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  • £49.20

    You Don't Have To Say You Love Me

    Estimated delivery 5-7 days

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  • £30.00

    Will You Love Me Tomorrow

    In stock: Estimated delivery 1-2 days

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  • £47.00
  • £92.00
  • £53.20

    Old Blue Eyes is Back - Medium

    A Frank Sinatra PortraitIncludes: Fly Me to the Moon; New York, New York; Love and Marriage; Strangers in the Night; Come Fly With Me; You Make Me Feel So Young

    Estimated delivery 12-14 days
  • £33.95

    SINGALONGAMAX (Selection No.2) (Brass Band) - Siebert, Edrich

    Includes: You Made Me Love You; Oh! You Beautiful Doll; Shine on Harvest Moon; Honeysuckle and the Bee

    Estimated delivery 12-14 days
  • £29.95

    Singalongamax No.2 Medley

    Includes: You Made Me Love You; Oh! You Beautiful Doll; Shine on Harvest Moon; Honeysuckle and the Bee.

    Estimated delivery 12-14 days
  • £25.00

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £49.95

    Fire in the Blood - Paul Lovatt-Cooper

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain’s most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the ‘ISB 120’ concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army’s motto under their famous crest ‘Blood and Fire’.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army’s services over a number of years. Opening with Richard Phillips’ setting of Psalm 95, ‘Sing for Joy’, the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies’ emotive song melody ‘Lord, you know that we love you’ and Laurie Klein’s worship song ‘I love you Lord’.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated delivery 12-14 days