion 4: glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£34.10Love Eternal (Cornet/Flugel Solo with Brass Band) Jarrod Cooper arr. Lamplough
Love Eternal was written by Gavin Lamplough for Neil Blessett, who at the time of writing was the Principal Horn player of both Birmingham (UK) Citadel Band and the International Staff Band of The Salvation Army. After popular demand, it was set as a cornet or flugel horn solo, both with piano accompaniment and this version with brass band. The arranger uses Jarod Cooper's popular contemporary worship song King of Kings, Majesty as the basis for the work and the piece seeks to provide a vehicle for the rich timbres of the tenor horn to be enjoyed by the listener. The music reflects the Christian musician's desire to offer their talents to God to be used by Him, and the lyrics of the song are ones of contrast as the musical journey of this piece seeks to emulate the juxtaposition through contrasting moods. To view a video of Helen Williams performing the solo (version with piano accompaniment) please visit www.youtube.com/watch?v=ww3B06TBKMM PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 5.00 minutes Instrumentation: Cornet/Flugel Horn Soloist Bb Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£37.89Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell
Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894. The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting. This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPg Duration: approx. 5.20 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Percussion 2 - Triangle, Cymbal & Bass Drum
In Stock: Estimated dispatch 1-3 working days