Results
-
£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
-
£40.00
Variations on a Theme of Michael Tippett (Brass Band - Score only) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
-
£44.95The New Jerusalem (Brass Band - Score only) - Wilby, Philip
The New Jerusalem was commissioned by the National Youth Brass Band of Great Britain, and first performed by them at City Hall, Salisbury on 20 April 1990 and then the following day in London's Queen Elizabeth Hall. The original version was thus intended for their very large group of gifted players, and is available from the Novello Hire library.This present Contest Version is a thorough revision of that original score, redesigned for a conventional number of players, and recast as a score which contains considerable scope for solo performers within the band.Recorded on Polyphonic QPRL056D National Brass Band Championships of Great Britain and Gala Concert - 1992
Estimated dispatch 7-14 working days
-
£94.95The New Jerusalem (Brass Band - Score and Parts) - Wilby, Philip
The New Jerusalem was commissioned by the National Youth Brass Band of Great Britain, and first performed by them at City Hall, Salisbury on 20 April 1990 and then the following day in London's Queen Elizabeth Hall. The original version was thus intended for their very large group of gifted players, and is available from the Novello Hire library.This present Contest Version is a thorough revision of that original score, redesigned for a conventional number of players, and recast as a score which contains considerable scope for solo performers within the band.Recorded on Polyphonic QPRL056D National Brass Band Championships of Great Britain and Gala Concert - 1992
Estimated dispatch 7-14 working days
-
£49.95Of Men and Mountains (Brass Band - Score only) - Gregson, Edward
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work was commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
-
£94.95Of Men and Mountains (Brass Band - Score and Parts) - Gregson, Edward
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work was commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
-
£60.99Mercury (Brass Band - Score and Parts) - Van der Roost, Jan
Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.Duration: 3.00
Estimated dispatch 7-14 working days
-
£104.99Variations on a Chord (Brass Band - Score and Parts) - De Haan, Jan
Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.Duration: 11:45
Estimated dispatch 7-14 working days
-
£30.00Accolade (Brass Band - Score and Parts) - Littlemore, Phillip
Accolade, meaning an award, an honour or a laudatory notice. This fanfare for brass band literally builds from the bottom up - a battery of percussion leads to the lower band's statement of the theme before passing through the middle of the band that builds a series of interjections. The theme is then restated in the upper band before the battery of percussion returns to end. The fanfare was written for Regent Brass as the title track for their 1990 recording to celebrate both their 5th anniversary and to celebrate being crowned 3rd Section Champion Band of Great Britain in 1988 - an accolade indeed!?Duration: 1:00
Estimated dispatch 7-14 working days
-
£35.00Carol of the Bells (Brass Band - Score and Parts) - Littlemore, Phillip
This popular Christmas piece was composed by Mykola Leontovych around 1916. It is based on a Ukrainian folk chant known as 'Shchedryk', a New Year's carol. However, it was not until after the composer's death in 1921 that it was first introduced to Western audiences, when the Ukrainian National Choir included it on their tour of Europe and the Americas that same year. The film composer John Williams incorporated it into the score for the 1990 film Home Alone and he is credited for bringing it to a wider audience still, although it had been released on Christmas albums by a number of popular artists before that. This transcription for brass band has been adapted from the arrangement by Robert Prizeman, who created it for Libera, the world famous boys choir that he both founded and directs. Their unique, enchanting and, some say, heavenly sound delights audiences throughout the world through extensive concerts, recording and TV broadcasts. This brass band transcription introduces this skilled choral arrangement to a new genre and a whole new audience as well. Duration: 3.00
Estimated dispatch 7-14 working days
View Music